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53 pages 1 hour read

R. J. Palacio

White Bird: A Wonder Story

Fiction | Graphic Novel/Book | Middle Grade | Published in 2019

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Character Analysis

Sara Blum (Grandmère)

First introduced as Julian’s grandmother, Sara Blum is the protagonist of White Bird. The Prologue and Epilogue of the book, which take place in 2019, show her to be an old woman; the main story, however, follows a young Sara when she lived in France. Born in the 1930s, Sara is the only child of Max and Rose Blum. She is smart and talented and has a happy and secure childhood until the Nazis arrive in France in the 1940s. Sara is an excellent student in all subjects except mathematics; she is also a talented artist, spending most of her math classes doodling and daydreaming. Sara and her parents are non-religious Jews; nevertheless, they are victims of Nazi persecution during World War II.

Sara is a little spoiled, by her own admission. She has had the luxury of only caring about the simpler things in life, until the war. Thus, Sara is initially self-absorbed, worrying more about looks and popularity than anything else. This is exemplified by how she ignores Papa’s request for her to wear winter boots in cold weather, choosing her red shoes instead, as they are more fashionable. Similarly, while she thanks Julien for returning her sketchbook, she does not say much else and is not particularly nice, as she doesn’t want to be seen associating with him. Even when she eventually befriends Julien after he saves her life, traces of her naïveté and self-absorption are seen in how she does not realize the danger she is putting the Beaumiers in as she moves to expose herself to Vincent to save Julien.

Having lived a privileged life for most of her childhood, Sara finds it difficult to allow her bubble to burst, initially remaining in denial about the changing nature of the world around her, even as the Free Zone falls to the Nazis. However, she has a good heart and a strong moral core, arguably owing to how she has been raised—even as Jews are being persecuted, her Papa encourages her to stay strong, and not see others in terms of “good” or “bad.” When Sara’s life turns upside down overnight, she successfully adapts to and deals with her new, drastically changed circumstances. Sara faces her previous mistakes and flaws when Julien points them out to her, accepting and apologizing for her past actions. She sees remarkable growth as a character, moving from a passive by-stander to willingly risking her life to save her friend. Her experiences with the Beaumiers and the war leaves Sara grateful for and appreciative of the courage it takes to be kind, and she carries this with her for the rest of her life, passing it on to her grandson through her story.

Julien “Tourteau” Beaumier

Vivienne and Jean-Paul Beaumier

Vivienne and Jean-Paul Beaumier

Vivienne and Jean-Paul Beaumier are Julien’s parents. Jean-Paul is a sewer worker, and the family live a far less affluent life than what Sara is used to; nevertheless, they unhesitatingly take her in during the war, hiding her at great risk to their own lives and caring for her as one of their own.

The Beaumiers are warm and accepting people, who welcome Sara into their lives—not only do they provide her a place to live, but they take the extra effort to make her living quarters clean and hospitable, as well as offer her words of comfort. The Beaumiers believe that the triumph of good over evil is in the hands of man—they understand that human beings are responsible for stopping the violence and hate in the world, and this makes them brave.

They also, however, understand the importance of small kindnesses in tandem with large acts of bravery, in a time of crisis—Vivienne asserts that this is what reminds one of their humanity, taking the effort to spend time with Sara every day, as well as make her birthday special. In time, Sara becomes a beloved member of their family—even after Julien passes away and the war ends, the Beaumiers and Sara remain close; they eventually walk her down the aisle when she gets married and remain important people in her life until their passing.

Max and Rose Blum

Max and Rose Blum—or Papa and Maman, as Sara refers to them—are Sara’s parents. Max is a renowned surgeon, and Rose is a highly qualified math teacher holding an advanced college degree in mathematics. Max and Rose are both foreign-born, non-religious French Jews. Although they are French citizens, the fact that they are Jewish and naturalized leaves them open to persecution from the Nazis.

Despite the times, Max does not believe in labelling people as “good” and “bad”—he even encourages his daughter, Sara, to see things in terms of “light” and “dark,” asking her to stay strong within rather than judge and blame someone else. Although Max believes in the inherent goodness of people, he is nevertheless a practical man—following Sara’s first experience with anti-Semitism in school, he suggests that the Blums leave France, understanding the danger their family is in. Rose, however, is more optimistic and attached to France. She does not want to uproot her family and chooses to believe that the danger will pass. In this, Sara takes after her Maman. She stays in denial about the drastically changing circumstances around her until she is brutally forced to confront her new reality. Unfortunately, Maman does not survive the war—she is rounded up and sent to Auschwitz, where she dies. True to Julien’s intuition, however, Sara does eventually reunite with Papa, who lives long enough to walk her down the aisle when she gets married years later.

Vincent

Vincent is a student at the École Lafayette, a few years older than Sara and Julien. A handsome and popular boy whom all the girls have crushes on, Vincent is one of the people who actively seeks out and torments Julien. His father is revealed to be working for the Nazis, and Vincent himself later joins the Milice.

All throughout the book, Vincent is consistently cruel in his behavior towards those weaker than him. Even before the war, he would bully and torture Julien; when the war commences, Vincent finds a sanctioned outlet for his brutish instinct, targeting Jews in addition to all the others deemed inferior by the Nazis. He is the one who alerts the gendarmes to where the maquisard and the Jewish children are hiding. When he attacks Julien in the barn, he expresses hate and disgust for Julien’s condition; he is also assumed to be responsible for Julien’s arrest.

Vincent is a flat character, with a single, overarching quality of cruelty that is present throughout his arc. He plays the villain in the story, a character representing and belonging to the evil that was the Nazi party, and the human instinct for violence and cruelty at large. Vincent’s character meets a cathartic end, as he is attacked and killed by a wolf in the forest, an animal that initially represented man’s darker instincts in the book. The manner of his death also symbolizes how, if left unchecked, man’s instincts for oppression and violence will lead to his own end.

Pastor Luc, Mademoiselle Petitjean, and the Lafleurs

Pastor Luc is the director of Sara, Julien, and Vincent’s school, the École Lafayette. Mademoiselle Petitjean is Sara and Julien’s math teacher at the same school, while the Lafleurs are Julien’s neighbors. Just as Vincent is a flat character representing the violence of humanity, Pastor Luc, Mademoiselle Petitjean, and the Lafleurs are all representative of the goodness that human beings are capable of.

As the director of the school, Pastor Luc organizes for the Jewish children to be smuggled out when the Nazis arrive; although this is eventually unsuccessful, he continues to stand up to the Nazis in whatever way he can. He sympathizes with the Beaumiers over Vincent’s treatment of Julien and chastises Vincent accordingly; he is even rumored to have joined the Maquis later.

Mademoiselle Petitjean is seen to be gentle and caring towards her students even before the arrival of the Nazis. Despite Sara’s constant daydreaming in her classes, for instance, she never harshly chastises Sara. During the attempted escape, Mademoiselle Petitjean unhesitatingly gives Sara her own scarf to keep her warm; and when the children are eventually caught and rounded up by the gendarmes, Mademoiselle Petitjean insists on accompanying them with full knowledge of the fate that awaits her. She sacrifices her own life to ensure that her students feel safe and loved until the end.

The Lafleurs are initially portrayed to be Nazi-sympathizers, as they grow distant from the Beaumiers after the Occupation. Later, it is revealed that this was owing to the Lafleurs sheltering the Bernsteins in their attic, having in turn believed the Beaumiers to be aligned with the Nazis. Once the truth is out, they attempt to help Vivienne find Julien, and later assist the Beaumiers in keeping Sara safe for the remainder of the war. The mystery surrounding the Lafleurs and what eventually comes to be true—also symbolized by the evolution of the symbol of the wolf throughout the story—is indicative of the kind of suspicion and mistrust that pervaded the air during the Nazi regime, leading people to perceive and fear danger all around, even in places they didn’t exist.

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