54 pages • 1 hour read
Jennifer McMahonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of violence and death.
In the present day, Katherine is moving through the cave. She is trying to find the location marked on the map her late husband had photographed. She is beginning to doubt she will find it when she hears Gary encouraging her. Finally, she finds a chamber with a fire pit and “sleeper awaken” written hundreds of times on the walls. Katherine performs the sleeper ceremony to bring her husband back using a candle, her husband’s camera, and the rabbit’s heart. When she is finished, she makes her way out. Behind her, she hears shuffling footsteps approaching her in the dark. She runs.
In 1908, after getting shot, Martin makes his way back to the house. He knows he is dying from the gunshot wound. He wants to tell Sara he did not kill Gertie before he dies.
As he approaches the house, he thinks he sees someone move, but when he looks again, there is no one there. Sara comes out of the house followed by Auntie with a gun. Sara tells Martin that Auntie killed Gertie. Martin lunges for the gun but misses. Auntie hits him with the butt of the gun and he collapses. He sees a blond girl holding an axe behind Auntie. Auntie points the gun at Sara but, before she can shoot, Gertie hits Auntie in the back of the skull with the axe, killing her. Martin loses consciousness.
Later, Martin’s brother Lucius finds him. Martin asks Lucius to take care of Sara. Lucius tells him it is too late, and Martin sees the skinned corpse of a woman beside them in the snow. Martin denies having killed Sara, saying Gertie did it. Then, Martin dies by suicide.
In the present day, Candace, Ruthie, and Fawn walk through the caves looking for Katherine and Alice. When they get some distance from Candace, Ruthie and Fawn turn down a side passage to look for a different way out.
Ruthie and Fawn come to a cavern where they find their mother tied to a chair. They work to cut through her bonds. Katherine bursts in and warns them that “something” is coming. They get Alice free. Then, they hear Candace scream.
Two years after Martin’s death, Gertie and Sara are living in the cave complex. Gertie cannot speak but she communicates with Sara by spelling with her finger onto Sara’s palm. Sara goes out at night to get supplies for them. Once, she went to Lucius’s house and pretended to be a ghost to scare him. Sara had skinned Auntie’s body so people would think it was her own. Since Gertie murdered someone while a “sleeper,” she will live forever. When people come to the Devil’s Hand to try and do the ceremony to bring back a loved one, Sara lets Gertie kill and eat them.
In the present day, Ruthie, Fawn, Katherine, and Alice make their way out of the cave. However, Alice gets lost and turns around. Katherine feels a breeze and follows it. When they round a corner, Katherine stops when she sees Candace’s mutilated dead body. Candace has the missing pages of the journal in her hand. Alice picks up the pages and they keep moving toward the exit.
Back at the house, Alice explains everything. She tells them about coming to visit Tom and Bridget O’Rourke at the Shea house, where they were living, to discuss the sale of the missing journal entries. They went on a hike to Devil’s Hand. On the way, they saw a blond girl, Gertie, running in the woods. Tom and Bridget followed her into the cave to try and help her. Gertie killed them, but Alice, James, and Ruthie escaped. Alice and James decided to stay in the farmhouse to keep Gertie company in the hopes that it would prevent her from killing more people. They hid the instructions for reviving the dead in the caves so that the public could not access them.
Katherine explains Gary had found another copy of the instructions and had gone to the Devil’s Hand in an attempt to bring back their son, Austin. Alice tells her she did everything she could to dissuade Gary. She had followed Gary out of town and saw him crash. She stole the camera from the wreckage so that the photographs of the instructions wouldn’t be published.
The next morning at breakfast, Alice apologizes for not telling Ruthie sooner that she was adopted. Alice explains that Gertie often appears in the bedroom closet. On New Year’s Day, Gertie had come to the house angry and desperate. Alice had gone with her to the cave, but Gertie hadn’t wanted Alice to leave, so Gertie tied Alice to the chair.
Alice tells Ruthie that someone will need to stay at the house forever to look after Gertie so that Gertie doesn’t get lonely. After breakfast, Ruthie and Fawn drop the gun, the O’Rourkes’ wallets, and the diary pages into the well. They turn around and see Gertie behind a tree. She smiles and runs away.
Katherine looks at the pictures of the instructions for making a sleeper that she had kept from the memory card of Gary’s camera. She is working on a diorama of Gary’s last meal at Lou Lou’s Café and includes a miniature print-out of the instructions in the diorama. While she works, she hears a scratch at the front door of her apartment. She goes to open the door. She thinks it is Gary.
Sara is getting old and is worried about who will take care of Gertie when she dies. Every few months, Gertie needs to eat. Sara brings her animals, but also “human blood.” Sara feels ashamed about what she has done for her daughter, but she is responsible for Gertie, her “creation.”
In the final section of The Winter People, the mysteries are solved, and the final resolution is revealed. This is typical of a domestic thriller. It is explained that the chamber in the cave that the present-day characters find is the one that Sara lived in with her “sleeper,” Gertie. When Ruthie finds her childhood teddy bear, it becomes clear that the reason for Ruthie’s claustrophobia is her childhood memory of her biological parents being attacked in that cave. Alice explains forthrightly why she disappeared and why the family lived off-the-grid.
However, not everything is perfectly resolved, in keeping with the typical structures of a horror story and invoking The Intersection of Folklore and Reality. For instance, Sara says that Gertie can only go out at night, but Ruthie and Fawn see a young girl who looks like Gertie out during the day. It is never entirely clear whether Gertie had something to do with the death of Ruthie’s adoptive father James or if he died of a heart attack. Similarly, there is no explanation given for what the being was that startled Martin’s horse and led to his leg becoming injured. It is implied that it was a sleeper, but it could not have been Gertie. Nor is it explained how Gertie came to be familiar with the term “winter people” as a child. Taken together, this suggests that there are other sleepers besides Gertie, but it is left ambiguous. There may also be other mysterious beings living in the woods. This deepens the sense of the strange uncanniness of West Hall as one where folklore comes to life.
A key theme of this section is The Strength of Parent-Child Relationships. This is shown through three sets of relationships. Primarily, Sara’s dedication to her immortal, vampiric child is shown. Sara gives up her life to live in a cave to keep Gertie safe. She even does the unthinkable and “provides” Gertie with human blood. Although she realizes this is an immoral thing to do, she is determined to do anything for her child. This portrays the dedication and persistence of her maternal love for her daughter.
This dynamic extends to other non-biological parent-child bonds, notably that between Alice and Ruthie and Alice and Gertie. Following the revelations, Alice reassures Ruthie, “your father and I saw you as our greatest gift […] and it never mattered that you weren’t our biological child” (368). Adoptive bonds can be just as strong as those between biological parents and children, which is in turn echoed in Alice’s care for Gertie. Although Alice, like Sara, recognizes that Gertie is a horrific murderer, she also recognizes that Gertie is a being in need of care, and dedicates to her life to helping her. As Ruthie comments, “you adopted two little girls that day” (363). Gertie is as much Alice’s child as Ruthie is, and their bonds are just as important.
At the end of the novel, Katherine’s character arc is left somewhat unresolved, speaking to The Impact of Loss and Grief on the Human Psyche. Throughout, Katherine has been mobilizing her grief toward creating art and working to discover what happened to Gary. She has been hearing Gary’s voice urging her on, which leads her to summon Gary as a sleeper. In the final present-day chapter, Katherine hears a scratch at the door and assumes it is him, but the scene ends before she opens the door. This ending implies two possibilities. It is possible that Gary has indeed returned, albeit in monstrous form. It is also possible that Katherine has summoned some other haunted creature entirely. Either way, Katherine’s grief ultimately drove her to do something risky for the possibility of seeing her husband again, if only for a week. Her desperate act mirrors Sara’s earlier in the novel, creating an ambiguous ending that suggests another chain of crises may have been set in motion.