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54 pages 1 hour read

Lucy Score

Things We Hide From the Light

Fiction | Novel | Adult | Published in 2023

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Chapters 18-25Chapter Summaries & Analyses

Chapter 18 Summary: “Eggs Benedict for Assholes”

Reluctantly, Nash leaves Lina in bed and heads for breakfast with Lucian and his brother. Knox worries that when the mercurial Lina breaks Nash’s heart, Knox will have to pick up the pieces. Nash’s priority needs to be locating Duncan Hugo. Lucian shares with Nash his misgivings over the coincidence of Lina arriving in town just before the shooting, but Nash warns Lucian to leave Lina alone.

Moving on, Lucian tells Nash that his information network reports that Duncan never actually left the area. That makes Nash a “loose end” (198) if Duncan ever believes Nash has regained his memory of the shooting.

Chapter 19 Summary: “Khaki Is Not Her Color”

Lina, over coffee with Naomi, considers what Nash means to her. They’ve been emotionally intimate, and she feels the powerful pull of sexual attraction, but she still has misgivings about telling him she is in town to track down a Porsche stolen by the same theft ring whose boss had him shot. She asks Naomi when she was sure she loved Knox, but Naomi points out that love is not about being sure: “The more you know and love and respect your partner, the more vulnerable you are together” (204). As she and Naomi sit in the coffee shop, women they know from the library, the gym, and Knox’s bar pass their booth and say hello. Lina feels like she is part of the town, “within Knockemout’s gravitational pull” (207).

Lina heads to the women’s prison north of town to talk with Tina Witt, Naomi’s twin sister, who used to be involved with Duncan Hugo. Lina explains her mission: to recover a Porsche worth half a million dollars. Tina swears that the weekend that Nash was shot, Hugo’s henchmen had not taken a Porsche. She has no idea who actually shot Nash. She guesses, however, that Duncan was trying to impress his father by killing the police chief, but that he “fucked up the hit” (210). After Nash’s shooting, Duncan’s father upbraided his son for his stupidity: In his clumsy efforts to retrieve a computer file with the names of informants, Duncan had nearly brought the FBI down on the entire organization. When Lina asks where Duncan went after the botched shooting, Tina is no help.

Chapter 20 Summary: “Carpool Confessions”

Nash is surprised when he goes to his office to find his father Duke waiting to see him. Duke, once a striking figure Nash worshipped, emotionally imploded after Nash’s mother’s death in a car accident. Now, Duke looks much older than his 65 years. He is unhoused, has addictions, and is a “failure” in his son’s eyes. Duke assures his son he is starting a rehab program and that part of his recovery is to make amends with those he wronged: “I didn’t do right by you and your brother” (220). He cautions his son not to live in the dark: “It’s no life” (221).

Nash decides it is time to give his life purpose. With Nolan in tow, he heads up to the women’s prison. They arrive just in time to see Lina departing, but when he phones her, Lina lies about being there. Nash heads to the prison’s front desk and, flashing his badge, asks for the visitors’ list for Tina Witt.

Chapter 21 Summary: “Fan, Meet Shit”

Burning with rage, Nash heads to Lina’s apartment, surprising her. He notices a cache of file folders on her table, among them one on Duncan Hugo and explodes: “Why the fuck have you been paying Tina Witt visits and looking for Duncan Hugo?” (228). He threatens to leave if she does not come clean. Lina admits that she is investigating a stolen vintage Porsche, but claims she had no idea about Nash’s shooting before being assigned to the case. Nash doesn’t believe her: “I trusted you, Lina, with my darkest fucking secret” (233). He accuses her of using her looks to pump him for information on Duncan Hugo and threatens to arrest her if she tries to horn in on police investigations.

Chapter 22 Summary: “Soccer Game Showdown”

Days later, Lina goes to Waylay’s soccer game. Naomi and Waylay greet her, but Knox says nothing. Naomi tells Lina that Sloane, the perpetually horny blonde librarian, had decided to make a play for Nolan, the marshal shadowing Nash.

Nash shows up for the game and immediately demands that Lina leave his family alone, since she has been lying to all of them. Pressed, Lina admits why she came to Knockemout. Knox disparages his brother for not listening to his warning about Lina’s “love ‘em and leave ‘em” lifestyle (246). The exchange grows more and more intemperate, until Waylay’s teammates come over and tell the adults to keep it down. Lina decides it is time to get out of town. Although Nash tries to stop her, she departs the soccer field. As she leaves, she happens to notice a muscular guy with a mustache in the stands looking at her with “mean in his eyes” (252).

Chapter 23 Summary: “Team Lina”

As Lina hastily shoves her clothes into her suitcase, Naomi and Sloane come to her apartment. Before she leaves town, they request a Girls Afternoon. They take a reluctant Lina to a seedy biker bar just outside of town. Lina refuses alcohol and tells her new friends about her heart condition.

She then tells them how special Nash made her feel when he opened up about his panic attacks—that vulnerability made Lina feel close to him. Naomi and Sloane confirm that the shooting left Nash “a photocopy of himself” (260). They tell Lina about Nash’s father’s opioid addiction, and Nash’s straightened childhood. Lina admits she chose a risky profession to show her smothering parents that she could take care of herself, which is ironic given that she has always kept them in the dark about her work. The bartender, overhearing, tells Lina, “Being vulnerable doesn’t mean you’re weak. It means you trust yourself to be strong enough to handle the hurt.” (263). Lina worries that she is bad at relationships, and the trio group hug.

Chapter 24 Summary: “Pecan Pie Punch and Point Elbows”

Naomi and Sloane know someone who might have information about Duncan Hugo: the leader of the town’s motorcycle club, known only as Grim.

Lina hears from a co-worker calling in a favor: He wants Lina to pick up a rogue criminal who jumped bail. Even though Lina only deals with property retrieval, she agrees to help her friend. Her new friends tag along. The bail jumper turns out to be a young, physically harmless computer hacker. The apprehension is successful even though the man runs away; at a crucial moment, Naomi intervenes by hitting him in the face with a bag of “dog poop” (274) and Sloane distracts him further by flashing her breasts at him. The women head back to Knockemout. A police car pulls them over. It is Nash.

Chapter 25 Summary: “Speeding Ticket”

Nash is angry to see Lina’s face bruised and cut up from the take down: “Gone was the even-keeled lawman with a badge [...]. In his place was a fire-breathing dragon that wanted to lay waste to everything” (279). He cannot understand why he feels protective of Lina. There by the side of the road, his heart “hammering” (281), his penis throbbing, and his entire body “vibrating” with need (281), Nash admits that he is furious she lied, but that all he thinks about is Lina. Nash escorts the women’s car back to the station, where he gives Lina a speeding ticket. She decides to move back to the roach-infested motel until the insurance agency can send a replacement.

Chapters 18-25 Analysis

Nash and Lina’s would-be romance takes a step back in this section. Lina’s refusal to explain to Nash that she is in Knockemout to recover a car stolen by the same car theft ring involved with Nash’s shooting erects a new boundary between the two. At the same time, Nash’s anger with Lina is inappropriate and out of proportion. Nash’s hair-trigger reaction when he sees Lina coming out of the women’s prison and then checking the visitors log to confirm her frequent trips to visit Duncan Hugo’s ex-girl sends him into the equivalent of a panic attack. These instincts—to conceal and to explode—are Nash and Lina’s frequent responses to their PTSD. As usual, the paranoid Nash quickly assumes that Lina cannot be trusted: “I needed something from Lina that she didn’t seem willing to give. Something that was as essential to me as oxygen. Honesty” (221). Meanwhile, Lina reacts by leaving without a word, withdrawing for self-protection, and adopting an icy tone: “I didn’t lie […] I only omitted part of the truth” (233). Wrestling with their PTSD, Lina and Nash break off their nascent relationship.

Nash’s psychological profile is deepened in these chapters with the unexpected visit from his father, Duke, which parallels the story of Lucian Rollins and his father and adds to the novel’s investigation of relationships between Fathers and Sons. The tense encounter in Nash’s office triggers a flood of unwanted childhood memories, specifically the death of his mother in a car accident that sent his previously strong father into such a deep depression that he became unhoused and developed a substance use disorder. Rather than empathizing with his father’s inability to cope with his despondency, Nash finds the man embarrassing: “That failure never got easier for [him] to stomach” (218).

Nash refuses to forgive his father—a rejection that the novel hints is underpinned by Nash’s willful obliviousness to his father’s PTSD. Instead of helping his father escape the dark world of drug misuse, isolation, and depression, Nash estranges himself from Duke: “Years of disappointment and trauma had made physical affection between us a foreign language” (218). He assumes his father is there for a handout and cannot believe that Duke is trying to put himself back together and wants his son’s validation and support. Unaffected by his father’s offer of an apology for his copious failures, Nash sees Duke as “toxic” (220). This failure of connection anticipates the relationship between Duncan Hugo and his crime boss father, another vicious cycle of disappointment and frustration, of traumas made far worse by a lack of communication.

The scene offers an interesting parallel to Nash’s earlier rescue of the dog Piper from the drainpipe. Here too, he encounters a fellow created trapped in a seemingly inescapable downward spiral—but instead of using his puzzle-solving brain to extricate his father, Nash cannot transcend their hostile relationship. The novel suggests that Nash cannot help someone else without external help—Piper was only rescued because Lina was also there.

These chapters, thus, foreshadow the solution to dysfunction—the support and help of a caring community—by contrasting Nash’s standoff with Duke with Lina’s evolving friendships with women she meets in her gym, the convenience store, her apartment complex, and the library. Basking in the warmth of recognition, Lina feels like a part of this seemingly close-knit town. The newfound sense of belonging culminates in Chapter 19’s bail jumper episode: Her friends Sloane and Naomi are critical in apprehending the fleeing hacker. Together, the friends succeed, foreshadowing the events of the novel’s conclusion.

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