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47 pages 1 hour read

Heidi Schreck

What the Constitution Means to Me

Fiction | Play | Adult | Published in 2017

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Background

Literary Context: What the Constitution Means

The United States Constitution is arguably the most significant document to be produced in American history—not to be confused with the Declaration of Independence, which was signed on July 4th, 1776, effectively founding the country as a separate entity from England during the Revolutionary War, although the creators of the two texts share an overlapping cast of characters. Congress’s first version of a constitution was the short-lived Articles of Confederation and Perpetual Union. Ratified in 1789 by all 13 original colonies, the Articles protected the sovereignty of individual states to govern themselves independently while forming a Perpetual Union, which was a deliberately minimal central government in which the states were more like individual countries, but they were also part of the federation and not permitted to secede. After the Revolution, however, it was apparent that to survive as a united country, the United States needed a document that established a more powerful central government. Therefore, in the summer of 1787, a Constitutional Convention made up of 55 men gathered in the increasingly sweltering (now-called) Independence Hall with the intention of revising the Articles of Confederation. These delegates fought unrelentingly over issues that affected different states in different ways, such as slavery and proportionate representation in legislature. They wrote a new document that laid out the supreme law of the country, superseding and preempting any state laws that might be deemed unconstitutional. The system of government outlined in the Constitution is based on checks and balances built into the three branches: the judicial, executive, and legislative. The new Constitution was ratified in 1788, and soon after it took effect in 1789, Congress put forth the Bill of Rights, which would become the first 10 out of (so far) 27 amendments, the most recent passed in 1992.

Perhaps the reason that the Constitution has lasted so long is its oft-cited adaptability. The language is broad enough to be open to interpretation, even when dealing with issues regarding technical and social advances that the so-named Founding Fathers would not be familiar with. Therefore, the justices of the Supreme Court are tasked with determining the best way to apply and decipher the language of the Constitution concerning modern issues. When a case comes before them, such as the case of Jessica Lenahan presented in the play, their ruling not only determines the outcome of the case, but it also sets a precedent for future cases. The ruling that Lenahan was not entitled to protection from the police means that the police aren’t legally obligated to protect anyone, unless that ruling is one day overthrown and replaced with a new precedent. These justices are meant to be non-partisan and neutral, but it is a notorious issue that judges make decisions based on their own tacit political agendas.

In the play, the topic for debate is whether or not the current negative-rights Constitution should be abolished and replaced with a positive-rights Constitution. Negative rights are protection from unconstitutional government interference or denial of rights. For instance, it is unconstitutional for a police officer to exert brutal or inhumane conditions on someone without satisfying certain circumstances. A positive right would be the right to humane conditions when detained by police. Throughout history, the US Constitution has been lauded for its elegance and universality. Heidi’s questions inquire whether the Constitution that presides over a society full of injustice is really the best the country can do.

Cultural Context: American Legion Debate Contests

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The play takes place in a diorama-style set that is based on Heidi’s memory of the American Legion Halls where she competed in these debate competitions that had such a lasting impact on her life. The American Legion is a non-profit organization founded in 1919 by the United States Congress to provide benefits, services, and assistance to veterans of active military duty. They also function as a political lobbying group on behalf of veteran’s rights. One particularly notable example of their work is the Servicemen’s Readjustment Act of 1944, also called the GI Bill, which the Legion drafted and then saw passed. In Heidi’s memory, her audience in the Legion Hall is made up of old white men who are smoking cigars, suggesting that although her recollection is possibly exaggerated, the veterans she met and interacted with were likely primarily old white men. This means that Heidi was a young woman speaking about violence and oppression perpetrated against women by men, even acknowledging the potential controversy in simply saying to the crowd that she is pro-choice, although she claims, ironically, that she would never choose an abortion.

Among this sea of seemingly perplexing and unrelatable masculinity, Mike Iveson speaks on Heidi’s behalf and tells the audience about Mel Yonkin, a veteran of World War II who took to Heidi like a grandfather. Contrary to the bland portrayal of the Legionnaire throughout the first part of the play, Mel was so emotionally invested in Heidi’s success that he traveled around with her and her parents, becoming weepy with pride. However, Iveson notes, Mel tried to hide his tears, suggesting that he felt beholden to rules of stereotypical masculinity that preclude open emotions.

The Legion’s oratorical contest, which began in 1938, is designed to teach “important leadership qualities, the history of our nation’s laws, the ability to think and speak clearly, and an understanding of the duties, responsibilities, rights and privileges of American citizenship” (“About the Oratorical Contest.” American Legion). The American Legion website touts the success of former competitors, naming Alan Keyes, Lou Dobbs, and Mike Pence as prominent examples, all of which are pointedly right wing. Notably, explanation of the competition suggests a bias toward more conservative patriotism, directing participants to focus on “the duties and obligations of citizens to our government” (“About the Oratorical Contest,” 2024). Additionally, debaters must be American citizens or legal permanent residents, and they are warned to keep any use of a foreign language to a maximum of a short phrase here and there. Contestants are also expected to wear business attire. It is likely that Heidi’s more radical debate about the possibility of abolishing the Constitution would not be viewed favorably in this environment, especially as the website states that, “Since 1938, the contest has developed knowledge and appreciation for the U.S. Constitution among high school students” (“Oratorical Contest.” American Legion, 2024). Although 15-year-old Heidi eagerly subscribed to constitutional adulation, flirting with conservatism despite her feminist upbringing, she takes the money she wins and finances the privilege of education. Heidi uses her education in an act of subversion that both informs the public of many harsh realities regarding the document and encourages the active questioning of the Constitution and the patriarchy.

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