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78 pages 2 hours read

Chinua Achebe

Things Fall Apart

Fiction | Novel | Adult | Published in 1958

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Chapters 7-9Chapter Summaries & Analyses

Chapter 7 Summary

Ikemefuna is a positive influence on Nwoye, and both spend time doing “masculine tasks” and sitting with their father in the evenings (52). Okonkwo is happy to see his son grow manly and express frustration with “his women-folk,” whom he needs to be able to “rule” if he wants to be “really a man” (53). He tells both boys “masculine stories of violence and bloodshed” to encourage this mindset (53). Nwoye secretly still prefers his mother’s stories of animals and of the Earth and Sky. As “moons” and “seasons” pass, though, he keeps this preference a secret to see his father happy (54).

After the harvest, when the “cold harmattan season” begins, the locusts, which “[come] once in a generation,” arrive (54). They rain down, hiding the sun. After the first swarm, an even larger group, “a slowly-moving mass like a boundless sheet of black cloud,” descends on Umuofia (56). It is “a tremendous sight, full of power and beauty” (56).

People gather the locusts to eat with palm-oil. One day, Okonkwo is eating with Ikemefuna and Nwoye when Ezeudu, an old man, comes to warn him that Umuofia, in the name of the Oracle of the Hills and the Caves, has decided to kill Ikemefuna. Ezeudu warns Okonkwo that he should “have nothing to do with it,” for Ikemefuna calls him father (57). The next day, a group of elders arrives to briefly speak with Okonkwo. When they leave, he tells Ikemefuna to prepare to return home, which upsets Nwoye; Okonkwo beats him for crying.

“Even the very little children [seem] to know” what will happen to Ikemefuna the next morning when men come to take him (58). As Ikemefuna marches away from the villages, the crowd with him grows silent. Ikemefuna carries a pot of palm-wine, as if headed “to a big clan meeting or to pay a visit to a neighboring village” (58).

Ikemefuna is “not afraid now” when he realizes that Okonkwo walks behind him. He sings a song to himself as he tries to decide whether his mother is dead or not. When a man clears his voice, Ikemefuna realizes that Okonkwo has slipped to the back of the group. He is cut down with a machete and yells out, “My father, they have killed me!” as he runs toward Okonkwo for protection (61). Not wanting to be “thought weak,” Okonkwo “[cuts] him down” with his machete (61).

When Okonkwo returns home, Nwoye knows instinctively that Ikemefuna has been killed. A “vague chill [descends] on him […] like a solitary walker at night who passes an evil spirit on the way” (62).

Chapter 8 Summary

Chapter 8 begins by describing Okonkwo’s grief after Ikemefuna’s death. For three days, he drinks only palm-wine; then, eventually, he calls upon Ekwefi to cook yams for him. Because the village is in a “season of rest,” Okonkwo has no work to do (64). He cannot distract himself and instead enters a negative cycle, calling himself a “woman” because “he has added a boy” to the number of people he has killed (65).

He visits his friend, Obierika, and greets Obierika’s son, Maduka, who wrestled so well days before. Okonkwo expresses concern over Nwoye who, he worries, “[does] not resemble [him]” (66). “A chick that will grow into a cock can be spotted the very day it hatches,” he tells Obierika, but Nwoye is not one such child; Obierika thinks, but does not say, that Nwoye has “too much of his grandfather” in him (66).

Okonkwo criticizes Obierika for not participating in Ikemefuna’s death, but he retorts by criticizing Okonkwo, whose actions, Obierika thinks, “will not please the Earth” (67). Amid their argument, Ofoedu arrives with news, which he releases only after some time eating and discussing the locusts. Ogbuefi Ndulue, a man from a nearby village, has died, and just after hearing of his death, his oldest wife also died. Obierika and Okonkwo are surprised, though Obierika concedes that “it was always said” that they “had one mind” and “he could not do anything without telling her” (68). This news changes Okonkwo’s belief that Ogbuefi “was a strong man in his youth” (68). Obierika and Okonkwo continue to argue over the roles valued by the village based on “the law of the land,” especially the law that proscribes tapping palms until they die (69).

Ibe, a suitor, comes to visit Obierika’s 16-year-old daughter, Akueke. Seven men—Obierika, Okonkwo, Ibe, and other family members—sit in the obi (or hut) while she prepares. They drink palm-wine and compliment Ibe, who tapped for the wine. Eventually, they arrive at the exchange of sticks that decides Akueke’s bride-price. After Maduka tells the women of the house, they “almost immediately” bring food and drink to the men to celebrate (73). The men discuss the customs of other tribes, for “what is good in one place is bad in another place” (74). Obierika mentions “white men who, they say, are white like [a] piece of chalk,” and though everyone seems intrigued, Machi says that Amadi, a person with leprosy who passes by often, is the white person of whom Obierika speaks (74).

Chapter 9 Summary

Okonkwo is finally able to sleep peacefully again. Ekwefi wakes him one morning to tell him that “Ezinma is dying” (77). Immediately, Okonkwo knows that “it is iba,” or fever, and hurries to gather “the leaves and grasses and barks of trees that went into making the medicine for iba” (76). Both parents love Ezinma, finding it “impossible to refuse [her] anything” (76).

Ekwefi birthed 10 children, but only Ezinma survived past infancy. At every turn, Okonkwo called upon medicine men and oracles to advise her during pregnancy; both Okonkwo and Ekwefi followed these directions dutifully. But by the time Ezinma came, Ekwefi was “bitter,” caught up with “her own evil chi ” that “denied her” children (79).

When Ezinma came, she was “determined to live” (79). They enjoy a “companionship of equals,” in which Ezinma calls her mother by her first name (77). Still, Ezinma is often sick, and all believe that this is because she is an ogbanje, or an evil child cursed to die and return to her mother over and again. A year earlier, Ezinma led a medicine man to her iyi-uwa, or the believed link between her and “the world of ogbanje” (80). This new illness is Ezinma’s first since she was, all assume, disconnected from that danger.

Okonkwo returns with the materials for the medicine. Ekwefi tends the pot of medicine, and together they feed it to their crying child.

Chapters 7-9 Analysis

From the decision to kill Ikemefuna, to Okonkwo and Obierika’s differing views on his death, to Ezinma’s ogbanje connections, the spiritual world beyond human existence figures centrally in the decisions that individuals make about what they should do and whom they should honor.

Conversation takes a central role, especially in Chapters 7 and 8. Important news surfaces only after wandering, polite conversation. This careful conversation, coupled with the instinct to speak using parables, shows the deliberate and customary elements of Ibo speech. At the same time, though, “what is good in one place is bad in another place,” as the men decide during the marriage deliberations at the end of Chapter 8 (74). Increasingly, Obierika questions the rationale behind certain cultural values ordained by divine powers; though Okonkwo disagrees with this rebellion against order, his own rebellious actions show that he, too, does not always mold himself perfectly to the authority agreed upon by his village.

Motherhood comes into focus, especially in Chapters 8 and 9, as another element of domestic life that operates differently from fatherhood. Where Okonkwo is concerned with his ability to raise Nwoye correctly after Ikemefuna’s murder, Ekwefi treats Ezinma as a miraculous gift. With Ezinma’s birth, “love returned once more to her mother, and, with love, anxiety” (79). Anxieties surrounding Ezinma, whom Okonkwo often wishes were a boy, are different from anxieties about Nwoye; as far as her parents can see, nothing is wrong with Ezinma’s character. Ekwefi’s motherhood is defined first as loving. Nwoye and Ikemefuna work to gain Okonkwo’s masculine respect, but motherhood and femininity operate less logically. Still, Okonkwo’s grief after killing Ikemefuna shows a fundamentally emotional side of parenthood that pushes back against established systems of conduct.

The killing also highlights the theme of The Bond Between Fathers and Sons because Okonkwo saw Ikemefuna as a son. Ikemefuna embodied manly qualities that Okonkwo wants his son, Nwoye, to emulate. Seeing behaviors in Nwoke that remind Okonkwo of his own father makes him anxious that Nwoke’s unmanly character will be reflected onto Okonkwo as well. Defining Manhood Through Violence gives Okonkwo a clear sense of morality and duty, even when others doubt his actions. This helps him allay the shame he feels from his upbringing, but it leads him to make questionable decisions that have long-lasting consequences.

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