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Judith KerrA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Anna is the protagonist of When Hitler Stole Pink Rabbit. She is nine at the novel’s beginning, and twelve at its end. She is a dynamic character who undergoes significant change through the course of the novel. The Challenges of the Refugee Experience contribute significantly to her coming of age.
At the novel’s opening, Anna is full of childlike naivety. She frets over which toy to bring to Switzerland, illustrating that she does not understand the gravity and stress of the political situation. She even feels some excitement at the prospect of moving, not fully grasping that they are fleeing and will be experiencing significant stress: “to be in a strange country where everything would be different—to live in a different house, go to a different school with different children—a huge urge to experience it all overcame her and though she knew it was heartless a smile appeared on her face” (20). Anna’s happy and carefree life before their flight is also referenced on her 10th birthday in Switzerland, when she doesn’t receive as many toys or as much fanfare as she used to in Berlin.
Anna’s maturity develops as she resiliently bears the seizure of all of her and her family’s possessions and home when Hitler comes to power. Anna and Max gradually learn to recognize the struggles their family faces, deciding not to pester their mother for money for the upcoming local village fair as “if they were going to live in Paris they would need every penny for the move” (78). Anna also eventually realizes that their lack of wealth is unimportant compared to being together. She declares she is happy in the tiny apartment in Paris—which is so different to their enormous house in Berlin—“as long as we’re all together” (102).
Anna turns her struggle to triumph when she manages, after a period of immense frustration and exhaustion, to master the French language, even winning a prize for one of the best 20 compositions among all French children of her age group. This leads to Anna confidently concluding that, although she and Max know no English when they arrive in England, that they will learn soon enough. Her adaptability, resilience, and determination are thus showcased in her confidence and poise at the novel’s end.
Max is Anna’s brother; he is two years older than Anna. Like Anna, Max is initially naive. As the Berlin elections loom and Anna and Max’s parents grapple with whether to flee the country, Max’s concerns initially revolve around childish play and a wish to go tobogganing.
Being older, Max understands the gravity of the situation before Anna does. Shortly after their escape, he realizes that the family has now lost everything. At their hotel in Switzerland, he explains to Anna that “the Nazis have pinched the lot […] it’s called confiscation of property” (47). When Anna cries about leaving her Pink Rabbit behind, Max wisely points out that, “we’re lucky to be here at all” (47).
Like Anna, Max turns his struggle to triumph. Teachers in Berlin and in German-speaking Zurich report that Max lacks motivation at school. Then the family moves to Paris, and Max is forced to learn a new language among a class of fluent French speakers. He feels embarrassed over being foreign, complaining about “being so different from everyone else” (127). In only 18 months, Max not only learns French fluently, but tops his class. Just like Anna, Max’s newfound adaptability and determination help him to thrive in spite of the difficulties of his situation.
Anna and Max’s Papa is a writer. In the lead up to Hitler’s 1933 election as Chancellor, Papa continues to write socialist-adjacent material that critiques the Nazi party. Mama explains, “The Nazis don’t like people who disagree with them” (18). This means that Papa is increasingly unsafe as the election approaches. After he is given a tip-off from a sympathetic policeman, Papa decides that he must flee Germany, with his family following soon afterward. His concerns are proved justified when the Nazis arrive at their home to confiscate their passports shortly after their escape.
Through his writing and attitude, Papa acts as a symbol of The Importance of Resilience. He refuses to stop criticizing the Nazis even after there is a price put on his head for his arrest. When Switzerland becomes reluctant to print his work, he moves the family to Paris to continue his resistance. Papa offers opinions on Anna’s childish concerns that demonstrate his strong moral code, and that often mirror his own, more adult, concerns. Anna’s teacher tells her that she should write poems about more cheerful matters, but Anna’s Papa insists, “[I]f you want to write about disasters, that’s what you must do. It’s not use trying to write what other people want” (15). This reflects his commitment to writing honestly, even when under threat.
Papa also helps the family to be resilient through their constant challenges by embracing the excitement and adventure that comes with refugee life. Papa tells Anna that, although it is unsettling to have to leave one’s country, “it is very interesting” (66). This helps Anna to feel positive and excited about their situation. However, Papa’s behavior sometimes shows signs of sadness and trauma as well, reflecting The Challenges of the Refugee Experience: He suffers from nightmares about his escape from the Nazis, and is deeply grieved by Onkel Julius’s death. His strength of spirit helps him to confront and overcome these difficulties for the sake of his family.
Anna and Max’s mother must manage significant stress as she and her family are displaced by the Nazi’s rise to power. She is characterized as a loving but imperfect person managing her own difficulties. Mama is unusually snappy at Anna at the novel’s opening, illustrating her stress at the family’s choice of whether to flee the country or not. Anna also notices, but doesn’t properly understand, her mother’s stress as they approach the German/Swiss border, when she nervously presses her handbag while trying to remain outwardly calm.
Later, in Paris, Mama struggles under the massive weight of managing domestic tasks on a shoestring budget. As a woman raised wealthy, she feels unable to cope: She cries and yells, telling her husband, “all I ever learned to do was play the piano” (158). Her lavish Berlin lifestyle gave her no practical skills, and she feels oppressed and exhausted with her new responsibilities. Nevertheless, Mama works hard to master domestic tasks, learning how to make clothes for Anna and Max, how to keep their house, and how to cook delicious meals that even Anna’s French lunch lady admires. Mama’s adjustment to a completely different way of life to care for her family reflects The Importance of Resilience.
Furthermore, even while managing her own stress, she is a pillar of strength and support for her children. When Anna throws her homework to the ground and cries, Mama takes her for pastries and tea with their meager allowance, encouraging her to persevere with her schoolwork and her efforts to learn French. Mama creatively uses their limited resources to make their home and special occasions, such as Christmas, enjoyable for the family, such as when she makes a beautiful tree: “[I]t looked so pretty, shining green and silver […] [that] Anna suddenly knew that Christmas would be all right” (110). Just like Papa, Mama sets an example for their children, teaching them how to overcome the difficulties that they face.
Onkel Julius, a close friend of the family, represents The Threat of Antisemitism through his experiences. His plight encapsulates Jewish suffering under the Nazis during the 1930s, as Hitler consolidated his power.
Onkel Julius initially dismisses Papa’s grave concerns in Berlin and then again in Switzerland, insisting that he will return to Germany from Switzerland. He finds it difficult to believe that he is under threat, insisting, “I’m not political. I’m not even Jewish unless you count my poor old grandmother!” (54). Later, in a postcard to the family in Paris, Onkel Julius expresses his regret at returning to Germany, conveyed through the code name for Papa, “Aunt Alice”: “Tell her I think of her often, and of her good advice which I should perhaps have taken” (110). The family later learns that Onkel Julius faces increasing antisemitic persecution: He loses his job as museum curator and is forced to take a job sweeping a factory floor. He moves into a cheap room and derives his only pleasure and meaning from visiting the zoo animals. When his zoo pass is rescinded by the Nazi party because of his status as a Jew, Onkel Julius dies by suicide, instructing that his best wishes and his watch should be conveyed to Papa.
Julius’s death is ultimately brought about by the Nazi’s systemic program of dehumanization, which classified Onkel Julius as inferior and undeserving of life and took from him all the things that brought him meaning, joy, and a sense of identity. His death speaks to the dark historical context in which the novel takes place, suggesting what could have happened to Anna’s family had they not fled Germany in time.
5th-6th Grade Historical Fiction
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