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48 pages 1 hour read

Emily McIntire

Twisted

Fiction | Novel | Adult | Published in 2023

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Chapters 22-31Chapter Summaries & Analyses

Chapter 22 Summary: “Julian”

Julian knows he should be running the company, but instead he sits at home with Yasmin, drinking and conversing. She speaks of the joy she takes in photography and developing pictures in the darkroom. Watching her, Julian wonders “if the version of her in my head ever really existed at all” (193). He invites her to meet his mother, then kisses her. It turns into a passionate embrace, but Julian breaks away to visit Isabella.

Chapter 23 Summary: “Yasmin”

Yasmin wakes up with a hangover from drinking. Julian has left painkillers and water next to her bed. She checks her messages from Riya and reminds herself that she wants to break free of Julian and be with Aidan. But while she showers and tries to think of Aidan, she again masturbates to thoughts of Julian.

Chapter 24 Summary: “Julian”

Julian feels that his laser focus on his goals is disrupted by thoughts of Yasmin. He asks Jeannie for an update on the Egypt dig and calls Ian, who reports that Aidan despises working for the Karams. When Ian calls Yasmin a bitch, Julian coldly reprimands him not to disrespect his wife. Yasmin asks permission to go to brunch with Riya. Julian visits Isabella and assures her that Yasmin is only temporary.

Chapter 25 Summary: “Yasmin”

Yasmin, forbidden by Julian to leave, spends her days exploring the house. Yasmin realizes she’s never learned life skills and “the protective shield my father surrounded me with is more of a crutch than a blessing” (214). When Yasmin finds Isabella’s room, Julian introduces them, saying that Isabella eats the flesh of his enemies. Yasmin asks about his hobbies; the only one he can think of is martial arts. He is there to teach Yasmin how to drive.

Chapter 26 Summary: “Yasmin”

Yasmin is frustrated by her driving lessons, but “I’ve never felt more independent and powerful in my life” (220). She continues to resist her feelings of attraction, determined not to like her husband. A police officer approaches and Yasmin realizes she feels safe around Julian. The officer is disrespectful to Yasmin, remarking on her sexual attractiveness and brushing his body against her when she walks past him. Yasmin is hurt that the cop sexually harassed her and it doesn’t appear Julian was bothered.

Yasmin meets Riya for lunch and complains that Julian is manipulating her emotions. Riya knows of Yasmin’s tendency to fall for the villain. Riya talked to Aidan, who hasn’t been in touch with Yasmin, but has been busy looking for the lamp. Riya gives Yasmin a phone with the number of Randy Gazim, a divorce lawyer who has agreed to take her case.

Chapter 27 Summary: “Julian”

Julian has his bodyguard, Razul, watch Yasmin while Julian torments officer from the previous day. Officer Tate is bound and gagged in a chair in the hidden room in Julian’s house. Julian likes how his martial arts staff feels in his hand, similar to the staff from the hapkido dojo he attended as a child. He beats Tate and cuts his eyes, then gives the dead body to Isabella to swallow.

Aroused by thoughts of Yasmin, Julian thinks, “My body continues to play tricks on my mind, making me think Yasmin is here for my pleasure. That she’s bound to me for me” (237).

Chapter 28 Summary: “Yasmin”

Yasmin fidgets as she prepares to meet Julian’s mother. She has been talking with Gazim, the lawyer, but she also doesn’t want her father to know that his right-hand man plans to betray him. Yasmin expects that Julian has a loving relationship with his mother—he bought her a house and supports her—so she is surprised when his mother is cold, disapproving, and complains about how Julian treats her. Julian holds Yasmin’s hand beneath the table, then puts food on her plate for her. The gesture makes Yasmin feel cared for: “Something foreign and warm fills up my chest, and I twist my fingers, sliding them between his and squeezing” (244). Yasmin believes Julian’s mother’s claims that she is dying and feels disturbed by “this sudden need […] to make him feel better” (247).

Chapter 29 Summary: “Julian”

Julian is unable to emotionally detach from his mother: “there’s something tethering me to her even after all these years, an invisible rope that frays more with every example of disrespect, every time she brings up my childhood, acting like I don’t remember how all my scars are from her” (249). As they sit in the family room, Julian informs Yasmin that claiming to be sick is one way his mother attempts to manipulate him for attention.

Yasmin can relate: She has been pampered, but it hurts that her father meant to basically sell her to a strange man. But comparing their family lives makes Julian angry. As they argue, Yasmin pushes Julian, and he spanks her, calling her a brat and claiming he will teach her a lesson. Yasmin enjoys the spanking and continues to provoke him. Julian realizes that she takes pleasure in his physical aggression: “She can pretend she doesn’t like this all she wants. We both know the truth. This is what she needs. And I’m the man who can give it to her” (254). As he cuddles her after their anger fades, Julian tells Yasmin about the stuffed bear that he hid, how his father beat his mother, how his mother beat Julian, and that he wishes his mother would die. Then he kisses Yasmin.

Chapter 30 Summary: “Yasmin”

Yasmin is thrilled by Julian’s kiss. Instead of butterflies, “he causes an inferno, raging through my system and disintegrating me” (258). She thinks Julian’s touch feels like ownership, and she imagines that sex with him would “[m]ake me loved and secure and whole, even if just for the moment” (260). As he touches her, Yasmin realizes that he gets aroused when she doesn’t obey him, so she riles him to purposefully turn their making out rough. She discovers that pain enhances her pleasure. As he brings her to orgasm, Julian asks Yasmin if she is his. When she doesn’t answer, he ends the contact.

Chapter 31 Summary: “Yasmin”

Yasmin wakes up in Julian’s bed. She reflects on their encounter and thinks, “For the first time in my life, my mind was clear, my body was free, and all my problems disappeared” (270). She hadn’t known she would find such forceful handling a turn-on. In his shower, she masturbates, and then is startled when Julian interrupts. Tattoos cover his arms, shoulders, and chest.

Julian is going to Egypt and invites Yasmin to come along. She is confused to realize that Aidan, whom she thought of as the love of her life, is now a distant memory. She reflects on the text she received from an unknown number, offering her help if she comes to Egypt.

Yasmin visits her father and finally accepts that he is dying. He ruminates that he missed seeing that she was falling in love. As she wonders how much to tell him, Yasmin realizes, “this marriage doesn’t feel fake to me anymore” (277). Ali tells her to go to Egypt and promises he will still be around when she returns.

Chapters 22-31 Analysis

The Formative Influence of Parents pervades this section, as Julian’s mother and Yasmin’s father provide context that helps the protagonists understand how they wish for their partner to treat them. Yasmin wishes for independence and a voice, which her father, out of protectiveness, never allowed her. Meeting this need, Julian’s teaching her how to drive offers Yasmin independence. Julian’s mother has demeaned him and has never acknowledged her verbal, emotional, or physical abuse and its consequences. In contrast, Yasmin demonstrates warmth and interest. These gestures grow the couple’s emotional bond, as do moments when each reveals an aspect of themselves to the other: Yasmin shares what she loves about photography, and Julian tells her about the stuffed bear he had as a child and introduces her to Isabella—the most important being in Julian’s life, by his own admission. In this way, both are healing for each other the pain that marked their childhood and young adulthood.

Their intense sexual connection, both when self-pleasuring and when together, advances Yasmin’s self-knowledge emotionally and physically. On growing closer to Julian, Yasmin realizes that her love for Aidan has faded. Also, Julian leads Yasmin to make an important discovery about her sexual expression: She feels heightened pleasure in the context of pain; however, key to this dynamic is that she feels safe with Julian and views their interactions as consensual. By highlighting this aspect of the ethics around sexual play that involves discipline or bondage—and by showing Julian cuddling Yasmin after their rough sexual encounter—the novel is careful to demonstrate best practices for this style of sex.

The novel is also careful to position Julian and Yasmin as fit romantic partners. Not only does the intensity of her sexual pleasure, and his pleasure in pleasing her, signal the appropriateness of the match, but also so does Riya’s teasing Yasmin about her affection for villains and attraction to the “bad boy” type. Aidan, in contrast, is a boy-next-door type, whose seeming docility doesn’t complement Yasmin’s desire for a man who radiates power. The imagery around her feelings confirms who Yasmin prefers: Aidan evokes butterflies, while her desire for Julian is an “inferno, raging through my system and disintegrating me” (258). The visual supports Yasmin’s revelation at the end of the section that the fake marriage—in keeping with the expected emotional beats of this plot device—no longer feels fake to her.

Yasmin’s expressed longing for independence could create an obstacle to Julian’s need for dominance, possession, and control, but McIntire reconciles them as compatible partners by making Yasmin a character who takes pleasure in sexual submission—a dynamic that will allow Julian to experience Ownership as a Source of Pride and Joy. Julian’s decisions about where she is allowed to go and who she is allowed to see, control first established with villainous intent, looks like care and passionate attention in a consensual dominant/submissive relationship. Julian readily steps into the dominant role, determining his level of sexual contact based on whether Yasmin will verbally identify herself as his property, repeatedly being turned on by images of Yasmin’s ring, which symbolizes his possession of her, and refusing to have sex with her until she has bound herself to him entirely. The progression of sexual contact, with penetration as the goal of mutual desire, corresponds with the unfolding romantic arc.

Julian’s murder of Tate confirms his status as villain who revels in power and delights in torture and killing. But he also justifies this action as the appropriate response to Tate’s disrespect of his wife, couching his actions as protective and devoted—typical sentiments associated with romantic love. The novel does not engage deeply with the moral questions of Julian’s actions. Instead, having Isabella to clean up the corpse means Julian’s crimes disappear from the narrative and there are no concerns that he might be held accountable. Isabella is a vestige of Julian’s relationship with his father, so using the snake to harm others continues the cycle of abuse his father instituted in their family. On the other hand, choosing Yasmin will eventually free Julian from the guilt he feels over continuing to be loyal to his mother, who deliberately hurt him.

The work in Egypt continues as a subplot to the main romance plot. The lamp serves as a MacGuffin, an item that serves to motivate character action but is irrelevant on its own terms. Suspense over what Aidan, Ian, and Jeannie are up to in Egypt lays the ground for the climactic confrontations of the next act.

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