58 pages • 1 hour read
Melba Pattillo BealsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Beginning with an angry white man’s attempted rape of 13-year-old Melba on the day the US Supreme Court struck down school segregation, there is no theme more prevalent in Warrior’s Don’t Cry than the persecution of innocent people. All the unjust persecution Melba records, as experienced by her and the other members of the Little Rock Nine, has several salient similarities. First, the acts of persecution perpetrated by white citizens against the Black students result from actions beyond the control of these Black children. None of the nine have anything to do with the Supreme Court’s decision or the—undescribed in the book—work of the NAACP to create a school integration plan; the only sin of the nine was to agree they would like to attend a better high school that was closer to their homes. Second, those who carry out the persecution, at first, do not know the people they are persecuting. Like soldiers in a religious crusade, those persecuting the nine express a holy rage toward a tiny group of wholly innocent people. Third, no kind of torment is off the table. The segregationists use physical attacks on an almost daily basis, but they also commit psychological battle that elevates the level of fear, threatens financial insecurity, and aims to silence their victims.
The different players in the drama—students, parents, administrators, and law enforcement—act with the confidence that they will face no consequences for their actions and that other segregationists will provide alibis, excuses, or rationales as needed. Indeed, the persecution Melba reports comes with the expressed or implicit support of many institutions. The state government, as represented by Governor Faubus, his attorneys, and the Arkansas National Guard, inspire the persecution of the Black students. The governor’s warning of violence implicitly gives permission to those who would perpetrate violence. Melba writes of watching the National Guard turning away Elizabeth Eckford, one of the nine, as she tries to enter the school, yet doing nothing to protect her amid a hostile crowd. Several named organizations, like the Capital Citizens’ Council and the Mother’s League of Central High School, oppose the nine and make plans to drive them from Central. Additionally, a shadow group of segregationists meets weekly to devise plans to persecute the nine. The soup-throwing incidents that enable the expulsion of Minnijean Brown came at the direction of these groups. The school administration clearly serves as an implicit partner in the persecution. The superintendent met with the nine and their parents, refusing to say if and how he would offer them any protection from the ongoing abuse they received daily; instead, he counseled them to downplay and not to report any attacks against them. Tripped into falling down a flight of stairs, Melba learns that reporting such attacks results only in the chastisement of the victim. Thus, the continual persecution of the nine comes from enraged citizens and the explicit and implicit support of governmental and private institutions.
As a corollary to the unwarranted persecution she experiences, Melba finds herself transformed over the course of her year as a Central High student. Marking the beginning of this process and setting its course are the words of Grandma India, who comes into Melba’s bedroom after the first day of school. Weeping because her elders deem it dangerous for her to go with friends to their usual meeting place, Melba hears her grandmother say this will be her final opportunity to cry. India says she is now a warrior for the Lord, and warriors do not cry. Danny also plays a role in this transformation when he acknowledges that Melba is a warrior in a battle and suggests that she find ways to defend herself. From an idealistic, naive 15-year-old with no idea of the challenges facing her or the significance of what she is about, Melba slowly becomes a significant spokesman for the nine and, thus, the Civil Rights Movement.
Videos of Melba’s interviews with national correspondents, some listed in the Further Reading and Resources section, show her as an articulate, if innocent, student at the beginning of the school year. The physical violence, threats, and epithets hurled against her from the first day of classes harden her resolve and cause her to realize the importance both sides of the issue attach to school integration. Through the year, Melba picks up kernels of wisdom that strengthen her spirit and provide practical support. She reads and utilizes Gandhi’s theories on nonviolent resistance. She acquires an intuitive sense of who is trustworthy. For the first time, she speaks up about changes she wants to see in her life, not intending to clash with her elders but instead eliciting what she personally needs. Despite the injuries and abuse she receives during the year of integration, she tells Link she intends to return to Central the next year and graduate, saying, “Everything depends on it” (216).
The warrior mentality she develops over the year of integration remains with her. As a college student at San Francisco State University, she integrates her college dorm. When her husband wants to lead a quiet, rural life, Melba chooses instead to move forward with a career devoted to journalism and higher education. In describing her work as a reporter, Melba says, “I would take special care to look into those unexposed corners where otherwise invisible people are forced to hide as their truth is ignored” (222). Melba proclaims in her Update that she remains the warrior who emerged from the tumultuous events of integrating Central.
One of the clearest realities Warriors Don’t Cry reveals is the unwillingness of government officials and public employees to stand up in the face of angry racists and do the necessary, right thing. The narrative contains many references to important leaders and servants in Little Rock who do not step up to enforce the dictates of integration and, especially, to ensure the safety of the Little Rock Nine. These individuals choose impotence over action. On the Black students’ first day inside the Central High building, police manning barricades meant to hold back angry white citizens do not prevent individuals from crossing the street to the school building. When three white women intent on attacking Melba climb over the fence into the outside athletic area, the teacher and administrative guide tell Melba to run but do nothing about the trespassing women. Authorities do nothing to prevent or punish such lawbreakers. When police finally arrest some attackers in the mob, the newspapers report that authorities have dropped the charges.
The unwillingness or inability to prevent the violent behavior, threats, and epithets experienced by the nine pervades every group in authority. From the first day of classes, when the Arkansas National Guard protects Central High but not the Black students enrolled in it, to the end of the school year, when a guardsman assigned to protect Melba convinces a student not to slash her face with a knife because “you could get us in real trouble if you keep that up” (211), the armed, uniformed members of the guard demonstrate a casual unwillingness to interfere with any expression of prejudice. School administrators, to whom the nine report any violence, scold the Black students for not understanding that they deserve and should expect the hostile behavior of white students. The chief culprit among administrators is the superintendent, who reveals in a meeting with Black parents and students that he has no plan and no intention of protecting the nine from the hostility of prejudiced students.
This chosen impotence contrasts with the forced impotence in the face of prejudice that Melba and the other Black students and their families face. The narrative contains examples of when Melba and her family feel that inaction is the best or only option. When the nurse caring for the newborn Melba explains that the hospital doesn’t “coddle n*****s” to justify their lack of care, Melba’s mother doesn’t talk back because she knows it might affect her husband’s employment. After her attempted rape, Melba and her family choose not to report the incident, fearing that doing so would only make things worse for them. When segregationists wait on the street outside Melba’s house, she often is forced to stay inside, losing the ability to spend time outside her home. For Melba, the other Black students, and their families, the persecution of the innocent directly results in forced impotence in the face of prejudice.
The chosen impotence of leaders in the face of the hostile prejudice endured by the nine has the effect of causing those few who are brave enough to stand up against prejudiced behavior to shine as paragons of virtue. Melba describes the few instructors and individuals who disallow the misbehavior of the segregationist with praise: her shorthand teacher, federal soldier and protector Dan, and the unnamed white couple who shielded Elizabeth from the wrath of the mob. The lesson Melba wishes to convey about the pervasive prejudice experienced by the nine is that they prevailed despite the worst the segregationists could do.
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