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Pramoedya Ananta ToerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: Chapter 14 contains a description of rape perpetuated by a family member.
Nyai wakes Minke in the middle of the night, telling him someone has come to see him. A police officer waits downstairs with orders to transport Minke to an unannounced destination by 5pm. Minke protests, detailing his legal rights and demanding to know who has sent for him and where he is to go. The officer remains pleasant but insistent. Annelies expresses great anxiety as she prepares Minke: “Annelies […] approached me, unable to speak. […] She grabbed hold of my hand and held it. Her hand trembled” (117). Eventually, Minke ends up riding a train with the police officer to his hometown, which he identifies as simply “T—”. Minke realizes he is being taken to the residence of the bupati, the highest ranking Native official of the town of B—. Once at the residence, Minke is ordered to walk on his knees as a sign of reverence. Sitting with head bowed, Minke recognizes his father’s voice and realizes he is now the local bupati. Minke apologizes for not reading and responding to the family’s letters, letters that would have informed him of his father’s new position and required participation in his father’s installation. Minke’s father knows about his relationship with the Mellemas and castigates him for poor judgment. While apologizing to his father, Minke’s thoughts are defiant, revealing his belief that he is intellectually superior to his family.
After leaving his father, Minke meets with his mother, who expresses affection and acceptance. Next, he encounters his judgmental older brother. Minke chastises him when he discovers he has found his journal and is reading it. As the brothers argue, Minke’s mother interrupts them. She asks Minke if he has forgotten how to be Javanese, warning him that “You’ve mixed too much with the Dutch. So now you don’t like to mix with your own people” (130).
Minke describes the elaborate preparations for his father’s installation. An official tailor outfits Minke in the traditional clothing of a Javanese royal. In addition to accompanying his parents to the ceremony, Minke serves as the official interpreter, doing an excellent job to universal praise. Beginning with the Dutch “assistant resident,” Herbert de la Croix, many locals invite Minke to visit their homes, assuming he will soon be a significant Native leader.
When Minke arrives at the home of the assistant resident, Herbert introduces him to his two daughters, Miriam and Sarah de la Croix, graduates of Minke’s school. Herbert abruptly leaves Minke alone with his daughters. They ply him with questions to prove their social superiority, attempting to divine his thoughts about literature, the future of Java, and the rightful place of Native peoples. Afterward, the sisters make it clear that they intend to be Minke’s confidants and advisors: “Fight at our first meeting, but be friends afterwards, perhaps forever. That’s right, yes” (142).
Because of Minke’s stellar performance during the installation and his invitation to the assistant resident’s home, Minke’s parents no longer criticize him. He prepares to return to Wonokromo and telegraphs Nyai, asking for a carriage. Out of courtesy, Minke returns to Herbert’s home, where his daughters treat him with respect. Herbert, though sincere, reveals a bias against Natives, believing them incapable of social advancement.
On the train to Surabaya, Minke notices an Asian man watching him, whom he begins to call “Fatso.” When Annelies and Darsam take Minke toward Wonokromo in their carriage, Fatso follows them, though he disappears when Darsam stops in town. Darsam takes Minke into a coffee house, while Annelies waits in the carriage. He confesses that Robert M. attempted to enlist his help in assassinating Minke, but he refused. Minke becomes afraid, as “Surabaya was famous for its paid killers” (154). Back in the carriage, Minke tells Annelies that he is not going to Wonokromo yet, as he needs to spend some time at his rented room. Alone in his room, Minke grapples with feelings of distrust toward everyone he knows.
This chapter describes what happened to Robert M. after the police took Minke away for his father’s installation. When Minke leaves, Annelies demands that her mother do something. Nyai realizes how helpless and emotional her daughter is. She summons Robert M. and tells him to go to the police in Surabaya to find out what happened to Minke. Threatened by Darsam, Robert M. rides away on his horse. Annelies falls ill, and Darsam goes to retrieve Dr. Martinet.
Robert M. stops his horse as soon as he is out of view of Wonokromo, as he has no desire to find any information about Minke. As he sits, the plantation’s closest neighbor, Babah Ah Tjong, greets him. Babah, a Chinese immigrant, is the owner of the brothel next door to Wonokromo. He reminds Robert M. that he has never entered his brothel and lures him inside. Within, Babah entices Robert M. with a variety of drinks, delicacies, and different prostitutes until he settles on the Japanese woman Maiko, about whom Babah says, “This is my own one. Sinyo [Young Sir] can have her if you like” (167). Babah shows Robert M. and Maiko to an opulent bedroom.
Minke explains that the information in this chapter comes from Maiko’s court testimony, as expressed in the first-person. Maiko shares her history of being sold from one brothel owner to another, beginning in Japan and finally ending up in Java. Her “price” consistently drops as clients discover she carries a venereal disease nicknamed “Burmese syphilis.” She says, “It was famous for being incurable, and the men were ruined and destroyed more quickly and more painfully” (170). Maiko then describes her contact with Robert M.
Following Maiko’s testimony, Babah’s testimony is recorded in the first-person. He describes greeting Robert M. when he came out of the bedroom after a full day with Maiko. Babah tells Robert M. that he owes nothing for his time with Maiko. He then summons a female barber who cuts Robert M.’s hair and applies scented lotion.
Minke ends the chapter by relating the observations of Annelies and Nyai. Annelies awakens in the afternoon and, with her mother, sits in front of their home awaiting Robert M.’s return from the police station. Two hours later, Robert M. returns and reports that “The police don’t know where Minke was taken. They don’t recognize that name at all” (178). Nyai knows where he has been because of his appearance and smell. Robert M. changes his clothes and walks away from the house.
Minke wakes with a terrible headache. After his landlady, Mrs. Telinga, feeds and cares for him, Minke visits his friend Jean. Minke spots Fatso sitting outside the house where Jean is painting. Minke’s landlord, Mr. Telinga, shows up after shopping. When he learns that Minke is being stalked, he confronts Fatso. Mr. Telinga attempts to fight Fatso, who parries and avoids all of his blows. Fatso runs away, followed by Mr. Telinga, who returns out of breath. Though he fears for his life, Minke cannot report this incident to the police, believing it would bring unwanted attention to his parents, Nyai, and Annelies. In order to conquer his perpetual headache and end the crisis, he must emotionally release Annelies—which results in a slight abatement of his physical pain.
Minke receives a lengthy letter from Miriam describing her father Herbert’s understandings of why the Indonesian people have not been able to rise and become partners with the Dutch, rather than continuing to be their indentured servants. She tells Minke of the extended conversation she and her sister had with their father, expressing that Minke may be the long-awaited voice who raises the consciousness of the Javanese people. Touched, Minke answers her letter.
As Minke concludes his reply, Darsam startles him by appearing with a letter from Nyai saying that Annelies is ill. When Minke tells Mrs. Telinga that he is going to care for Annelies, she reminds him that he is also ill. Darsam responds, “Young Master will recover quickly at Wonokromo” (196).
Nyai initially scolds Minke for having been gone too long. She recognizes that he is also ill, then says, “No matter. If the two of them get together again, everything will be all right. The sickness will disappear” (197). At first, Annelies, who is semi-comatose, scarcely responds to Minke, though he continually speaks to her. Eventually, Dr. Martinet arrives and confides that he has sedated Annelies, who will soon awaken. The doctor tells Minke that Annelies is especially fragile, and that Minke himself must now become her caregiver and ensure she experiences no major surprises going forward: “Her heart is too soft, too gentle. She can’t cope with hurt. You must always humor, caress, protect her” (203). As Annelies awakens, Minke struggles with the new responsibility of assuring her health. The two converse, and their illnesses disappear.
Living at Wonokromo and riding an expensive carriage to school every day sets Minke apart from his fellow students. He notices that his relationships with his schoolmates and teachers have changed. Most students avoid him, and the school’s director questions him about his status, verifying he is not married. Minke realizes that Robert S. is spreading rumors about him. The only person who treats Minke the same is his literature instructor, Miss Magda Peters. Magda leads an open group discussion every Saturday afternoon. When she brings up an article written by Minke under his pseudonym, Robert S. stands before the class and identifies Minke as the author, intending to shame him. However, Magda calls Minke before the class and praises him. Her praise and willingness to question the primacy of Europeans in human development results in awkward silence and the termination of the discussion group. When Minke gives Magda a ride home in his carriage, she takes him into her home, praises his brilliance, and kisses him.
Minke receives two long letters from Miriam and Sarah. In them, he learns that Herman’s son by his Dutch wife, Maurits, experienced capture by the British in the Boer War. The letters stir jealously in Annelies. This is compounded when Minke says that, since she is no longer sick, he is going to sleep in his own room at night rather than in hers.
When Magda quizzes Minka about living with a nyai, he tells her that Nyai is self-educated. When Magda refuses to believe it, Minke challenges her to meet Nyai. They go to Wonokromo, so Magda can evaluate it as a suitable place for a scholar. Magda is stunned by Annelies’s beauty and Nyai’s intelligence. Later, she tells Minke that she would like to visit Wonokromo often, though she knows she cannot because of the gossip it would stir.
One evening, as Minke finishes his studies, Annelies demands that he come to her bedroom and tell her a story to help her sleep. Minke remarks that she is a spoiled child but does as asked, making up a story about a princess so beautiful that all of nature makes allowances for her. The story quickly morphs into a description of their relationship. They proceed to make love for the first time. Afterward, Minke asks Annelies if she had experienced intercourse before that night. She sobs, saying, “I knew […] that one day a man I loved would ask me that” (241). Before answering, she asks Minke if he will marry her, to which he agrees.
Annelies confesses that Nyai once sent her to find Darsam in the fields. While searching, she encountered her brother in the reeds. Robert M. proceeded to rape her. During the attack, Annelies’s horse bit Robert M. on the behind, startling him and allowing her to escape. She decided not to tell Nyai for fear Darsam would kill Robert M. and cause more trouble for her mother. Annelies and Minke have intercourse a second time, falling asleep afterward. Minke realizes that Nyai entered the room and covered them with blankets while they slept.
The second section of the novel could be referred to as the “loss of innocence” section. As Toer demonstrates, there are many ways one can lose one’s innocence. The most obvious form of losing innocence is through first-time sexual intercourse, which occurs between Annelies and Minke in Chapter 14. After the experience, Toer describes a darkness between them that Minke addresses by asking Annelies if she had been with another man before him, implying his sudden awareness that she was not a virgin. In this sense, Minke lost innocence (ignorance) as well. Sobbing, Annelies shares a long kept secret—another first-time experience—that she had been raped by her brother. This sharing produces deep emotional intimacy and trust between the pair.
For the first—and second—time, Annelies experiences jealousy. The Dutch de la Croix sisters’ letters do not read as romantic to Minke—but for Annelies, these missives from two young, unwed Pure-Blood girls stir a new emotion in her. This feeling only intensifies when Minke’s favorite teacher, Miss Magda Peters—Dutch, youthful, and clearly enamored with the oblivious boy—visits Wonokromo to see if it is suitable for him. Toer implies a clear connection between these events in Chapter 13—the “jealousy” chapter—and Annelies’s summoning of Minke to her bedroom in Chapter 14—the “seduction” chapter.
Magda experiences a sad first-time experience in this section as well. Swept away by the literary abilities of her handsome student, who considers her his favorite teacher, Magda kisses him passionately when he drops her off at her home. With little prompting, she visits Wonokromo and instantly finds her hopes dashed when she sees Annelies.
Awakenings begin earlier in this section for Minke. For the first time in the narrative, the question of his true Allegiance to the Netherlands or Java is raised. As he grovels before his father, fulfilling the ritual expectations of how a Native son should behave, Minke not only feels humiliated but put-upon, as if installing his father as the bupati is an archaic rite that is beneath him. He suddenly realizes that failing to open his family’s letters was an implicit rejection of their way of living. His mother builds upon this new awareness by pointing out how much more comfortable he is among the Dutch than his own race. Confronted with the reality that he himself would be an ideal candidate for the position of bupati, he tells his mother that he has no interest in bureaucratic work. Minke then interacts with the de la Croix sisters, who delight in intellectually testing him to determine if he is the type of person worthy of their progressive dreams for Indonesia; reinforcing his mother’s criticism, he does not hesitate to return the sisters’ letters. It is in this section that Minke first utters the titular phrase “this earth of mankind”—something he will say throughout the narrative as he reflects on and wrestles with his purpose in dealing with various man-made problems.
For the first time in this section, Minke grasps what it is like to be stalked as he recognizes the troubling presence of Fatso trailing him on several occasions. Minke experiences the abject fear of knowing someone wants to kill him when Darsam informs him of Robert M.’s assassination request. He also feels what it is like to be a pariah, as former friends and teachers distance themselves in response to his recent shows of wealth (i.e., the Mellemas’ carriage).
This section also details Dutch parents’ different expectations for their daughters. The first section lingers on the trafficking of young women in Javanese society. Dutch sisters Miriam and Sarah, on the other hand, are each half a dozen years older than Nyai when she was bartered by her father. While one has a boyfriend, neither is in a rush to the altar, instead focusing on enacting social change. Similarly, unmarried Magda is a well-educated career woman.
While these Dutch women have, to an extent, escaped the Entrenched Misogyny that is so pervasive throughout the narrative, Toer also speaks to the decisions women had to make simply to survive. The sex worker Maiko was shipped from one Pacific Rim location to another because the traffickers who bought her realized she carried intractable syphilis. When Babah Ah Tjong attempted to single out the disease carrier among his prostitutes, Maiko understood she was the one he was looking for but remained quiet. She did so to survive.
Readers may note that Toer refers to Annelies on a couple of occasions as a “Creole beauty” (206), which to most readers implies a woman of Cajun descent from southern Louisiana. Creole can also be used to refer to a person of European and Indies descent. Speaking of this mixing, Toer uses the lengthy letters sent to Minke—especially from Miriam—to comment on the exploitation of the Dutch East Indies by Europeans. The girls’ letters provide a tool he can use to teach his readers about Indonesian history. Perhaps more so than any other aspect of the Buru Quartet, these truthful observations resulted in the banning of Toer’s novels.