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66 pages 2 hours read

Sherwood Anderson

Winesburg, Ohio

Fiction | Short Story Collection | Adult | Published in 1919

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Story 7Chapter Summaries & Analyses

Story 7: “Godliness: A Story in Four Parts”

Story 7, Part 1 Summary: “Godliness”

Twenty years after the end of the American Civil War, Jesse Bentley becomes famous in Ohio for modernizing his farmlands with new methods and technologies.

The Bentleys first arrive in Ohio many years prior to the events of the story. They settle in the Midwest to live on cheap forestland, which they convert into farmland. Several generations later, Jesse is born the youngest of five boys, who work on the farmland using their elders’ original methods. All four of Jesse’s brothers, as well as their mother, die during the Civil War. Jesse returns home to take charge of the farm and care for his elderly father.

Though Jesse is better suited to work as a minister than as a farmer, he quickly becomes a strict master of the estate, forcing everyone to do his bidding so that the farm will thrive. He aspires to make his farm the best in the state, convinced that this is how he will live a life of “great importance,” emulating of the Biblical figure of Jesse. Jesse’s ambition makes him pitiless toward everyone on the estate, including his father and his pregnant wife, Katherine, who later dies during labor.

The Industrial Revolution has made it hard for Jesse to fit into an increasingly urbanized and mechanized world. Jesse shies away from popular literature in favor of scripture. He takes everything that has happened in his life, from the death of his brothers to his father’s retirement, as signs from God. Though he feels frustrated with the farm’s modest size, he continues to seek out new signs of God’s blessing.

On the night Katherine goes into labor, Jesse walks along the valley, coveting the lands he does not own. Remembering that the Biblical Jesse had sent David to help Saul against the Philistines, Jesse compares himself to Saul and his rival farm owners to the Philistines. He prays for God to send him a son through Katherine. He will call his son David and together they will overcome their rivals in Wine Creek.

Story 7, Part 2 Summary: “Godliness”

David Hardy is the grandson of Jesse Bentley, the son of Jesse’s only daughter, Louise Bentley, and her husband, John Hardy. John and Louise have a rocky marriage, primarily because Louise has had a notably short temper since childhood. John tries to placate her, but finds that in doing so, he only provokes her into more destructive acts—such as attempting to burn down their house and threatening John with murder.

David is afraid of Louise. One day, while riding back into town from the Bentley farm, David decides to run away from home. He gets lost on the country roads and gets stuck in a powerful storm. His father, John, calls for a search party, believing that David has been kidnapped. When David miraculously finds his way back to the Bentley farm and is returned home, Louise hugs him tenderly. David feels surprised by the sudden transformation of his mother’s behavior toward him. She bathes him, cooks him dinner, and puts him to bed. In the years to come, he longs to experience such tenderness and care from her again.

When David is 12, he goes to live on the Bentley farm at Jesse’s request. Louise, who resents her upbringing, believes the farm will suit a “man child” like David and does not protest. She retreats into solitude. David is tenderly looked after by one of the women on the farm and becomes accustomed to life there. The mood on the farm, which has grown to cover most of the valley, generally turns brighter.

Jesse feels caught between the influence of two major forces in his life: his desire to become “a leader among men of God” (56) and the Industrial Revolution. He has remained spiritually zealous despite the apparent absence of God in his life and in the world around him. He recognizes the need to become a modern industrialist, so he starts acquiring machines to improve productivity. When David arrives, Jesse gets the impression that God has finally answered his prayer.

Jesse and David regularly ride out to inspect the estate. On one of these rides, Jesse terrifies the boy so much that it puts their relationship at risk. On one of their rides, Jesse gets into such an excitable state that he stops the carriage and gets out. David follows Jesse, unaware that his grandfather is hoping to receive a sign from God. In a nearby clearing, Jesse falls to his knees and prays aloud, which terrifies David, who feels that his grandfather has transformed into a dangerous person. Jesse takes the boy’s shoulders and cries for a sign from God. David breaks out of his grip and runs back into the forest. He falls and wounds his head. Jesse shakes himself from his reverie, retrieves David, and brings him back to the carriage. David wakes up and urges Jesse to take him away from the man who terrified him in the woods. Jesse wonders what he has done to earn God’s disapproval.

Story 7, Part 3 Summary: “Surrender”

The narrator describes Louise Bentley’s story as a “story of misunderstanding” (62). She is one of many neurotic women born during the Industrial Revolution. Her early life is marked by the desire for her father’s love, which she is consistently denied. By age 15, she moves into the house of Jesse’s friend, vehicle merchant Albert Hardy, so that she can attend high school.

Louise feels unable to shake her malaise even after she moves in with the Hardys, so she focuses her energy on her studies. Though Albert did not receive an education growing up, he strongly endorses it for his children, John, Mary, and Harriet. Albert praises Louise’s industrious work ethic and berates his daughters for doing poorly. In retaliation, the Hardy girls decide to ignore Louise altogether.

Louise befriends John, though she is too shy to talk to him whenever he brings firewood up to her room. She convinces herself that she will feel less excluded from the joyful circles of people around her if she can become close to him.

One night, John comments that Louise is a hard worker. When he leaves the house, Louise tries to call him from her window. She decides to wait for him to return beside the parlor. She hears someone coming back through the orchard and initially thinks it is John, but when she realizes it isn’t him, she hides. John’s sister, Mary, and a young man have a sexual encounter in the parlor, which gives Louise an idea of how to engage with John.

Louise sends John a note asking him to call her through her window if he wants to love her. He initially fails to respond, which causes her to avoid him out of embarrassment. A few weeks later, he finally does call on her, though her feelings for him have been affected by something that happened the weekend before.

The narrator reveals that on her way back to the farm that weekend, Louise had vented her frustrations to the farmhand who was driving her. Louise had attempted to seduce the farmhand, but the farmhand failed to return her affections. The rejection provoked Louise so much that she threw the farmhand’s hat to the road and left him behind when he attempted to retrieve it.

When John comes for Louise, she boldly accepts him as her lover. She never expresses what she really wants out of their relationship, and when she suspects that she has become pregnant, they get married. Louise and John move into their own house, and Louise tries to articulate her true desires. John refuses to listen, believing that all she expects him to be is a passionate lover. She soon begins to reject his sexual advances and their relationship eventually turns hostile.

Louise gives birth to David, but cannot readily express affection toward her newborn baby. John rebukes her for being so cold. Louise retorts that David will get his way because he is a man-child—he will thrive with or without her tenderness. Had he been a woman-child, Louise would have been more sympathetic.

Story 7, Part 4 Summary: “Terror”

At 15, David has an adventure that inspires him to leave Winesburg and his family. Jesse and Louise both die after David leaves. John spends part of his inheritance unsuccessfully trying to reunite with David.

David’s adventure happens during an abundant time for the Bentley farm. Jesse spares no expense in converting a strip of swampland into arable land. Although his neighbors had expected the investment to fail, Jesse turns a huge profit with his crop, which enables him to further modernize the farm.

During the summer, David spends most of his time outdoors. He takes a homemade slingshot to forage and hunt. The satisfaction he gets from this activity is enough to dispel thoughts of his impending manhood. One morning, he is about to set out when Jesse invites him to accompany him to the woods. They ride out to a field where a lamb has been born out of season. They tie the lamb up to bring with them. Jesse indicates that he has been planning this excursion for a long time, and knew it was the right time when he saw the lamb. He wants to offer the lamb as a burnt offering so that God can send them a message about David’s destiny.

They return to the clearing where Jesse had terrified David years ago. Though he still remembers how frightened he was, David assures himself that it is safe to follow his grandfather. He nevertheless loosens the binding around the lamb, promising to run away with it in case of danger. Jesse builds a fire then approaches David and the lamb with a knife. David and the lamb flee in terror. Jesse chases after the lamb. Thinking that he is being pursued by his grandfather, David shoots at Jesse with his slingshot. Jesse falls forward, causing David to think that he has killed him. He resolves to leave Winesburg, allowing him to be “be a man and go into the world” (75).

Jesse regains consciousness after David flees, unable to talk about anything other than God. Whenever someone mentions David, Jesse indicates that God had sent an angel to take him away because Jesse had become “too greedy for glory” (76).

Story 7 Analysis

Anderson structures “Godliness,” the only story in Winesburg, Ohio broken into multiple parts, as a family saga that reflects not only three generations of the Winesburg community but also the sweeping social changes that impacted the US during the Industrial Revolution.

As a character, Jesse Bentley embodies the transition from the traditions of pastoral life to the modernization of the Industrial Revolution. He is torn between the ideals of his ancestors, who have constructed a worldview rooted in the concept of divinely preordained destiny, and the demands of the American economic landscape, which urges him toward capitalism and materialism in order to survive. Jesse’s upbringing dictates that he view the world through a Biblical lens, applying Biblical narratives to every aspect of his life. As the story opens, Anderson represents Jesse’s hyper-religious idiosyncrasy through his constant allusions to the Old Testament, giving the reader access to a mind whose way of thinking precedes the introduction of the printing press and its impact on literacy. As his arc advances, Anderson represents Jesse’s progressive shift toward industrialist principles through his habit of reading newspapers to learn about new technologies and stay ahead in his business. Jesse’s narrative arc hinges on the tension between his religious zealotry and his business-minded materialism. In the absence of direct signs from God, Jesse comes to adopt business success as the sign that he has made something worthwhile of his life. He attempts to frame his materialism as religious fervor by demanding that God send him signs of his approval, ultimately leading to his request for a son so that the arc of his life will echo that of the Biblical Jesse.

In his segmentation of “Godliness,” Anderson creates an abrupt transition between Parts One and Two, moving immediately from Jesse’s request for a son to the moment that request is ostensibly fulfilled. The opening section of Part Two announces the birth of David (named for the Biblical king of Israel), but quickly makes it clear that David is Jesse’s grandson, and that the child Jesse asked God to provide turned out to be a daughter—Louise. Jesse treats the birth of a daughter instead of a son as a punishment from God, which causes him deep frustration over the intervening decades and creates a fraught dynamic between himself and Louise, highlighting the overlap between traditional turn-of-the-century Christian ideology and patriarchal misogyny.

Anderson suggests that Jesse’s rejection of Louise creates both an unfulfilled longing in her for male approval and a deep-seated anger, revealing The Loneliness of One’s Inner World through a gendered lens. She seeks a connection with John Hardy, who misinterprets her earnest longing for tenderness as sexual desire, laying the foundation for their difficult marriage. This narrative context positions Louise’s rage as a reaction to the frustration of her life and the cruelty she’s experienced from her father and husband. Anderson ends Louise’s section of the story with the assertion that frustrated expectations are common to the female experience.

In Part 4, aptly named “Terror,” Anderson crafts a coming-of-age arc for David that consistently pairs tenderness and fear within his closest relationships. Anderson portrays David as an innocent, inheriting neither Jesse’s religious zealotry and industrial obsession, nor his mother’s rage, highlighting The Tension Between Youth and Experience. Instead, he longs for familial tenderness, which informs his relationships with the previous two generations. Although Louise’s cruelty and coldness cause him to fear her, the one moment of genuine tenderness he experiences from her after he runs away from home nuances Anderson’s portrayal of her. David receives the tenderness he longs for from Jesse but feels real terror during Jesse’s episodes of manic religious fervor.

David’s loss of innocence comes when he attacks Jesse in self-defense, forcing him into adulthood. Anderson transforms the slingshot toy that David uses on his excursions around the farm from a symbol of childhood innocence to an instrument of adult autonomy as he knocks down Jesse with a stone. The slingshot also reinforces Anderson’s evocation of the Biblical narrative of David, recasting them as the Biblical David and Goliath. David resolves to abandon not only his boyhood, but also his ties to the Bentley family legacy in order to survive.

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