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54 pages 1 hour read

Lucy Score

Things We Hide From the Light

Fiction | Novel | Adult | Published in 2023

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Chapters 9-17Chapter Summaries & Analyses

Chapter 9 Summary: “A Neighborly Cockblocking”

Nash heads to Lina’s apartment to apologize for coming across so aggressively at Knox’s dinner. Lina accepts his apology: “How’s a girl supposed to hold a grudge against the whole broody, wounded hero number” (104). The two spar jokingly about where their relationship might go. Nash teases her by gently stroking her face, knowing she has a thing about not letting people touch her. He is aroused: “Lina Solavita knew how to make a man feel alive” (109).

Chapter 10 Summary: “Sweating with the Oldies”

The next morning, Lina joins her 70-something neighbor Mrs. Tweedy and other retired women for a dance workout at the gym. The workout is surprisingly extreme, and Lina is just beginning to regret coming when she sees Nash working out with weights. All she feels is “molten hot need” (115), but, overcome by the workout, Lina collapses to the floor. As he gives her water, Nash asks if Lina can watch Piper that night while he has drinks with her brother and their high school buddy Lucian Rollins. Lina agrees and promises herself to be showered, made-up, and not sticky with sweat.

Chapter 11 Summary: “Panicking Never Helps”

That night Nash heads to the Honky Tonk to meet his brother, shadowed by Agent Nolan. After a few rounds, Knox cautions his brother against falling too quickly for Lina, who never stays in one place for long. Talk moves on to the whereabouts of Duncan Hugo and the threat he poses, given his attempt to kill Nash. Knox asks about psychological counseling, but Nash dismisses “the idea of spilling your guts to a stranger” (125). When Nash heads home across the street, however, he begins to feel the familiar twinges of an anxiety attack: tightness in his chest, shallow breathing, and heavy sweating. Unable to control it, he curls up in a tight ball in front of the apartment complex.

Chapter 12 Summary: “Welcome to the Danger Zone”

Returning from walking Piper, Lina finds Nash on the ground, sweating and shivering. Lina helps him into his apartment: “Bullet wounds and panic attacks,” she thinks, “Nash Morgan is a hot mess” (134). Unused to having a man need her help, Lina responds with herbal tea and quiet music. They sort of cuddle on her sofa, Lina feeling Nash, “warm and solid” (139). In a moment of honesty, Lina tells Nash that when she was 15 she nearly died from cardiac arrest during a soccer game. She was diagnosed with a defective heart valve, which was corrected with surgery, but she still gets harmless flutters that remind her of her near-brush with death. Nash invites Lina to stay the night: “The closer I am to you, the easier it is to breathe” (145).

Chapter 13 Summary: “Bed Buddies”

Setting ground rules—no nudity, no loose hands, no snuggling—the two settle into bed. When Nash, wearing only boxers, emerges from the shower, Lina is shaken by “hot need” (146).

Lina wakens from the middle of a “delicious” (150) sex dream to find that Nash has moved over to her side. In his sleep, he buries his face in her hair. As she feels his penis along her leg, he brushes his open palm against her nipples, Lina unexpectedly orgasms. Nash awakens, unaware of what happened.

Chapter 14 Summary: “Snack Cake Heists and Bad Apples”

The next morning back at work, Nash is chastising a couple of teenagers caught shoplifting from a convenience store. The owner of the convenience store confides that while Nash was laid up recovering from the gunshot wounds, there were problems with Tate Dilton, a rookie patrol cop with a reputation for going rogue. Most disturbingly, in a clear case of racial profiling, Dilton pulled over a wealthy Black couple from Washington, DC, driving an expensive luxury car.

Nash is determined to discipline Dilton, but their sit-down is tense. Dilton does not respect Nash—he sees him as weak. Nash explains that Dilton’s treatment of the Black couple could bring a major lawsuit against the department and that, pending internal investigation into other allegations Dilton, is suspended with pay. Dilton, turning in his badge and gun, nearly jumps at Nash, but Nash feels competent for the first time in a long time.

Chapter 15 Summary: “Satan in a Suit”

Lucian Rollins slides uninvited into Lina’s lunch booth. He cautions her about getting involved with Nash, who is emotionally vulnerable. Lucian, who works in a DC-area political consulting firm, has a network of investigators at his disposal. They are now digging to find out who Lina is and why she is in Knockemout, but Lucian already knows that she works for an insurance company and has a reputation for being “fearless to the point of reckless” (171). He also knows she spent the night with Nash. Lina is unmoved by Lucian’s bad-boy attitude and assures him that she knows much about him as well. Lucian is impressed by her moxie, but again demands she not hurt Nash “because I’d hate to have to destroy your life” (175).

Chapter 16 Summary: “A Pair of Thank-Yous”

Nash stops by the apartment of Xandra Rempalski, the off-duty nurse who found Nash bleeding by the side of the road and got him to the hospital. As part of his recovery, Nash believes it is important to thank the woman who saved his life. Xandra accepts his thanks: “Pay it forward, Chief” (178).

A few hours later, his arms full of grocery bags and flowers, Nash knocks at Lina’s door and offers to make dinner. He shares how empowering he felt dealing with Tate Dilton. Then he tells her about the messy confrontation he had later that afternoon with Dilton in the convenience store.

Nash admits his attraction to Lina—“I’m desperate, Angelina. I need you” (184)—and confesses that he slept last night for the first time in weeks. He asks to spend the night platonically again. Lina, intrigued by being his “emotional support bed buddy” (186), agrees.

Chapter 17 Summary: “Pillow Talk”

In bed, both struggling to hold to their agreement to not have sex, they discuss their work. Then, Nash shares the story of Lucian’s arrest when they were in high school; after Lucian stood up to his abusive father, he was victimized by a racist cop. Lina tells him about their lunch visit.

When the alarm goes off in the morning, Lina finds Nash again next to her, his erection flaring. He slowly caresses her face and tells her he is going to kiss her. They share a lingering kiss when a rough knocking at the door interrupts them. It is Lucian. He wants Nash to come to breakfast; they need to talk.

Chapters 9-17 Analysis

Nash’s post-traumatic stress disorder continues to be a prominent theme in these chapters, as readers learn the extent of his condition. The panic attack that Nash has in Chapter 11 renders him helpless: “My heart raced under my ribs as the familiar ache spread. I made it to the foot of the stairs before my legs gave out. I crashed into the wall and slid down to the cold tile” (129). This is the devastating reason why Nash cannot work, sleep, or socialize. The attack comes out of nowhere after an evening with his brother and friends because Nash cannot escape PTSD-based free-floating anxiety.

The novel uses his collapse as a means to dispel some of the “macho swagger” Nash’s powerful body and position as police chief project: Lina discovers him curled up in a sweaty ball at the foot of their apartment steps. As he comes out of the attack, Nash tries gamely to make a joke of his collapse. “So what are the odds that you’ll magically forget this ever happened?” (133). Nash’s long-term emotional recovery begins when Lina offers to help Nash up the apartment stairs to his door. To do so, Lina wraps her arms around Nash’s waist and Nash leans against her. Nash and Lina initially find this awkward: Nash is not comfortable putting his weight on another person, and Lina is not used to having anyone so completely rely on her. At the same time, the nonsexual physical contact breaks new emotional ground for Lina, going against her PTSD-based rule of never being touched unless there is sex involved. As the two tamp down their volcanic sexual chemistry to open up and accept one another’s vulnerabilities, they find comfort in “reaching out in the dark and linking their hands on the covers” (150).

The experience allows both to rediscover the importance of dependence. Moreover, when Lina opens up about her near-death experience on the soccer field, she connects to Nash on a psychological level: Both carry invisible and visible scars from their experiences. Importantly, Lina shows Nash the network of small scars on her chest, the results of her collapse, her coach’s CPR, and two years of treatment and recovery. These scars mirror Nash’s bullet hole wounds and demonstrate that like Nash curled up in the fetal position, Lina is never far from her trauma. These parallels defray some of the characterization of Lina and Nash as opposites.

One of the structural elements of a romance novel is a version of suspense: The slow building up of sexual tension between two characters who will eventually have sex. Here, Score continues the first section’s escalation of attraction by maneuvering her protagonists into bed together, but withholding a sexual encounter. Instead, to match Nash’s masturbation scene, there is a somewhat comparable scene of Lina having a solo orgasm next to the sleeping Nash. This is also one of the markers of the modernization of the romance genre (See: Background). Unlike earlier versions of this kind of storytelling, which euphemized sex even when foregrounding the exploration of desire, this novel uses graphic, straightforward language in its sex scenes, relying on colloquial anatomical terms and describing sexual acts in minute detail.

Lucian Rollins, Nash and Knox’s childhood friend, is an imposing figure: “six feet four inches of sin in a suit” (169). Everything about Lucian seems “threatening” (169), not least his career as a political consultant known for Machiavellian techniques that have brought down politicians. Lucian, however, is actually a committed and caring friend who deeply understands victimization. His backstory, which Nash shares with Lina later, centers on the Fathers and Sons. When he was a teenager, Lucian fought back against a father who had long abused him. As a result, Lucian briefly spent time in jail because no one stood up for him: “And all it would have taken,” Nash tells Lina, “was for one good cop to do the right thing” (187). Nash’s awareness of the need for cops not to shield bad behavior on the force allows him to punish Dilton—actions that give Nash a taste of the competence he used to display in his job.

Lucian’s role in the narrative so far is to protect his emotionally wounded friend Nash who is “going through a difficult time” (169) of emotional vulnerability from a Lina, who Lucian knows is given to hasty relationships. In revealing Lucian’s protective interest in his, these chapters introduce what will emerge as a critical element in Nash’s recovery: The Power of Community. The theme is emphasized when Nash visits the nurse who saved his life and thanks her. Although she dismisses her role in rescuing him—she grins, “It’s not every night a girl finds the chief of police bleeding out on the side of the road” (177)—his gratitude is healing. Nash realizes that he needs the help of others—the community within which he has built his life.

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