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66 pages 2 hours read

Alex North

The Whisper Man

Fiction | Novel | Adult | Published in 2019

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Part 6, Chapters 67-70Chapter Summaries & Analyses

Part 6, Chapter 67 Summary

In the hospital, Pete’s life is flashing before his eyes in reverse. He sees Jake lying in bed, asleep, and a beautiful neighborhood before being forced to reckon with the murdered children he saw. He then remembers the moment at the beach with Sally when the photo of her was taken, realizing his deep love for her. He sees his childhood home and his abusive father; he can see now that his father’s disappointment was about his father, not him. Pete realizes that he’s dying.

While only partly conscious, he sees Tom come in and stand over him. He’s limping, and he considers Pete for a moment before bending to embrace him. Pete feels as though “a cycle had been completed, or something found” (344).

Part 6, Chapter 68 Summary

At bedtime, Tom finishes reading The Power of Three to Jake, and he recalls his own childhood, which Jake can hardly believe. Tom puts Jake to bed, still relieved to have him home. He’s aware of how he was ready to die for his son.

He goes to his office and goes to the document he was working on. He had forgotten what was in it, and the letter to Rebecca about seeing Karen surprises him. Karen has been a close comfort to him during the last two weeks, and though their relationship hasn’t yet turned into romance, Tom knows it could.

Tom deletes the letter except for his wife’s name, knowing that he must start again, tell her everything that’s happened—but that doesn’t seem right either, so he changes it to a letter to Jake. He then begins to write the letter that appears in the book’s prologue.

He hears Jake talking to someone and goes to listen. When he asks Jake who he was talking to, Jake is initially silent but after a moment says, “Your daddy read that book to you when you were young” (349). Tom realizes that’s probably true, but Jake has fallen asleep before he can explain where he learned this fact.

Part 6, Chapter 69 Summary

Amanda arrives home to a letter that’s clearly from Frank Carter, likely gloating about Pete’s death. She pours a glass of wine, raises it to Pete, and then begins weeping. She now knows that Pete was an alcoholic, but she thinks that he’d understand her need to cope in her own way. She realizes that she’s going to be like Pete: She’ll carry the ugly cases with her. She focuses on the positives of rescuing Jake and catching Francis Carter before opening the letter—it’s from Frank Carter, as suspected, but it’s him thanking Pete.

Part 6, Chapter 70 Summary

Francis is in his cell, waiting for a confrontation with his father. It’s past lights out, and he knows that Frank will be coming to see him. He thinks that he’s a grown man now and has no reason to be afraid anymore. He saw his father a few days earlier in the canteen, and though the people with Frank looked his way, Frank himself stared straight ahead and ate his food.

Francis reminds himself that he’s grown and unafraid, but the footsteps he hears shake his confidence, and when Frank finally steps into his cell, Francis becomes a terrified child all over again. Frank steps forward, and Francis pulls his own shirt up to cover his face, just like Frank did to his victims 20 years earlier.

Part 6, Chapters 67-70 Analysis

The novel closes with three scenes that feature fathers and sons reunited: Tom embraces Pete as his father, Tom reaches out to Jake by choosing to write to him instead of to his wife, and Frank and Francis are reunited in a scene that promises violence. For the father in each of these scenes, the novel closes the journey by fulfilling their motivations, and the father’s nature is revealed as the determining factor in how the narrative plays out for each father-and-son pair. Pete was searching for a lost boy, and although he thought it was Tony Smith, he realizes it’s his own son. Tom begins to move on from grief and be a more active father, which unlocks his next artistic project. Frank’s monstrous nature, which created Francis’s compulsions, is the only thing to which he can return. Notably, the novel doesn’t present the last of these as a moral reckoning; rather, it shows Francis regressing to childhood and becoming the victim once again, raising a complicated question about the nature of intergenerational violence and its ramifications on our ideas of justice.

Also notable is Jake’s final conversation with a new imaginary friend: The narrative implies that it’s Pete and once again leaves open the question of the supernatural, revealing one last eerie moment of childhood imagination that may conceal something more. The difference here, though, is that Tom knows what the imaginary friends mean for Jake, so he’s at peace with the idea and willing to accept his son on his own terms.

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