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Charlotte BrontëA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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M. Paul does not speak to Lucy for several days, causing her great distress. She notices a change in his demeanor, and he goes to great lengths to avoid conversation with her. M. Paul skips their weekly lesson, choosing instead to work in the garden in the rain. Lucy finds he has left her another gift inside her desk but is disappointed to find it is a religious tract from the priest attempting to convert her to Catholicism. Lucy reads the tract, which neither angers nor intrigues her.
That evening, M. Paul finally speaks to her to ask if she enjoyed the reading, and she confesses that it bored her. M. Paul tells Lucy that Père Silas gave him the tract during confession and warned M. Paul about friendship with a Protestant. Lucy defends her faith, saying that Protestants and Catholics have more in common than not: Both are united by sin. Lucy makes it clear she has no intention of converting, as she does not enjoy the pomp and circumstance of Catholic rituals. M. Paul is pleased with her answer and agrees that they can be friends.
Paulina and John have kept their relationship a secret, but Mr. Home is becoming suspicious. Paulina tells Lucy how happy John makes her and asks Lucy if she finds him handsome; Lucy says she does not see him often.
One evening while Lucy is visiting, Mr. Home questions her about John and tells her he does not want to give up his only daughter. Mr. Home would be more willing to give away his niece Ginevra. Paulina enters the room and pleads with her father to bless the engagement. John then arrives to ask for her hand, and, after a private conversation, Mr. Home relents and the two become engaged.
Lucy tells the whole of their story: Paulina and John marry, eventually having one son and some daughters. They find true fulfillment in each other, and marriage makes John a better man. Their life is not without sadness, as both M. de Bassompierre and Louisa Bretton eventually die. Lucy believes that God smiles on certain people, bringing them lifetimes of joy: “[O]ften these are not pampered, selfish beings, but Nature’s elect, harmonious and benign; men and women mild with charity, kind agents of God’s kind attributes” (565). Lucy sees this as God’s will and accepts it.
Lucy describes those to whom God has given lives of anguish and suffering. Lucy hopes she has pleased God by persevering through her trials.
When M. Paul does not show up for literature class, Madame Beck arrives to tell everyone that he is leaving for the West Indies and that another teacher will replace him. Lucy is to fill in temporarily. All the students are emotional, but Lucy hides her disappointment. She is confused because their relationship had been progressing towards what Lucy hoped was marriage: “…the mutual understanding was settling and fixing; feelings of union and hope made themselves profoundly felt in the heart; affection and deep esteem and dawning trust had each fastened its bond” (571).
As M. Paul says his farewells to his students on his final day of teaching, Lucy tries to speak to him but is blocked by Madame Beck. M. Paul sends a letter that he will meet Lucy to explain, but Lucy waits and he never arrives. Lucy stays up all night crying despite Madame Beck insisting that she go to bed. She angrily confronts Madame Beck, accusing her of jealousy and selfishness; Lucy now realizes Madame wants M. Paul for herself. Madame Beck responds by telling her M. Paul cannot marry. Lucy continues her vigil the next night, and Madame Beck sends Ginevra to coax her to bed. When Lucy refuses again, the maid, Goton, gives her a drink laced with a sedative.
The drug causes Lucy to hallucinate. She dresses in disguise, leaves the school, and walks to town. There is a festival celebrating the independence of Labassecour and the entire town is in attendance, including the de Bassompierres, the Brettons, the priest, Madame Walravens, and M. Josef Emmanuel (M. Paul’s half-brother). The town is bustling and alive as Lucy watches the reverie incognito. The town bookseller recognizes her. John also sees and recognizes Lucy, though she gives him a nonverbal cue to keep her identity concealed.
The theme of faith takes precedence in these chapters as Lucy grapples with personal suffering and the rift her Protestantism creates in her budding relationship with M. Paul. When Lucy refuses conversion and espouses the similarities between Protestantism and Catholicism, the author explores the theme of unity both in the couple’s relationship and in Christianity at large. Just as M. Paul and Lucy can find common ground despite many differences, Christianity teaches that people can love each other knowing that all have sinned and need saving grace. Lucy has often criticized those around her, but her explanation of faith shows development in her character. With age and experience, she has learned not to be so swift to judge others.
The chapters “Sunshine” and “Cloud” contrast each other thematically as well as in name. Paulina and John’s happiness genuinely delights Lucy. There is no trace of bitterness in her discussion of God’s favor in their lives, and her descriptions of a wrathful God have given way to a kinder, more benevolent deity. Nonetheless, she cannot hide her discouragement in relating M. Paul’s resignation and hasty departure. Lucy can make peace with the plans of God, but she cannot accept the scheming of Madame Beck and Père Silas to thwart her happiness. Her frustration and pain erupt as Madame Beck tries to force her into submission. Not knowing how to control Lucy’s willful disobedience, Madame resorts to drugging her—another commentary on how the Victorian era pathologized intense emotion in women.
Lack of sleep and the hallucinogenic power of the drug send Lucy into an altered state of consciousness. Ironically, the drug that was meant to sedate and restrain her instead frees her body and mind. She escapes the convent in disguise and roams the city at will. Being invisible imbues her with a sense of power she has not felt before. Throughout the narrative, Lucy has keenly observed those around her, watching much of her life pass from the sidelines and shadows. Lucy now sees what she does not have—power, money, love, and respect. In an almost theatrical way, the author displays every character important to Lucy’s life in this festival scene. The drug expands her vision, and she watches her friends and acquaintances’ movements and interactions with a deeper understanding of her status but also with a renewed commitment to forge her own path. The festival celebrating political independence is a metaphor for the climax of Lucy’s bildungsroman, in which she concludes that her freedom does not depend on anyone but herself and God. The final nonverbal communication between her and John seals her intention. Lucy is ready to move on from her past and boldly march into her future.
By Charlotte Brontë