64 pages • 2 hours read
Graham SalisburyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Tomi and Grampa are gathering eggs when gunshots ring out. Grampa insists Tomi takes eggs to the Wilson’s house. There, Tomi discovers a bullet hole in Mr. Wilson’s new Cadillac windshield.
Tomi opens the kitchen door to leave the eggs after getting no response. Inside, he hears Mr. Wilson berating Keet for shooting the car. Tomi quickly exits, hiding from Keet, who follows soon after.
An argument with Grampa ensues—Tomi is adamant about avoiding the Wilson house. This leads to a physical altercation until Grampa heads to the movies, leaving Tomi to watch Kimi. Tomi distracts Kimi with the puppies, and she names one “Azuki bean.”
Tomi forgets to release the pigeons. The next day, Tomi and Billy hear the loud sounds of planes while releasing the pigeons. The fighters pass closely, prompting the boys to climb trees for a better view. Witnessing smoke from Pearl Harbor and hundreds of planes, they realize the planes are amber with the blood-red sun on their wings and fuselage. An explosion nearby startles them, and Billy grabs Tomi. They rush to the Nakaji house.
There, they find Grampa waving the Japanese flag in an attempt to stop the planes. Tomi urges him to hide the flag, and Billy takes it, balling it up. They head to the house, where Mama meets them. Tomi informs her of Japanese planes bombing Pearl Harbor, prompting her to instruct him to bury the flag and the emperor’s picture.
On the way to Charlie’s to listen to the radio, another plane approaches the boys, machine guns firing. Unharmed, they run to Charlie’s, Tomi anxiously worrying about Papa.
The boys rush to Charlie’s and tune in to the radio. Following the newscaster’s advice, they set up garden hoses. An explosion nearby prompts Tomi to head home, and Charlie offers assistance.
Returning home, Tomi waits. Mama goes about her daily routine, tears silently streaming down her face. She instructs Tomi to check on Kimi, who is hiding in a closet. Using Azuki Bean as a lure, Tomi coaxes her out of the closet, but Kimi refuses to venture beyond the front door.
Billy returns to inquire about the Nakajis, and Grampa returns with eggs, placing them on the steps for Japanese soldiers. American soldiers arrive following a report of someone signaling the Japanese with a flag; they question Tomi, Billy, Grampa, and Mama, who all deny knowledge of the flag. The soldiers depart, and so does Billy.
Later that evening, Hawaii declares martial law, prompting everyone to blackout their homes. Tomi struggles to sleep, unsettled by gunfire and searchlights. Another loud noise wakes him, and Grampa explains it is a jackhammer digging graves. Although Tomi tries to return to sleep, every sound jolts him awake. Fearful that Japanese soldiers are coming, he remains vigilant throughout the night.
At 6:30 am, an army officer and two policemen bang on the Nakaji’s door, inquiring about Papa, who has been fishing for several days. After searching the house, the officer informs Grampa that they received a tip about messenger birds. He questions Grampa on how long they have been sending messages to the enemy.
Tomi insists that their pigeons are not messenger birds and leads them to see the birds. Despite Tomi’s protests, the officer orders them to kill all the birds. After embracing Tomi, Grampa sends him back to the house for knives. Tomi hands the knives to the officer, who demands that Tomi and Grampa kill the birds. Reluctantly, they slaughter all 35 birds, and Grampa asserts that the Nakaji family is American and does not cause trouble. The officer apologizes and departs, stating they need to talk to Papa.
After their departure, Tomi and Grampa pluck the birds for food. Mama attempts to work on Monday, but Mrs. Wilson bars her entry. Mama and Tomi head to the grocery store, where a long line awaits. While waiting, Tomi reads an article on the attack to Mama, and the other shoppers glare. Due to shortages, they can only purchase a small bag of rice and a few onions. Tomi spots Keet hiding in the trees that evening, observing the house.
Tomi goes to Billy’s house before school, but Charlie informs him that the Davis family is away and school is canceled. Charlie accompanies Tomi back to the Nakaji house and delivers the news. He explains that the US is declaring war against Japan, and many Japanese men, especially fishermen, are being arrested. Charlie cautions the family against appearing too Japanese, as some on the islands want revenge. He specifically asks if Papa has a radio or a US flag on his boat; he does not. Charlie warns that the military might shoot any boat not flying a US flag and instructs the family to stay put, designating Tomi as the one to fetch anything they need.
After Charlie departs, Mama instructs the family to gather anything Japanese. They collect everything, from Mama’s kimono to the butsudan and katana. Grampa hides the butsudan and katana in the jungle while the family buries the remaining items.
After burying the belongings, Tomi encounters Keet and Jake. Keet harasses Tomi, claiming the Wilsons want no association with Japanese sympathizers. He asserts that Mama will no longer work at his house, and Mr. Wilson wishes to remove the Nakajis from the property. Tomi ignores Keet, honoring his father’s wishes, but Keet shoves him, and Jake intervenes. Keet storms off, and Jake apologizes for Keet’s behavior and the loss of the pigeons, revealing that Keet informed the police about the birds.
Despite the curfew, Grampa rides to the docks after dark to gather information about Papa. He returns disheartened, reporting that the military shot at Papa’s boat, killed Sanji, shot Papa in the leg, destroyed the boat, and arrested Papa.
Tomi attempts to comfort Kimi, who misses Papa, when two missing pigeons return. Tomi feeds them and places them back in the loft. A few days later, Grampa informs Tomi that Billy is looking for him. Tomi grabs Red, the puppy chosen by Billy, and heads to Billy’s house, where he discovers Billy and Jake constructing a bomb shelter.
Billy privately shares with Tomi that Jake and Keet are no longer friends due to the pigeon incident. Billy’s parents are concerned because Jake intends to join the military. Tomi reveals the devastating news that the military shot Papa and killed Sanji. Shocked, Billy confesses that he avoided visiting for a while because of the flag but has since decided that he will not distance himself. They decide to play catch, discussing obtaining identification cards to identify their bodies if something unfortunate occurs. Billy asks if Tomi had to kill the birds, which Tomi affirms, adding that two birds have returned. Billy asks if Grampa was cheering for the Japanese. Tomi explains that Grampa feels the Japanese fighters disgraced him and others.
The boys exchange apologies, and they continue tossing the ball around.
Tomi’s life was far from perfect before the attack on Pearl Harbor, but its aftermath adds significant layers of complexity with regard to identity and belonging. The characters grapple with Divided Loyalties amidst martial law after the Pearl Harbor attack.
One of the most emotionally charged moments in the story is Grampa waving the flag at the Japanese planes. In this moment, Grampa has lost faith in the Japanese government. He believed the Japanese would not bomb their people if he waved their flag. However, Japan planned the Pearl Harbor attack fully aware of the many Japanese immigrants in Hawaii. To Grampa, they willingly abandoned them for military strategy. Grampa must accept that the country of his birth has no interest in his continued welfare as an American, as it is focused on much larger goals of war. Grampa’s realization of what he perceives as a betrayal takes him a while to accept. In a misguided act of loyalty, Grampa gathers eggs for Japanese soldiers, confident they will not hurt him in light of his generosity. Unable to accept that they already have hurt him, it is only after Papa’s arrest that Grampa comes to grips with the fact that “we have been disgraced” (134). Grampa’s loyalty is divided between the culture he relates to and his adopted country, so even as he accepts that Japan is an antagonist in the war, his grief and disappointment are heavy, demonstrating the difficulty of identity when one has more than one community.
The prejudice around the Nakajis compels them to literally bury their heritage; anything remotely Japanese is interred beneath the house. Grampa willingly severs all ties to Japan. However, he hides a few family heirlooms—the butsudan and the katana—in the jungle. To Grampa, these artifacts have no ties to Japan; they represent family heritage and his identity. However, despite Grampa’s willingness to forsake his loyalties to Japan amidst the horrors of war, this decision cannot be easy and is likely not black and white. Just as there are sympathetic white characters, there are certainly people in Japan who do not condone the violence of the war or attack on Pearl Harbor, so close to where immigrant relatives live. Grampa, like Tomi, will need to find a balance between being loyal to both Japanese and American identity. Indeed, serve as foils to each other in their initial primary allegiances to one identity, and it is a source of tension between the two.
Until this point, Tomi has been loyal to the US. While he harbors no great love for the military presence in Hawaii, he has no enmity. He considers himself an American without exception. However, the attack on Pearl Harbor tests this loyalty. The military questions his family about the flag, and the entire family, along with Billy, lies. When asked if they saw anything, Billy replies, “I didn’t see anyone signaling any parachuters”(118), not revealing the whole truth. This again highlights Divided Loyalties, as the family and Billy know that the Nakajis are not working with Japanese forces, but they still need to lie to American soldiers for safety. Indeed, when two conflicting beliefs or identities meet, internal conflict boils over as the characters question the ethics of their choices and their subsequent safety.
The military persists in harassing the Nakajis, demanding that they kill all their pigeons. Tomi feels the injustice of this order; the pigeons are not messenger birds, and even if they were, no messenger bird could make the over 4,000-mile trek to Japan across an open ocean. The birds pose no threat, and the soldiers know it, yet they demand the birds’ death. Acts like this test the loyalty of those who identify as both Japanese and American, like the Nakajis, as they signal the prejudice and even punishment they will face. Further, the pigeons have long symbolized freedom, both in their free flying and in Papa’s sense of peace in tending to the birds after long days of fishing. The murder of the animals is a symbol of martial law and effective freeze on Japanese Americans.
The military mandates that all boats approaching Hawaii must fly the US flag, a startling requirement given that many boats were already at sea before the attack. Papa and Sanji fall victim to this sudden requirement—Papa is wounded and arrested, and Sanji dies. Suddenly, Tomi, who had been largely apathetic to the war, finds everything wrong: “But the papers said local Japanese who wanted to sign up couldn’t, that they weren’t loyal to the U.S. It was all wrong, like Papa in jail was wrong” (149). While Tomi feels disgraced by Japan, he feels persecuted by the US military. Tomi is, again, caught in the crossfire of being both Japanese and American in a way that his elders cannot fully comprehend: Tomi was born in the US, so his sense of tradition and culture are family-based rather than Japan-based. However, when he learns of Sanji’s death and his father’s imprisonment, he is forced to confront his own Divided Loyalties.
Billy also struggles with loyalty. Though he does not hesitate to lie for the Nakajis, he later wrestles with his choice. Billy is very concerned about World War II throughout the story, unlike most of the other characters. Despite his loyalty to the US military, Billy’s loyalty to his friend is stronger. Forced to evaluate the actions of his country’s government, Billy cannot support Papa Nakaji’s imprisonment or the death of the pigeons. Worse still is accepting that the US government killed Sanji, an innocent man whom Billy had recently bonded with. These considerations place Billy in a moral quandary, unsure of whom to support but convicted in his instinct to protect the Nakajis, as he knows they are innocent.
Loyalty is a complex theme throughout the story, never more so than in this section, which also spills into the theme of The Barriers of Prejudice and Discrimination. Each character grapples with conflicting loyalties and the discrimination that they either observe or are subject to. Grampa struggles between loyalty to Japan and the US, ultimately losing all loyalty to Japan. Tomi, who always considered himself an American, wrestles with understanding the morally wrong actions of the American government and military. Billy, too, struggles to reconcile loyalty to his country with loyalty to Tomi, finding some of the US’s actions immoral and feeling uncertain about how to address them. Loyalty becomes an intricate and thorny problem in this section, leading the characters into gray areas due to the fact that, in war, prejudice persists toward those perceived to be affiliated with warring groups regardless of their actually allegiances.
By Graham Salisbury