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53 pages 1 hour read

Casey Gerald

There Will Be No Miracles Here

Nonfiction | Autobiography / Memoir | Adult | Published in 2018

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Symbols & Motifs

Crying to Mark a Change

At most or all of the key transformative moments in the book, Casey Gerald is struck by a seemingly mysterious and overwhelming need to cry. This is most apparent toward the end of the book, in Chapter 21. Gerald cries when he experiences figurative death toward rebirth, which includes relatively minor transitions such as the last time he is with Red in Chapter 7. Notably, he does not cry in anger or frustration, such as when he experiences the inherent classist and racist thinking of another American in Berlin, about which Gerald says, “short of crying, I vented for a good while” (328).

Community

Gerald’s connection to his family and larger community—first through his church and neighborhood, then through Yale and its alumni network—plays an important role throughout the book. This connection sometimes leads to disappointment, as with the opening scene before Y2K and with the disappearance of Gerald’s mother, but at other times Gerald’s community is supportive, such as when his family drives him to Yale or when other Yale alums resolve his conflict regarding his last football game. Despite this, Gerald essentially defines himself by his relationship with the family and community structures around him.

Miracles

The book’s title immediately debunks any magical explanation for Gerald’s success. It reinforces the price he paid—in terms of lost identity and connection as well as significant effort and emotion—to lift himself out of poverty. The book also highlights the power of those who can make decisions, like scouting and selecting Gerald to play football for Yale, decisions that can seem like miracles to those who benefit from them. This motif identifies the role of power, the exclusivity and privilege of those in power, and their separation from the masses.

It also raises questions of religion, which is prominent in Gerald’s life. Clearly, Gerald does not believe in the type of supernatural God who performs burning-bush-like miracles. Yet, he seems to admire the community created by religion and to identify religion with hope, which is another motif in the book.

Hope

Despite a professed penchant for holding grudges, it is clear that Gerald is both optimistic and also deeply hopeful. He lived with massive challenges as a child, yet he never loses the sense that he can pursue whatever he wants (though he later enjoys advantages that make his pursuit of success much easier, such as the network of Yale alums). Gerald also acknowledges, with respect to his mother’s disappearance, the existence and social acceptance of anti-hope. Yet, despite his extreme pain over his mother’s neglect and absence, it remains plain that Gerald believes in the power of hope. This is apparent when he is strategizing to run for Congress: Gerald was a strong supporter of Barak Obama’s presidential campaign and its “Yes, We Can!” message, and he planned to build on it to express a similar hope during his own campaign.

Symbols

Multiple times in the book, Gerald wrestles with the role of symbols in communities and how being a symbol affects an individual. Gerald himself becomes a symbol of possibility in his home neighborhood when he goes to Yale, as is noted repeatedly. Another significant example is Barak Obama, who embodies both hope and possibility to the Black community. However, the memoir shows that becoming a symbol has consequences; in Gerald’s case, it costs his sense of self and personal identity. In pursuing the upper echelons of politics and society, Gerald symbolizes the successful Black man, but doing so compromises his connection with his roots—namely his family and community—and with himself.

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