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For Eoin’s upcoming birthday, Annie writes a story about a boat on Lough Gill that transports a little boy to other times and places. When Thomas checks Annie’s wounds, he sees that she is wearing pants. For Annie, the pants are a way to fight against the era’s corsets and skirts, but this clothing also connects her to Irish Revolutionary figure Countess Markievicz, legendary for wearing men’s clothing. Annie is attracted to Thomas, who has a magnetic aura. They stay up late into the night creating Eoin’s birthday book, with Thomas illustrating Annie’s words.
During Mass, the priest announces Anne’s return to dissuade further questions or gossip.
Thomas’s diary records the return of Anne Gallagher. He finds her similar yet completely different. He worries that Anne will disappear again, this time with Eoin.
Thomas became a doctor because as a child he suffered from a mysterious illness, which Annie quickly diagnoses as asthma. Thomas and Annie discuss the upcoming truce between Eamon de Valera and Lloyd George, Prime Minister of England. Thomas confesses that he finds Anne changed, that she is no longer Declan’s Anne. When she asks if he was in love with her, Thomas answers that she was always Declan’s and that she had a fire about her that he didn’t want to be burned by. They kiss, and Annie is swept by her desire for Thomas.
Annie spends the days with Brigid and Eoin; sometimes she helps Thomas on his doctor’s visits. In August, Thomas leaves for Dublin.
In a journal entry, Thomas recounts meeting with Michael Collins on the eve of the peace treaty that would formally place Eamon de Valera in the role of hero and Collins in the role of an antagonist. Thomas also confesses that he is in love with Anne.
Maeve wakes Annie: Robbie, Maeve’s brother, has been shot and is on the floor of the barn, drenched in blood. Daniel O’Toole, Maeve’s father worries that Robbie has lost his eye. Robbie was shot by British forces known as the Tans. When Maeve announces that the Tans are coming up the road, they hide their guns and put Robbie in the barn’s back bedroom with a bottle of liquor. When the Tans arrive, Annie adopts a Southern American accent and pretends that Daniel is there to help her with a pregnant mare. She amiably welcomes the Tans into her home to search for guns, then brings them into the barn to inspect the mare. The Tans fall for the ruse that Robbie is passed out drunk and leave.
Thomas returns and inspects Robbie. Robbie will live, though his eye may be permanently damaged if it succumbs to infection. Annie admits that she came up with the mare as a distraction because of a story she had read about the Underground Railroad.
Thomas’s journal entry about this night reveals that many people close to the family are wary of the new Anne. Liam Gallagher, Declan’s brother, notices that Anne is not quite herself, and connects her presence with the arrival of the Tans.
Liam Gallagher, Declan’s brother, was the one who shot Annie on Lough Gill.
Thomas and Annie drive Robbie to Dublin because his health has taken a turn for the worse and he needs the resources of a city hospital. Once Robbie is safe, Thomas brings Annie to a wedding for his friends Dermot and Sinead. The party is a fancy affair . Annie meets Michael Collins, who asks her if she loves Thomas. Collins, Thomas, and Annie take a picture together—the same picture that Annie had discovered in Grandfather Eoin’s belongings.
In his journal entry of this night, Thomas marvels that he could gather in public with his revolutionary friends without fear of a raid. The night is slightly marred when someone steals the guns hidden with Robbie and Liam implicates Anne in the theft. What’s more, at the wedding reception, when Anne learns that it is August 26, 1921, she grows frightened and demands that Michael Collins leave the reception. Thomas alerts the guards at the doors as smoke bellows through the Gresham Hotel’s vents.
At the wedding, Annie’s panic stems from her knowing that there was an attempted assassination of Michael Collins in the Gresham Hotel shortly after the peace treaty. Her foreknowledge is hard to explain. On their way out of the Gresham Hotel, Thomas confronts Anne. She begs him to understand that she can’t explain why she’s not the same Anne he used to know. They notice lights on in Thomas’s Dublin house—Michael Collins wants answers. Annie tells Thomas that she loves him. She confesses that Liam Gallagher shot her on the lake.
Annie tells Collins, Thomas, and Collins’s right-hand man Joe O’Reilly the old Gaelic story of Niamh and Oisín, who loved one another despite Niamh’s far-fetched stories about her background. She recites the story in Gaeilge rather than English, a symbol of her commitment to the Irish cause.
Thomas’s journal records that Anne has told him the truth—her birth in America in 1970 and her journey to Ireland circa 1921.
Back in Garvagh Glebe, Annie devotes her time to teaching Eoin how to read and write because Eoin is scared of going to school. Thomas encourages Eoin to combat his fears by telling him the history of the Irish potato famine; Eoin needs to be educated so he can help rebuild Ireland.
Annie is moved by Thomas’s positive influence on Eoin’s upbringing. Thomas claims that even though Annie wasn’t born in Ireland, she is Irish to her core. He notes that Annie looks exactly like Anne except for the missing gap in her teeth and the tone of green in her eyes. Annie and Thomas run to the barn, where they have sex.
Thomas’s journal entry argues that Anne’s new identity “is its own kind of rebellion” (241) that defies the centuries of Irish oppression at the hands of the English. One day, when Anne was playing with Eoin by Lough Gill, she nearly disappeared into the fog. Thomas caught her and pulled her back just in time.
In bed, Thomas asks Annie about the future. She tells him about New York and about Eoin as an old man. Eoin had always seen Thomas as a father figure. Annie decides to stay in Ireland with Thomas.
Liam is gone. Thomas wonders if he’s somewhere in Cork, while Annie wonders if he’s concocting a plot to blame her for his own shady behavior.
Thomas’s journal entry details a letter from Michael Collins, who is in discouraging negotiations with the British government. Collins senses that Anne was right—they Irish are setting Collins up as a scapegoat in exchange for the limited freedoms England is willing to give Ireland. Thomas fantasizes about having a child with Anne.
Michael Collins returns from London and reveals that the English are only willing to go as far as Dominion status for Ireland, meaning it would be an autonomous region within the Commonwealth rather than fully independent. Annie tells him about the future of the treaty: It will be signed, but later, De Valera will blame Collins for pushing Ireland into an unsuitable agreement. As she predicts, the Irish cabinet votes in favor of the treaty, but Da Valera puts out a notice that the treaty goes against the nation’s best interests.
When Eoin screams from a nightmare, only Thomas can soothe him. Brigid is planning to move to America to live with her daughter now that her children are scattered or dead and now that Eoin has his mother back.
Thomas’s journal notes that Michael Collins has been under enormous stress, which shows in his exhaustion and behavior. People are starting to look at Collins with resentment. Thomas senses that Anne hasn’t told him everything about Collins’s fate.
Michael Collins stays with Thomas and the Gallaghers at Garvagh Glebe for Christmas. Thomas throws a party for all the neighbors, and Annie admires Thomas’s hospitality and kindness. She is seized by the fear that their relationship is doomed to disappear.
Thomas proposes marriage, but before Annie can answer, they are interrupted by the sudden arrival of Ben Gallagher, Declan’s oldest brother. Ben is angry about the treaty, certain that it will bring civil war.
The main historical conflict at stake in these chapters is the Anglo-Irish Treaty of 1921. The treaty is controversial because it would grant Ireland only dominion status, allowing Ireland to form its own government while pledging allegiance to the English monarch as their sovereign. Ireland would not be fully independent but would be free of restrictions on culture and freedom of speech. The treaty is important because it symbolizes forward momentum for Ireland—the first hope in over 700 years of oppression. But the controversies surrounding the treaty threaten civil war, as President Eamon de Valera blames his rival Collins for what he terms failed negotiations. Ireland’s cultural and linguistic heritage doesn’t guarantee a smooth transition to independence. Instead, the novel depicts the turmoil of postcolonial regression—a period after a nation gains independence from imperialism, when it is difficult to fill the void that imperialist structures leave behind. Often, postcolonial nations endure years of civil wars and government coups.
Other important historical details build character relationships and introduce plot conflict. Thomas lovingly compares Anne to Countess Constance Markievicz, an Irish activist and the first woman elected cabinet minister in Europe. Markievicz fought in the Easter Rising of 1916 and was a founding member of the Cumann na mBan (The Women’s Council), a women’s paramilitary organization founded in 1914. Conversely, the protagonists are menaced by the Black and Tans, police officers recruited into the Royal Irish Constabulary (RIC) and given free rein to commit acts of brutality against the Irish to dissuade support for Irish Independence. The novel does not distinguish individuals within the Tans, using them instead as an almost atmospheric threat, thus evoking the effect their campaign of terror would have had.
The novel skirts its science fictional aspect by focusing not on its mechanics but on the psychological effects of Annie’s arrival in the past. For those around her, Annie’s knowledge of the future makes her seem guilty of working with the British—a more rational explanation than time travel. Though she saves Collins from the Gresham Hotel fire, a historical event, Annie’s intimate knowledge of Michael Collins’s life and future only fuels the suspicions of those like Liam Gallagher. The novel’s need to tie Annie to the big events of Irish history means that it ignores its own declaration that history must be told through the unimportant people who lived it. Instead, Annie turns up in a lot of important places at the right time to experience Irish history in real time. This deflection means that the novel never has to clarify the rules of its fantastical elements: Annie can apparently escape back into the 20th century through Lough Gill—as she almost does before Thomas pulls her back—but others traverse this body of water without any danger of falling through time.
The theme of storytelling and folklore recurs when Annie tells the real story of what happened in Lough Gill by relying on the long tradition of Celtic fairy tales in which transient spaces are used as portals to knowledge, new worlds, and love. By repeating the well-known tales in Irish Gaelic, Annie affirms her connection to the country and her dedication to the cause of Irish independence. The link between time travel and folk tales emphasizes the importance of layered storytelling.
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