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54 pages 1 hour read

Lucy Score

Things We Hide From the Light

Fiction | Novel | Adult | Published in 2023

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Chapters 1-8Chapter Summaries & Analyses

Chapter 1 Summary: “Tiny Embers”

Nash Morgan, the police chief in the northern Virginia town of Knockemout, is accustomed to being shadowed by FBI special agents, most prominently Marshal Nolan Graham. Several months earlier, he was shot and left for dead by members of a car theft ring, part of a crime family operation centered in Washington, DC. Nash and the FBI want to find out who shot him and to break up the crime ring. They theorize that the local operation is part of a power play driven by Duncan Hugo, whose father Anthony is the head of the crime family.

Nash struggles psychologically and physically after the shooting. He cannot remember enough of the event to help agents; plus, the shooting left him with nearly constant pain in his legs. He has returned to his job, but wrestles with a sense of vulnerability and an inability to trust anyone. He describes himself as a “walking corpse” (12). He stays away even from his older brother Knox, who runs the town’s most popular bar and is in the final stages of planning his wedding to Naomi. Naomi’s twin sister Tina was Duncan Hugo’s girlfriend; Tina is now serving time for her part in the car theft ring.

After yet another unproductive meeting with federal agents, Nash returns to his apartment complex and meets Angelina (Lina) Solavita, an ex-girlfriend of his brother’s, who is moving in. Lina is stunning and Nash feels “sparks” (12). Nash helps Lina carry her few belongings to the apartment next to his. Lina is only in town temporarily—she is on assignment for an Atlanta-based insurance agency.

Chapter 2 Summary: “Avoidance Tactics”

Since Lina’s job involves moving often from place to place in pursuit of stolen property, Lina sizes up Nash and his “hunky” physique as perfect for her “enjoy ’em and leave ’em” lifestyle (14). As she settles into her new digs, she feels a familiar restlessness. Knockemout is a quaint but boring little town. Maybe Nash will be a distraction. Lina does not tell Nash that she is actually in town to recover a vintage Porsche most likely stolen by the same thugs who nearly killed him.

Lina is grateful to Knox, Nash’s brother and her ex-lover, who rescued her from the town’s roach-infested motel and moved her to this apartment complex, which Knox owns. He purchased the complex with money from a state lottery jackpot he won some years back. Knox stops by long enough to assure Lina that a bed will be delivered that afternoon and then invites her to Sunday dinner with his fiancée Naomi and the precocious 12-year-old Waylay, Naomi’s niece. Since Waylay’s mother Tina is behind bars for a long time, Knox and Naomi have adopted Waylay.

Chapter 3 Summary: “Dead in a Ditch”

On the way to work the following morning, Nash wrestles with fragmentary memories of the shooting: “All I knew was that I should have died” (28). When he drives past the spot where he was shot, he feels the familiar signs of an anxiety attack. He pulls over. He hears a whimpering and decides, drawing his side arm, to investigate. He discovers a shivering dog hunkering in a drain pipe. The dog got in, but now cannot get back out through the opening. As he ponders what to do, Lina, out for a run, stops to help. Nash is mesmerized by Lina’s sweaty body and fantasizes about kissing her: “What I felt teetered on the line of uncontrollably craving” (34).

Together, the two rescue the frightened stray from the pipe. As they struggle to get the dog out, Nash cannot help but notice Lina’s “perfect curves” (40). Once the dog is out, Lina asks Nash, “so, hotshot, what’s the plan?” (41).

Chapter 4 Summary: “Downright Filthy”

Nash and Lina return to Nash’s apartment to give the dog, whom they name Piper, a much-needed bath. Lina looks about the minimally-furnished apartment and decides it resembles a “vacant hotel room” (45). Muddy from the rescue, Nash removes his shirt, and Lina cannot help but appreciate his chiseled chest. While Nash cleans up, Lina notices a stack of file folders on his desk, among them one labeled “HUGO, DUNCAN.” Nash interrupts before she can look at the file.

Cleaning the dog is quite an effort. Nash invites Lina to stay for breakfast and coffee. Lina tries to maintain her composure despite her attraction, a “wild mix of anticipation, adrenaline, and fear” (52). Lina receives a call from her boss telling her about a job opening that would be more money, but also more travel and more risk. Lina demurs. She is getting tired of “shitty motels and endless hours of surveillance” (54).

Chapter 5 Summary: “What Happens in the Shower Stays in the Shower”

Nash adjusts to his new responsibilities—he hopes temporary—for keeping a “scruffy, anxiety-ridden mutt” (54). He congratulates himself for making another day without resorting to his pain pills. Aware of his downward spiral since the shooting, he thinks about his “leggy” neighbor. He takes a shower, indulging an elaborate fantasy of making love to Lina as he masturbates: “I could almost hear her breathe my name” (59). As he climaxes, he slams his free hand against the shower wall, yells “yes, Angel” (61), and switches the shower water to cold.

Chapter 6 Summary: “The Middle of a Pissing Contest”

Lina cannot help but hear Nash in the shower through the thin apartment walls.

Lina goes to the public library and there meets Sloane, a “sexy” platinum-blonde librarian. She checks out a stack of murder mysteries to pass the time in Knockemout along with information on local property databases. As she exits, she runs into Nolan Graham, who knows her from previous investigations. He guesses why she is in town: Duncan Hugo, the car theft ring, and his power play against his own father.

Lina, with Nolan in tow, crosses the street to the police station where they meet Nash. Lina is distracted by Nash’s sex appeal. Nolan, who has been assigned to shadow Nash in the event that Duncan Hugo tries again to eliminate the police chief, tells Nash that Lina is an insurance investigator. When Nash calls Lina “Angel,” Lina realizes his shower fantasy involved her.

Chapter 7 Summary: “We Weren’t Dry Humping”

Lina goes to Knox’s rambling rustic home for dinner with his family. She can tell her ex-boyfriend is “happier than he’s ever been” (75). The dinner chat centers on the approaching wedding. Lina bonds with Naomi and young Waylay and is invited to be part of the wedding. Nash arrives with Piper and shares the story of how they rescued the dog from the storm drain.

Chapter 8 Summary: “Green Beans and Lies”

Nash, enjoying all the chaos of his brother’s dinner party, cannot entirely ignore his “burn of attraction” (87) for Lina. Her elegant makeup, her clingy outfit, her easy smile, and dangling earrings all distract him.

Waylay invites Uncle Nash to come to her school on Career Day, maybe “do something cool like shoot one of the annoying boys with a Taser” (91). Dinner conversation reveals that Lina and Nolan once had a “sweaty, naked forty-eight-hour fling in a Memphis hotel” (94). The coincidence bothers Nash, but he finds the image erotic. He brushes against her, and she feels the bulge of his erection.

Later, when he asks Lina what she is doing back in Knockemout, she retorts that what she is doing in town is none of his business, and then leaves, upset by Nash’s interrogation.

Knox tells his brother that Lina is less insurance adjuster than bounty hunter, who specializes in recovering valuable stolen property. This intrigues Nash, who is now certain there is a connection between Lina’s presence and the car theft ring that nearly cost him his life. Knox assures his brother that Lina is one of the good ones: “Fix things with her and then leave her alone” (99).

Chapters 1-8 Analysis

The novel begins with two shattered lives, two 30-something adults who have both survived a near-death experience and struggle now against The Impact of Post-Traumatic Stress Disorder. Nash and Lina are reluctant after they just meet to share the depth of their emotional wounding. But both are haunted by memories they cannot shake, see themselves as dead emotionally, and maintain a careful distance from others.

Nash experiences both physical and psychological ramifications from the shooting. Any time Nash puts on a jacket or turns too quickly or picks up any heavy object, he is aware of his bullet wounds—one in his chest, and one in his arm. He sleeps poorly and cannot commit to his work, feeling “like the useless figurehead I now was” (6). More damagingly, Nash is suspicious of everyone and uneasy in a crowd, always aware of the special agents following him and the implication that his life was threatened. Self-medicating with anxiety pills, he drifts through his days numb and unable to bring himself to care about his job, friends, or even his brother’s approaching wedding. What creates the most anxiety is that he cannot remember what happened and that his shooter is still at large—concerns that occasion many anxiety attacks, especially when he drives to work along the road where he was shot.

Unlike Nash, whose shooting stunned the town and whose recovery everyone is watching, Lina is a more complicated case. Rather than avoiding the physical symptoms of the heart defect that almost killed her at 15, Lina overcompensates: She follows a stringent exercise routine and pushes herself to run miles every morning. She also keeps herself at an emotional remove from others. Lina keeps her trauma to herself, isolating her that much more. She deflects Nash’s innocent questions about why she is in town; despite her attraction to him, she rejects the idea of getting close, committed to handling PTSD by protecting herself “Maybe I looked like a wild child on paper,” she admits, “but I was simply following the plan I’d made long ago. I was patient, logical, and the risks I took were—almost always—calculated” (16). The experience of jointly rescuing Piper is symbolically important—both Lina and Nash are just as trapped in their psychologically destructive states as the dog in the pipe. Gently coaxing the animal out and caring for it begins the healing process for both.

On the surface, Nash and Lina could not be more psychologically different, which is structurally key for the romance plot framework at play in this novel: the idea that Opposites Attract. Sexually, the two are a perfect fit—both are instantly deeply attracted to one another in healthy ways. Lina finds it arousing, not disturbing, to overhear Nash masturbating in the shower while calling out her name; likewise, Nash is erotically charged by rather than jealous of the image of Lina spending a sex-filled weekend with Nolan. However, psychologically, they seem deeply mismatched. Nash needs someone to disrupt his solitude, while Lina needs people to respect her protective boundaries. Nash needs a relationship; Lina only wants a crazy weekend. Their mutual concern for the dog, however, shows them how their opposite personalities could fit together. Both characters equate their jobs (policing and insurance investigation) to working through a tricky puzzle, finding ways, as Nash tells Lucian later, “to make even pieces that seem from different puzzles” (371) to complete a picture. As Nash and Lina together devise a strategy for helping the dog out of the drain pipe, the cooperative effort is the first time in a long time either has achieved a common goal with the help of someone else. The novel affirms the cooperation of these opposites by the shifting narrative perspectives. As the narrative point of view shifts between Nash to Lina, readers experience exactly what Nash and Lina must learn: No single perspective is sufficient. Thus, the narrative form itself reveals the inadequacy of an isolated voice.

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