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Isabel IbañezA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The next morning, Inez marvels as the boat approaches the beautiful island of Philae, which is known as the jewel of the Nile. Isadora confides to Inez that she and her father were hired to protect the excavation team because her parents’ deaths damaged Ricardo’s reputation among Cairo’s elite and nearly cost him his digging license. Isadora agrees to teach her how to shoot, and a grateful Inez tells her, “It’s nice to have a friend” (196).
During their efforts to excavate a temple on the island, the team stays in a ruin that once served as the priests’ dormitory. The Elephantine’s crew doubles as the digging crew, and they set up a campsite nearby. Whit helps Inez move her belongings into her modest room in the dormitory. He gives her a tour of the temple of Isis, and she feels “a keen sense of loss” as she takes in the damage Romans and treasure hunters inflicted on the beautiful structure (201). When Inez doesn’t immediately sense magic inside the temple, Ricardo grows impatient with her. He refuses to explain why he’s in such a hurry, and his desperation causes Inez to fear for her safety.
As Whit guides Inez through the temple grounds, she wonders if he feels as confused and conflicted about their relationship as she does. Ricardo brings Inez her art supplies and asks her to draw the paintings in the temple. She is both surprised by the invitation to participate in the team’s efforts and angered that he went through her things. While Inez draws the temple’s beautiful columns, Whit shares that he has a brother named Porter and a sister, Arabella, who is also an artist. He implies that he is not engaged, and Inez tells him that her parents chose a respectable young man named Ernesto Rodriguez for her. Whit spots her sketch of the temple gate and asks where she saw the gate. She asks him if the gate has something to do with her parents’ disappearance, but he insists that her search for answers is futile because it can’t bring them back. She angers him by asking, “Are you always so good at following orders?” (216). He tells her that he was dishonorably discharged and then walks away.
The narrative shifts to Whit’s perspective. His feelings for Inez frustrate him, and he wishes he hadn’t stopped drinking. Whit remembers the horrors he saw in the military and how the days after his discharge were a haze of alcohol and bar fights. Ricardo found him, helped him in his recovery from addiction, and made him part of his team. Whit will have to leave Egypt in a matter of days unless he finds what he’s searching for, his fate depending on “a single sheet of paper” (218). He reports to Ricardo that Mr. Sterling is ill with consumption and is likely looking for Cleopatra so he can ingest her mummy, which is believed to have miraculous healing properties. Ricardo is determined to ensure that Mr. Sterling never finds the pharaoh.
The narrative returns to Inez. She paints into the evening and then starts back toward camp. She stops at Trajan’s Kiosk, where she has a vision of Cleopatra on her way to meet Marcus Antonius for the first time. Inez still isn’t sure how the pharaoh’s magic connects to her parents’ deaths, and she decides not to tell her uncle what she experienced at Trajan’s Kiosk. Inez feels like an outsider among the team, and she upbraids herself for thinking she could befriend Whit when his loyalty to Ricardo is “as immovable as one of the great pyramids” (223). That night, Inez returns to Trajan’s Kiosk, and Whit follows her. She apologizes for implying that he would follow orders without question. Whit informs her that the structure contains a secret tunnel, and Inez uses her ability to sense magic to find the mechanism that opens it.
As they explore the rooms adjoining the tunnel, Whit tells Inez that her father could also sense magic and infers that the ring granted him this ability. Inez decides to trust Whit and tells him that the magic is coming from a different side of the room than where Ricardo is excavating. Before dawn the next morning, Inez goes to Whit’s room and asks him to keep their findings a secret. He explains that he owes Ricardo because the man saved his life after he was discharged. Inez tells him, “You can’t just pretend that you don’t feel it. What exists between us” (237). She kisses him, and he kisses her back. However, he then tells her that they cannot be together because he is betrothed. He promises the mortified young woman that he will keep her secret for a day but insists that Ricardo be informed about the dig site after that.
When Inez returns to her own room, she is astonished to find her mother there. Her amazement and grief turn to fury as she realizes that her mother let her believe she was dead for nearly a year. Lourdes explains that she has been hiding from Ricardo and claims he is involved in “an illegal smuggling trade of Egyptian artifacts” known as Tradesman's Gate (242). When Inez mentions the magical ring, Lourdes is surprised that her husband sent the ring to Inez but tries to conceal the fact. Lourdes begs Inez to return to Argentina, but she insists on staying so she can help her mother stop her uncle. Inez suggests that Whit would help them if they explained the situation to him, but Lourdes swears her to secrecy. Lourdes makes her daughter promise not to look through Ricardo’s things or do anything else that may attract suspicion before her mother is ready to enact her plan.
The next morning, Ricardo asks Inez to paint the interior of the temple and tells Whit to accompany her. Isadora detects the awkwardness between the two young people and offers to stay with Inez instead. Inez realizes that she knows very little about Isadora.
This section takes place on Philae, and the narration conjures a striking setting worthy of an adventure story: “Tall and imposing colonnades made of golden-hued stones towered over the Elephantine, an immense gate that welcomed travelers into another world, another life” (193). The structures on the island contribute to the historical adventure’s genre with their ancient majesty, secret tunnels, and hidden rooms. The setting also contributes to the novel’s exploration of Power Dynamics and Colonialism. The temple of Isis stands as a monument to Egypt’s exploitation as well as its majesty: “But as much as there was beauty, there was also ruin, too […]. A constant reminder that for more than a millennia, treasure hunters from within and without stole from sites up and down Egypt” (203). Mr. Sterling’s motivation for seeking Cleopatra’s tomb also connects to colonialism. Historically, Europeans ingested mummies because they were believed to cure diseases. Mr. Sterling’s objective increases the urgency of the characters’ efforts to protect Philae’s battered beauty.
Inez and Whit’s romance deepens but encounters new obstacles on Philae. In keeping with the rivals-to-lovers trope, Inez has mixed feelings about their connection: “I couldn’t help wondering if he was as confused as I was. Attracted and fighting it. Charmed, but trying not to be. I wondered if he was as inconvenienced as I was” (207). Their relationship progresses somewhat in this section thanks to the couple’s first kiss in Chapter 21 and the way that Whit opens up about his family, but the secrets Whit keeps about his own past and her parents come between them. The revelation that Whit is betrothed devastates Inez and spurs her to seek emotional and physical distance from him: “I stood, turning and scrambling toward the opening, desperate to create distance between us. Miles would been preferable, but I’d settle for my room. I’d made a terrible mistake” (237). As Inez and Whit grow more attached to one another, they find more and more factors that threaten to keep them apart.
The plot twist that Lourdes is alive overturns everything Inez thought she knew and complicates the theme of Living with Grief and Loneliness. Inez refers to the pain of her parents’ deaths as “a forever fixture in [her] life” (199). This pain is visceral, as demonstrated by Inez’s physiological reaction when Whit mentions her mother: “I let the despairing feeling run its course. The dread pooled in my belly, robbed me of breath. And then I exhaled, and the moment somehow became bearable. Not fine exactly, but livable” (210). This passage shows how Inez has learned to endure her grief after carrying it for months. However, Lourdes’s reappearance complicates Inez’s healing process: “My grief evaporated, and something fiery burned under my skin. ‘Where have you been?’” (241). Lourdes goes from a cherished memory and an innocent victim who must be avenged to someone who cruelly allowed her daughter to mourn her for nearly a year. Despite the complex and painful emotions that she feels toward her mother, Inez trusts her. The protagonist’s ill-advised loyalty to Lourdes shapes the remainder of the novel’s plot.
The novel uses symbols and literary devices to make the setting more vivid, develop the characters, and offer clues about the novel’s twists and turns. For example, the following simile provides insight into Whit’s personality while emphasizing the story’s Egyptian setting: “His loyalty to my uncle was as immovable as one of the great pyramids, and Whit would guard his secrets and interests as fiercely as a sphinx” (223). This simile foreshadows that Ricardo is indeed worthy of loyalty and trust. Roses symbolize Cleopatra, and the flowers’ “sharp and sweet” taste when Inez touches Trajan’s Kiosk confirms that the explorers are nearing the pharaoh’s tomb (221). Finally, the novel uses the golden ring, which is a motif of The Perils of Extending and Withholding Trust, to hint that Lourdes is the novel’s antagonist. Although Lourdes tries to conceal her confusion when she learns of the ring, it’s evident that she didn’t know Cayo sent it to Inez, which shows that Cayo didn’t trust his wife. However, Inez will have to discover her mother’s treachery for herself in the next section.