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71 pages 2 hours read

Paul Kalanithi

When Breath Becomes Air

Nonfiction | Autobiography / Memoir | Adult | Published in 2016

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Part 1, Sections 6-9Chapter Summaries & Analyses

Part 1

Part 1, Section 6 Summary

The long hours of his residency–oftentimes 100 hours a week–take a toll on Paul and his fellow residents. He’s at the stage now where he is deciding the fate of his patients, and whether he will continue trying to save someone or let an injury take its course for the sake of the patient. Though these decisions place a huge responsibility on him, they start becoming daily occurrences. Paul wonders if “being so close to the fiery light of such moments only blinded me to their nature” (81).

For example, he and a fellow resident, Jeff, make an easy way of communicating how severe a patient’s head injury is, using state population. Paul is in the middle of opening an ice cream sandwich when he gets a page regarding a 22-year-old motorcycle accident victim, who the doctors have to let die, due to the gravity of the injuries. The family is brought in to view the body, at which point Paul remembers his dessert. He sneaks back in to retrieve it, puts it in the freezer, and thinks “pretty tasty” (84).

When he learns of the death of a friend who was in a car accident, Kalanithi finds that he cannot imagine her death without imagining the specific, gory procedures that likely would have been taken to try and save her life. It makes him consider all the times he’d ignored the “larger human significance” of interactions with his patients (85). He doesn’t want to become the stereotype of the removed doctor.

Paul thinks of what kind of lasting repercussions his actions have and that he is a pivotal constituent in how a family remembers their loved ones, whether they leave them hooked on life support or decide that the person will be happiest if they are allowed to die.

Part 1, Section 7 Summary

Paul is able to implement this kind of care later on in his residency, once he becomes completely in charge of his patients’ well-being. He thinks of his father for inspiration, who had always had such a patient and appropriately humorous bedside manner.

Paul even considers the paperwork to be a unique opportunity to forge connections with patients. In the case of one patient, Mrs. Lee, who had an aggressive kind of brain cancer, Paul refuses to leave her in the dark. He wants her to know what he thinks her condition is, even before all the testing is complete. After he tells her, he describes “the vastness of the chasm between the life she’d had last week and the one she was about to enter” (93). He gives her his most honest assessment, finding that a gentle yet realistic disclosing of information helps arm the patient with the proper tools to face illness.

He finds himself crying in his car on the way home from work one evening as the weight of the day catches up with him.

Part 1, Section 8 Summary

The path of neurosurgery often requires its practitioners to excel in other areas as well, the most “rigorous and prestigious” being neurosurgeon-neuroscientist (99). Thus, Kalanithi begins working in a Stanford lab dedicated to basic motor neuroscience during his fourth year.

The head of the lab, called V, is someone for whom Paul has the utmost respect. V strives to “be authentic to the scientific story and to tell it uncompromisingly” and values this above being published in prestigious journals to reach stardom (100). V discloses to Paul one day that he has been diagnosed with pancreatic cancer. Paul witnesses his battling and recovery, noting how the illness has left V with slightly thinned and whitened hair. During one of their final chats in the lab, V expresses that it has taken quite some time for all of the pain of the recovery to amount to being “worth it” (101).

In his sixth year, Paul gets to work at six in the morning every day of the week. Time moves quickly for him, especially in the operating room. Even more crucial than being good at surgery is being quick at it, for both the patient’s sake and for the sake of each staff member who wants to go home at a reasonable hour from work.

Part 1, Section 9 Summary

Paul is a chief resident now, summarizing that neurosurgery is “a commitment to one’s own excellence and another’s identity” (108). There are some parts of the brain that are so delicate that as little as one millimeter of damage can completely alter the course of a patient’s life. The Wernicke’s area of the cortex is for understanding language, and the Broca’s area is for producing language. As a med student, Paul had seen the effects of these parts of the brain being altered; for example, there was an elderly man who would only speak in streams of numbers. Another patient was so violently vocal throughout the surgery that the doctors knew they were able successfully remove a tumor impacting the language parts of the brain by noting changes in the patient’s speech patterns. Paul thinks about what would be sacrificed with just one wrong move: “What kind of life exists without language?” (109).

Paul receives a plethora of news about prospective jobs for himself, positions that fit his skill set exactly. He feels that the elements of his career and his understanding of his career are finally starting to come together, until he receives a call from his co-resident, Victoria.

Victoria tells Kalanithi that their friend has committed suicide after one of his patients passed away. Paul imagines what he could have done to console his friend, if he’d been there. He thinks about how much time they’d dedicated to learning to face death. He says: “You can’t ever reach perfection, but you can believe in an asymptote toward which you are ceaselessly striving” (115). It is at this point in the book that the hardships Paul has faced start to force him to think existentially about his career.

Part 1, Sections 6-9 Analysis

The theme of death is most deeply explored during these chapters of Paul’s residency, as he becomes responsible for making decisions about patients’ medical plans. The car accident and subsequent death of his close friend is a particularly pivotal moment, one during which he effectively becomes a family member in the waiting room, a loved one being interrupted by an unwanted and unexpected phone call from the hospital.

Until this point, Paul has been so distracted by the fast-paced nature of his new responsibilities he’s had a hard time considering the life of the patient, post-operation. Paul realizes that his own demeanor mediates how a patient understands his or her illness, and that it is not the patient alone who bears the responsibility of coping. He says, “you must always leave some room for hope” (95).

When Paul begins his work in the lab as a neuroscientist, V acts as somewhat of a double for future Paul’s cancer-ridden self, and a significant amount of weight is given to their interactions. Kalanithi synthesizes his own perception of V’s merits as a respected neurosurgeon-neuroscientist while also allowing his conversations with V to play out through dialogue. Although Paul has worked under many respectable individuals in his field, he values V’s unwavering attention to his work, and that V is not swayed by the possibility of stardom. There is a certain amount of dramatic irony involved in these conversations, as the reader knows from the Prologue to expect Paul’s eventual illness. Paul, then, is unknowingly provided with tools he will need down the road.

The end of Part 1 displays the first clear intersection between death, medicine, and literature, via Paul’s discussion of how easily the smallest misstep in neurosurgery can alter one’s capability to produce and understand language. In this way, the reader is given a platform for the section’s concluding pages, during which Paul learns of his friend Jeff’s suicide and reflects on the level of despair Jeff must have reached. Paul says “you can’t ever reach perfection” but that you can “strive” for it as a way to navigate the circumstances and demands of neurosurgery (115).

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