52 pages • 1 hour read
Ana HuangA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: Both the source text and this guide feature descriptions of child abuse, drug and alcohol abuse, gun violence, abduction, and sexism.
Bridget and Rhys are constantly faced with decisions about love and duty as their relationship escalates. Although there is an immediate attraction between the two characters, there is also an immediate understanding that a personal relationship between them is impossible. Not only would it prohibit Rhys from doing his job, but the resulting scandal could prevent Bridget from becoming queen. One of the first things that Rhys says to Bridget is “I do not become involved in my clients’ personal lives [...] This ensures my judgment remains uncompromised” (20). Given the genre of the novel, the firmness of this declaration foreshadows the inevitable fact that Rhys will find himself unable to adhere to his core principles where Bridget is concerned. In fact, he begins doing her favors for the sole purpose of making her happy, rather than just keeping her safe. The lines between love and duty become especially blurred in Costa Rica when the two become very involved in each other’s personal lives, learning about one another’s pasts and beginning a sexual relationship. Out of a desire to correct his perceived misstep, Rhys attempts to redefine their original boundaries on the following day, and he refuses to acknowledge what happened the night before. Yet later in the novel, after his relationship with Bridget causes him to grow as a person, Rhys is willing to give up all that he has to be with her. When his boss, Christian, confronts him about his relationship with Bridget, he immediately quits and has no qualms about breaking the law to be with her. Thus, Rhys chooses love over duty despite his initial principles.
Within these fraught dynamics, Bridget’s choice between love and duty is shown to have much broader effects. Additionally, because Bridget believes the illusion that she must make a choice between love and duty, she weighs whether to honor her own life choices or to succumb to the expectations and customs of her country. Her choice is made all the more difficult because the Royal Marriages Law prohibits Bridget from marrying someone who is not noble, and this initially appears to rule out her chance of having a serious relationship with Rhys. This law is a symbol of how tangled Bridget’s personal and public lives are, for she is forced to put her love for her country above her love for Rhys. Those around her are firmly on the side of the monarchy and know how harmful her illicit relationship could be for her public image and her succession to the throne. For example, Mikaela often makes oblique comments to address this issue, saying that it would be nice “[i]f he weren’t a commoner” and pointedly asserting that “[g]etting involved with the staff is so tacky” (280). Bridget breaks up with Rhys once their relationship becomes public because she believes she has to choose between love and duty. However, with the repeal of the Royal Marriages Law, Bridget no longer has to make this choice, and she can finally embrace both her love for Rhys and her duty to her country.
When Bridget asks Rhys about himself, he reveals that his biggest fear is failure and his biggest regret is inaction. Though Bridget is surprised by these responses, her own fear of failure motivates her throughout the novel, and she constantly regrets her past actions just as much as Rhys regrets his. Both Rhys and Bridget are influenced by their pasts, particularly by their guilt over their actions or lack thereof. As a public figure, Bridget feels that she is not allowed to want things for herself, for she knows that her desires might bring harm to the royal family and her country. Yet her guilt also arises from her mistaken belief that she is somehow responsible for the deaths of her parents. Bridget feels the weight of her family and her country on her shoulders, particularly as she becomes closer to becoming queen. The lasting effects of guilt become even more prominent after her relationship with Rhys becomes public, for Bridget feels that she has let everyone down. Accordingly, her fear of failure causes her to break up with him and pursue a more conventional path to the monarchy. Even so, she feels immense guilt over her wayward romance. Connecting her actions to their effects on her family, Bridget says:
My mother died giving birth to me. My father died on his way back from buying something I’d asked him to get. My grandfather almost died because I’d refused to give up the one thing that ever made me happy. That was what I got for being selfish, for wanting something for me. Future queens didn’t live for themselves, they lived for their country. That was the price of power (350).
This passage emphasizes the fact that Bridget’s guilt over her past actions consumes her, leading her to feel guilty for any aspect of her life that brings her happiness.
Rhys is similarly ruled by guilt throughout much of the novel. Early in Twisted Games, he tells Bridget that as a child, he watched, frozen in fear, as a friend was mugged at gunpoint. Because he is haunted by his guilt over his failure to save his friend from being shot, his career as a Navy SEAL and his fierce protectiveness of his clients stand as evidence that he is still trying to atone for tragedies that he perceives to be his fault. Additionally, Rhys feels immense guilt about his relationship with his mother, mentioning that he did not immediately call 911 when he discovered that she was dead. Though Bridget tells him that he is not to blame because he was only a child when these things happened, Rhys is still controlled by this guilt, and when he admits the details of his past to Bridget, the scene emphasizes the many connections between the two characters. Significantly, his complex PTSD only exacerbates his guilt, leading Rhys to feel responsible for anything that goes wrong on his watch. As a result, he is hypervigilant and overprotective of his clients, feeling like he owes it to the world to make up for his inaction when he was a child. Similarly, because he feels guilt over his mistakes while in the military, he sees himself as nothing but a murderer, and tries to atone by protecting others as a bodyguard. Rhys’s guilt leads him to feel that he is not good enough for Bridget, further complicating their relationship. Yet by the end of the book, Rhys and Bridget’s relationship and openness with one another lead them both to see things from different perspectives, assuaging some of their guilt and allowing them to move past it.
At the beginning of Twisted Games, Bridget leads a relatively normal life at Thayer University. As she wryly states, “Its student population boasted so many royals and celebrity offspring, a princess was no big deal” (15). She enjoys being able to go out to bars and concerts with her friends, and she revels in her anonymity and freedom whenever she walks home after volunteering at the animal shelter without any signs of the paparazzi that dog her steps in her home country. In Eldorra, Bridget feels that she has no “Love. Passion. Choice. Things no amount of money could buy” (17). As a public figure, Bridget lacks the freedom to choose the life she wants to live, and her frustration intensifies once she learns of her brother’s abdication and her grandfather’s medical condition. When she returns to Eldorra, she is followed by the paparazzi when she goes to visit the graves of her parents, and she resents the fact that she cannot escape the feeling of being watched. Bridget rebels against this life once she learns that she will shortly become the next in line for the throne. As she says, “Maybe I’m tired of living life the way I should and want to live life the way I could” (142). The bucket list she creates highlights her worries about becoming queen and emphasizes the fact that she will feel even more confined once she starts preparing to take the throne.
The restrictions inherent in her role as princess irritate Bridget, but she feels even more confined once Rhys comes into her life and starts disrupting her ideal world in Hazelburg. Whereas she once had more freedom in America than she had in Athenberg, Rhys’s rules and security protocols remind her of all the ways in which her life is not her own, thereby inciting the initial “enemies” portion of the “enemies-to-lovers” romance trope. Yet Bridget does not feel the full force of her confinement until she begins to date Rhys, for she is acutely aware that the Royal Marriages Law prohibits them from becoming a serious couple if Bridget wants to take the throne. The resulting tension between her public persona and her private life compels her to break up with Rhys when their relationship becomes public, for she knows that her people will judge her and she believes she must exude the qualities of future queen even if it means sacrificing all that is most important to her. Bridget has little say over her life and choices throughout the novel, yet her decision to campaign for the repeal of the Royal Marriages Law shows that she ultimately refuses to choose between love and duty. By making her relationship with Rhys public on her own terms and declaring her intention to repeal the law, Bridget dismantles the systems that have kept her confined and shows that she can regain control of her life.
By Ana Huang