logo

54 pages 1 hour read

Shaun David Hutchinson

We Are the Ants

Fiction | Novel | YA | Published in 2016

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 41-48Chapter Summaries & Analyses

Chapter 41 Summary: “10 January 2016”

Zooey and Charlie’s baby died in utero due to chromosomal defects; Zooey gave birth to a stillborn baby. Charlie wakes Henry from a nightmare because he is drunk and unable to get into the house. Henry helps Charlie into the shower and then into his bed, but Charlie starts lashing out at the crib. When Henry tries to stop him, Charlie straddles and tries to punch him.

Henry begs the sluggers to abduct him again so he can press the button. He’s realized that he wants the world to continue so that Zooey and Charlie can try again for a baby and all the people in Henry’s life can continue pursuing their dreams.

Chapter 42 Summary: “15 January 2016”

Henry asks his mother if his dad left because of him. Shocked, Henry’s mother assures him that her husband left because he wasn’t cut out for marriage, and he hated the person he was becoming.

Audrey and Henry go to their school’s winter carnival. He checks out the display of student art, hoping to see Diego’s work. He sees that Diego’s painting is a portrait of Henry and the people who love him. Diego’s painting includes an alien pressing the red button. Henry is stunned and inspired by the beauty and depth of the painting. Diego appears beside Henry, and Henry runs away from him, ashamed that he is not the person Diego sees and has portrayed in his painting.

Marcus finds Henry alone in the bleachers. Henry asks him to leave him alone, but Marcus stays, telling him he misses him. Marcus apologizes to Henry, and Henry can’t help but believe him because “Jesse had faked being happy, Diego had hidden his past from me, but Marcus had always told me the truth. Even when he beat me up, it was honest” (423). Marcus and Henry start kissing, but when Marcus starts to try having sex with Henry, he asks him to stop. Marcus grows angry and attacks Henry, pulling down his pants. Henry gets away from Marcus, but not before hurting his wrist. Henry finds Ms. Faraci, who calls 911. Diego approaches and asks what Marcus did, then runs off. As the paramedics look after Henry, Henry tells the police everything about Adrian and Marcus’s constant attacks on him, including Marcus’s attempted rape that night. As the paramedics insist on taking Henry to the hospital, Henry sees two police officers arresting Diego.

Chapter 43 Summary: “16 January 2016”

After Henry is released from the hospital, he tries and fails to get in touch with Diego. He finds out from Audrey that Marcus’s family placed him in a drug and alcohol rehabilitation center. Henry tells his mother everything about Marcus, Diego, the sluggers, and the red button. She asks him why he didn’t press the button and asks him if he wants to die. She says Henry needs help, and Henry admits that he’s not okay.

Chapter 44 Summary: “19 January 2016”

Audrey visits Henry in a psychiatric inpatient treatment center. Audrey tells Henry that Marcus has been expelled from school, though the police have decided not to press rape charges against Marcus. She also tells him that Diego is back in Colorado with his sister, facing the court system for violating his parole. Because Marcus’s family is not pressing charges, they hope Diego will not be resentenced. 

Chapter 45 Summary: “21 January 2016”

Henry’s psychiatrist, Dr. Janeway, brings Henry to the cemetery so he can visit Jesse’s grave. When he returns to the center, Zooey visits him. She asks him if he still wants the world to end, and Henry admits that even though he still believes life is marked by pain, he wants the world to continue because of all the good things that outweigh the bad. He asks Zooey, who seems worn down, to tell him about Evie.

Chapter 46 Summary: “23 January 2016”

After seven days in the treatment center, Henry is released. Charlie and Zooey pick him up and bring him to the courthouse, where Nana and his mother are waiting. Charlie and Zooey get married at the courthouse. When Henry gets home, he finds the portrait Diego painted of him waiting in his bedroom. Charlie tells him the painting was dropped off for Henry with a note that says the painting is not an interpretation of Henry but a mirror of who he really is.

Chapter 47 Summary: “28 January 2016”

Diego surprises Henry at his house. Diego was released because Marcus’s family didn’t press charges, and he’s back in Florida, enrolled in anger management. He asks Henry about pressing the button. Henry hasn’t been abducted recently, so he hasn’t had the chance to press the red button even though he wants to.

Chapter 48 Summary: “Ms. Faraci”

Henry writes a note for Ms. Faraci about his extra credit assignment, the journal entries speculating about all the ways the world could end. Henry writes that it doesn’t matter how the world will end, and it doesn’t matter how people die because, ultimately, it’s how we live that matters.

Chapters 42-48 Analysis

The conclusion of We Are the Ants demonstrates Henry’s full character development and resolves the unresolvable. Henry finally decides to push the button because he has discovered the worth of human life in his loved ones. Seeing Zooey’s goodness, Charlie’s newfound love, Diego’s potential, Audrey’s kindness, and his mother’s potential make Henry realize that the world is larger than his nihilism. He wants the world to continue so that his loved ones can continue living, even if he doesn’t believe he is worthy of life. Henry embraces the pain of being alive because he discovers that where there is pain, there is the potential to overcome pain and become happy. Pain is not the defining characteristic of human life, thus inspiring Henry to appreciate his present and look forward to his future.

Henry hasn’t disavowed his nihilism; instead, he has realized that being nihilistic about the world can allow him to live in his present with a commitment to finding happiness. Life may not be long, and the world could literally end tomorrow, but Henry can finally enjoy living in the moment.

Notably, Henry’s abductions stop once he decides to press the button. When Henry checks into inpatient psychiatric treatment, he talks about the sluggers with his doctor. These two facts imply or question that Henry’s abductions were only real in his mind. There are two possibilities that Hutchinson teases his reader with. Either the sluggers aren’t real, and they are a figment of Henry’s fears and depression, or they are real and remain a threat to Henry and the world. Either way, Henry lets go of his attachment to the sluggers and decides they will not influence how he lives his life. Hutchinson ends his novel on an open-ended note. The last action-based chapter takes place the day before the world's supposed to end. The reader does not see if the world ends or if Henry gets abducted again that night so he can press the button. In fact, the date of January 29 is extremely important to Henry’s character development because it can either confirm or deny his abductions. But Hutchinson’s point in keeping his conclusion open-ended is to leave the reader with the message of human resilience against a frighteningly uncertain world. Ultimately, it doesn’t matter if the world ends or not because Henry’s journey is toward an appreciation of the moment instead of concerning himself with the endless variables of the future. Hutchinson emphasizes this message in his final words, in which he subverts the original significance of his title. In the first chapter of the novel, Henry uses the metaphor of ants to compare humans to creatures who are routinized, meaningless, and small. But in the final chapter, Henry uses the same metaphor to compare humans to creatures who are community-based and resilient. This parallel structure highlights Henry’s character development.

Hutchinson also uses these chapters to encourage his readers to consider the importance of asking for help. For months, Henry has been mired by his guilt over Jesse’s death, while Jesse’s best friend Audrey learned how to come to terms with his death because she sought help in an institution that taught her how to remove herself from Jesse’s death. The moment Henry admits to his mother that he's not okay is an important plot twist. In revealing his vulnerabilities, Henry can get the help he needs to acknowledge and deal with his past. Hutchinson encourages his readers to see seeking help as an important part of maturing and healing. Marcus and Diego are also forced to seek help, with Marcus in rehab and Diego in anger management classes. This emphasizes that everyone struggles with internal conflict that can be managed by seeking help. Henry’s mother figures out that the red button is metaphorical because it represents Henry’s internal conflict about suicide. Jesse never received the help he needed, leading to his death by suicide, but there is still hope for Henry because of the mere fact that he is alive and therefore has endless potential.

When Henry finally tells Ms. Faraci and, later, the police that Marcus has been attacking him for months and attempted to rape him, Henry advocates for himself and frees himself of the belief that he deserves physical abuse. By advocating for himself, Henry gains a newfound sense of autonomy and self-worth. This action also helps hold Marcus accountable, though, in an implied hint of homophobia, the police decide not to press rape charges against him. Still, this event helps Marcus get the help he needs and, more importantly, gives Henry more confidence in himself, trust in adults, and hope that his future will be violence-free.

blurred text
blurred text
blurred text
blurred text