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Louise KennedyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Cushla attends a wedding with Gerry. During the best man’s speech at the reception, soldiers storm the building but leave without identifying anyone. Another guest asks Gerry if he can hide firearms in his garage, and Gerry and Cushla leave soon afterward. She asks him to take her to Michael’s flat. Michael isn’t there, and she worries for his safety when enormous explosions sound nearby. She looks through his case files on three young men named Kelly, McAleavey, and Coyle who are accused of murdering a constable. In their photographs, they appear “limp haired, hollowed out. Terrified” (189). Michael went to see a play, and he returns early because a car was blown up near the theater. Cushla thinks he’s being too calm about the situation, but he tells her that he is “fucking raging [...] the first time she had heard him swear” (190). The next morning, they have sex, and Michael bathes her, leaving her feeling renewed.
Michael and Cushla attend Jim’s birthday party. The only other Catholic present is Mrs. Coyle, who cleans Penny’s home and Michael’s flat. A mortified Cushla is convinced that Mrs. Coyle must think she’s promiscuous. Jane bursts into tears suddenly and confides to Cushla that she missed Penny’s art opening because she had her seventh miscarriage. A doctor who drinks crème de menthe from a pint glass makes unsolicited comments about Cushla’s body, and she retorts, “Do you actually like that stuff or is it just an affectation you resort to because you have a shite personality?” (197). She storms into the kitchen and bonds with Mrs. Coyle. Michael plays an Ottilie Patterson song on the piano and sings, “When I move to the sky, up to heaven up high, what a wonderful time that will be. I’m ready to go washed in Calvary’s flow. That will be the last move for me” (199). The song gives Cushla a sense of melancholy and foreboding, and she goes to the garden to cry. She and Michael head to his flat afterward, and he tells her that Mrs. Coyle’s son has been accused of a crime he didn’t commit.
Cushla and Gerry take their students to a park for a picnic. The children dress informally rather than in their uniforms in the hope that they will be less easily identified as Catholics. Davy sticks close to Cushla since the other children exclude him, but he has turned down her offer of a ride home ever since the social worker visited his family. She works a shift at the pub that evening. She and Eamonn discuss their mother’s worsening drinking, and he says, “I’m looking after this place. I thought you were looking after her” (209). The officer who watched Cushla dance at the disco comes to the pub, and it takes her a moment to recognize him without his uniform. Michael arrives at the pub, looking pale and harried. He tells Cushla that he may be unable to contact her for a few days and that he loves her. She kisses him and replies, “You’d better, Agnew” (211).
Cushla and Gina have lunch at an elegant seaside resort. To their surprise, Eamonn and his family are there celebrating the birthday of Marian’s mother. Gina stiffly refuses Marian’s offer to join them and has multiple cocktails. On their way out of the hotel, Gina and Cushla run into Michael, his wife, and his son, Dermot. Joanna is far more beautiful, serene, and kind than Cushla imagined. Cushla is so shaken by the interaction that she fears she will be ill in the parking lot. Gina tells her that Joanna was a law student before Michael got her pregnant. Cushla thinks about the many mistresses Michael has had before her and of her terrible, increasing certainty that she will not be the last. Later that evening, Eamonn calls Cushla to talk about their mother and tells her, “You need to get away from her [...] Join the circus. Leave the country. Get married” (217). Cushla feels as though she might cry, but she assures her brother that she will sort things out with Gina.
After the chance meeting with his family, Cushla ignores Michael’s calls for three days. When she finally answers, the distraught man’s apologies persuade her to agree to see him after school. She teaches her class how to write letters and pens one of her own in her journal in which she describes Michael as “a lying, cheating, philandering fucker” (220). Gerry and Cushla arrange a series of games for their students. Davy wins the relay race for his team, and the children who usually exclude him are overjoyed, “hoisting him up and thumping him on the back” (221). Davy hurts his ankle, so Cushla drives him home. This gives her an opportunity to check in with Betty. Seamie is continuing to heal, but Betty is worried about Tommy, whom she rarely sees.
Cushla goes to Michael’s flat. He explains that his wife has an alcohol addiction and is being treated for depression. He had three affairs before his relationship with Cushla, which he doesn’t consider an affair. She finds it hard to believe him, but she wants to stay with him even though she’s certain their relationship will end badly. He says that she could move in and they could go to Donegal, Amsterdam, or Barcelona. She finds some comfort in these plans even though she doesn’t think they’ll follow through with them. Later, Michael comes to the pub at the start of one of Cushla’s shifts and asks if things are all right between them. She replies, “We’re doomed. Apart from that we’re grand” and agrees to meet him the next day (227).
Cushla drives Davy to school the next day, and the other students treat him like a wounded hero because of his injured ankle. Gerry invites Cushla to go to France with him and his friends in the summer, but she declines. After dropping Davy off, Cushla returns home and finds that Gina is out. When she calls the pub, Eamonn tells her that their mother is there and asks Cushla to bring her home. The pub is crowded and solemn when Cushla arrives, and Eamonn tells her, “Michael Agnew was shot dead this morning” (232). Numbly, Cushla goes about her usual tasks before staggering out of the pub. Her brother follows her. Through tears, she tells him that she was seeing Michael. Livid, he demands that she get back to work “as if someone [she] hardly knew died” so that no one will suspect she was having an affair (233). The news reports that Michael was shot in his bed in front of his wife and shows footage of his body being carried from his house.
In Part 4 Michael’s heavily foreshadowed death finally occurs. The titles for Parts 4 and 5 both come from the Ottilie Patterson song Michael plays at Jim’s birthday party. The song hints at the barrister’s imminent death because it’s about going to heaven. Compounding the foreshadowing, Cushla has a “weird feeling” when Michael sings and is brought to tears. Cushla’s feelings of ill omen return in Chapter 19 when a bomb goes off outside the theater Michael is attending: “Fear came on her with terrible clarity, that something had happened to Michael” (189). Cushla’s impending sense of disaster is exacerbated by her feelings of hopelessness regarding their future. While Michael believes that they can find ways to be together, Cushla is certain that they are doomed: “This is going to end really badly, isn’t it? It doesn’t have to” (225). She knows that their love affair is ill-fated, but she chooses to remain with Michael as long as life and their circumstances allow. The text also provides foreshadowing about Tommy in this section. For example, his mother expresses concerns about his behavior in Chapter 23: “We hardly see him. When we do, he’s swaggering about with a few bob in his pocket, acting the big fella” (223). The sudden and dramatic changes in Tommy foreshadow his involvement in Michael’s death.
In Part 4, Cushla and Michael’s relationship continues to pose challenges, foregrounding the theme of Navigating Ethical Dilemmas. In Chapter 19, Cushla feels a crushing sadness as she considers her situation at a wedding: “Cushla felt a tear form at the corner of her eye. She had no father. The only man she would ever want was married already” (185). Due to the nature of her relationship with Michael, she feels that she will never experience the joy and social acceptance she associates with weddings. At the same time, Cushla comes to enjoy being in an affair: “Now it aroused her to think that in spite of his wife’s ministrations he did these things to her” (191). In Chapter 21, Michael tells Cushla that he loves her for the second time, and she still declines to say it back. In light of the foreshadowing in this section, this hints that Michael will die without Cushla professing her love for him.
Meeting Joanna and Dermot brings Cushla’s inner conflict to new heights in Chapter 22. The chance encounter evidently pains her lover’s conscience as well: “Cushla looked at Michael. There was an expression of such abject shame on him he appeared to have lost inches in height” (215). This disastrous meeting leads Cushla to ignore Michael’s calls for three days. This reverses earlier trends in their relationship when she spent a significant amount of time waiting by the phone and always came when he called. In Chapter 23, Kennedy humorously juxtaposes the form and diction of a letter with Cushla’s boiling frustrations:
I had intended to spend the summer slinking round Michael Agnew’s flat, making myself irresistible to him so he’d leave his wife. Only his wife is a lady, they appear to be happily married, and he is a lying, cheating, philandering fucker. Yours sincerely, Cushla Lavery (aged 24 ¾) (220).
Cushla knew that Michael was married and had a son before the affair began, but she felt differently about the situation when she could tell herself that he was trapped in a miserable marriage. After meeting Joanna, it is significantly harder for her to justify their actions or to convince herself that she won’t be replaced. Despite her moral qualms and misgivings, she chooses to remain in a relationship with Michael, telling him in Chapter 23 that they are both “doomed” and “grand.”
Part 4 foregrounds The Pervasiveness of Violence, which culminates Michael’s murder. In Chapter 19, soldiers storm into the wedding reception: “[T]he double doors burst open and boots stomped across the floor [...] a helicopter hovering over the building to guide their passage. The best man sat down and took a slug of his beer” (186). The best man’s reaction shows how common such displays of force have become. In Chapter 21, violence draws closer to Michael when the theater he’s inside is bombed. The revelation of Michael’s murder comes suddenly in Chapter 24 and reaches Cushla as a piece of news in her family’s pub. Despite the heavy foreshadowing around his death, its abrupt announcement is shocking.