52 pages • 1 hour read
Rachel HawkinsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
As Chapter 13 opens, Chess and Emily grapple with each other, spilling wine on the carpet, before Chess gets loose. Thinking about Mari and the murder of Pierce, Emily begins to see how love can turn murderous. Emily asks when did the affair with Matt begin, and Chess confesses it was a one-time meeting in Hawaii, after Chess’s breakup with Nigel, a man she loved. Emily asks why they remain on speaking terms, and Chess explains that she wanted to spy on Matt as he left Emily. She feared too that he might tell Emily about the affair. Chess admits that she heard about Matt’s complaints, and his desire for children. She rationalizes her actions by suggesting that Matt never would have left Emily had she not had an affair with him. Chess tells Emily that Matt tried to control Emily and was destroying her.
Shocked by Chess’s claim that Matt was killing her, Emily skeptically considers that Matt could have poisoned her, reverting to her role as a writer of mysteries. Chess senses her train of thought, and counters that her symptoms were driven by stress and unhappiness, as Chess reverts to her role as self-help guru, quoting from one of her books, The Powered Path. As Chess catalogues the correlations between Emily’s symptoms and Matt’s presence, Emily slowly begins to see that she’s right: Emily’s body expelled poisons when Matt got too controlling and wanted children. Chess switches to the book, claiming that together they can make a career—Chess sees an expiration date for her career as a self-help guru and knows that Emily can be more successful with her. The affair, Chess alleges, was awful but necessary, giving Emily the courage and impetus to remake her life.
Emily confesses, as they consider the book, that Matt covets her money, trying to get a stake of the profits in the divorce, and Chess unknowingly has given him more reason, telling him that Emily has a new book. They briefly consider how much he would get before they decide to kill him—though they only imply that, not stating it directly. Emily gives all but the last section of Mari’s diary to Chess to examine.
In a week, Matt arrives, flying almost immediately at Chess’s request. Emily, wounded by his quick arrival—because Chess asks—notes that her pain will make murdering him easier.
A brief article from People magazine follows detailing the circumstances of Matt’s death, as he drowns in a pond on the villa’s grounds. The article cites drugs or alcohol as a possible factor in his drowning, noting his skills as a swimmer. Quotations from the locals describe the house as cursed and as not, just a site where people misbehaved on vacation.
Mari then narrates a flashback to New York City, where she meets with Noel, right before his plane crash on the way to Nepal. She’s now famous, with an impressive career, and Noel’s life has declined with a family that shuns him and a moribund musical career. They have dinner, and Noel seems to gesture toward the murder and her culpability. They say goodbye to each other, and Noel expresses regret that he told her to cut herself loose from Pierce. She tells him that she doesn’t share that regret. Mari thinks of Lara and her miscarriage two days after Pierce’s murder, and, as Noel walks away, she calls Lara. They speak briefly, talking about projects and their fame, before Mari starts to suggest a reunion, which Lara shuts down, telling Mari that they can’t have forgiveness.
Chapter 14 ends and Chapter 15 begins with an invitation to a reception at the New York Public Library, celebrating Chess’s and Emily’s best-selling book The Villa, translated into over 20 languages with an adaptation in development from HBO.
Emily meets Chess for lunch, both equally famous, as the HBO adaptation will soon launch. The fame of The Villa eclipses that of the Petal Bloom series, and Chess asks about working together again. Emily realizes she has substituted one eternal union for another, as their involvement in Matt’s murder bonds them together.
Mari narrates a flashback to Orvieto in 1993, her last visit to Villa Aestas before she dies from cancer. The last surviving member of the summer of 1974, Mari feels the presence of Lara and Noel, and Pierce appears as an ever-present specter, following her throughout the house. Mari acknowledges Pierce’s flaws but considers their youth, and her recollection of Pierce causes her to write down the true story of that night: Johnnie killed Pierce, Lara and Mari remained close, until Lara, inebriated and having taken Quaaludes, drowned in her jacuzzi.
The true story ends, but Mari doesn’t, as she writes about her fictional murder of Pierce, her last meeting with Noel, which didn’t happen, and Lara’s ethical stand. She hides the pages where she believes only a true fan will find them.
The final chapters of The Villa describe Matt’s murder, in vague terms, as Chess and Emily become tied to each other through the secret they share and the nonfiction that they produce. Mari, who creates her own imagined history, one in which she murders Pierce and saves Lara and Noel from their otherwise pedestrian ends, has the last word. Emily never shares the final pages of Mari’s diary, which she writes on her last visit to Villa Aestas, and Chess only sees the alternative ending—where Mari echoes Victoria and anticipates Chess and Emily in murderous revenge. This ending, as Pierce saw in a dream, is inevitable. This fiction becomes Emily and Chess’s reality, as Mari’s refashioning of Femininity, Monstrosity, and Truth creates the prophetic narrative that Chess and Mari bring to life, as only true fans could do. Emily pays The Costs of Fame in the end, however, as she avoids Matt’s rapacious appetites for control and profit, only to be joined to Chess, who can’t live without fame. Mari remains tied to Villa Aestas and the endless summer that both broke and created her, as her list visit emphasizes the links among History, Haunting, and Houses. Pierce, Lara, and Noel inhabit that house through her memories, and, given the legacy she bequeaths her fans, Mari joins the dead.
After Chess and Emily stop fighting, Mari realizes that Chess has told her the truth: Matt was and is killing her, and “That Matt is the person to almost come between us for good. That he will always be wedged in between us, our friendship—and now, even this book that we’ll make together” (251). One of The Costs of Fame for Emily remains Matt—pay him later or kill him now, regardless Matt exerts his control over the two friends. Mari only finishes Lilith Rising the night Pierce dies and Lara writes her magnum opus at the villa while the men in her life dismiss her. The villain for Mari and Emily, Lara and Chess, even fictional Victoria, remains the same: the men who control or ignore, those from whom the women can’t free themselves. If fame carries costs, then too does freedom. Chess has bought Emily herself, because “Chess and I, we have so many secrets” (248). Those secrets bind Emily to Chess Chandler, a chameleon of a character, whose dynamic personality and motivations remain hidden until the end of the novel. Her motives have always been to self-help.
This result appears dark, even depressing, but only if Mari is ignored. On her final trip to the villa, she makes peace with the murder that freed her, with the pain that created a novel, and the existence that resulted in her own mother’s death. Walking through Villa Aestas, with a terminal diagnosis, Mari offers a different view of how History, Haunting, and Houses operates in the novel. As a corrective to the evil hauntings of Gothic novels, the memories and presences of Lara, Noel, and Pierce comfort her. She claims that Lara “feels so present to her in that house” (270) and that Noel can be felt too, “and there are times she swears she can still smell his cologne, like he’s just left the room” (271). Refusing to acknowledge Johnnie, she recognizes that “Pierce haunts every one of her steps” (271). Their ghostly presences allow her to write—and in 1993, as she’s dying, Mari writes the fictive and true versions of 1974. The two endings of Pierce’s life that she supplies cast Emily in a more honest light: unlike Chess, Emily has the full story of 1974, and she chooses the path that Emma, her persona in Chess’s presumably unfinished self-help book, could not. The Powered Path aligns her with Chess and fame, and Matt, like Pierce, can’t control his partner anymore. Mari created Victoria to seek empowerment and freedom, Chess chose Emma to prompt Emily to act, and Emily accepted Lilith’s path: be equal no matter the cost.
By Rachel Hawkins