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Content Warning: This section of the study guide contains depictions of trauma.
Mika Moon, a 31-year-old witch, meets on a rainy pier with what she calls the Very Secret Society of Witches. The group gathers in different locations several times a year; it’s led by the eldest witch, Primrose, who also raised Mika and believes that witches should keep their lives as separate as possible for safety. Primrose has many strict rules for the group to keep the Society safe, but other local witches have rejected Primrose’s invitation to join the group.
Like all witches, Mika is an orphan because of a botched spell centuries ago. Primrose adopted her from India and raised her through a series of surrogate nannies whom she replaced whenever something magical happened; in this way, Primrose was a distant figure who held firm to her belief that witches shouldn’t remain in the same place for long.
At the meeting, the witches share their spells and gossip, and Primrose suggests that one witch not marry if she has difficulty keeping her identity a secret from her fiancée. In addition, Primrose disapproves of Mika’s online account where she posts videos pretending to be a witch. Mika considers her account harmless.
In Norfolk, Ian, Jamie, and Lucie watch one of Mika’s videos. Ian is older and wants to invite Mika into their household; librarian Jamie is hesitant, but Lucie, the housekeeper, suggests that Jamie trust Ian to recognize Mika’s magical ability. The group has limited time to recruit someone to teach their girls about magic, so—despite Jamie’s continued reservations—they agree to send Mika a message that they’re seeking a live-in tutor for three young witches.
Two weeks later, Mika investigates this mysterious job offer, which she received via her social media account with the headline “WITCH WANTED.” While Mika is usually cautious about responding to social media messages, the magic gave her a nudge toward this one. As she pulls up to the residence—a property called Nowhere House—Mika becomes aware of magic in the air. She’s concerned but too curious to leave.
The gardener, Ken, greets Mika, and Ian emerges from a cottage. They’re an elderly married couple who live in the cottage, separate from the property’s main house. Mika asks for explanations, but Ian is still cryptic. Ian and Ken are thankful for her arrival because they’re desperate to find a tutor for the three girls living in the main house. They lead Mika to the house.
Nowhere House is owned by an archaeologist named Lillian Nowhere, who spends large spans of time away on travels for her profession, leaving the house and children in the care of Ken, Ian, Jamie, and Lucie. The children are Lillian’s adopted wards, but she’s an absent guardian.
Gardens surround the main house, and several plants are blooming long past their seasonal limits. Mika believes it’s because of the heavy presence of magic. She, Ian, and Ken dance around the topic of real magic, trying to gauge what the other knows. Ian introduces Mika to Lucie, who greets her warmly, and Jamie, who is standoffish.
Ken explains that, between the four of them, they can meet most of the children’s educational and developmental needs. Ian needs Mika to teach the girls magic because Mika is a witch. Mika approaches the conversation carefully. She asks if they’ve brought her in to humor the girls’ witchy interests, but Ian takes a serious tone, indicating that he knows about real magic. Mika worries that if they know she’s a real witch, Primrose will be angry.
Mika asks if the three girls are real witches. When Ian says they are, she grows doubtful. So many witches in one place would never be allowed to stay like that, not if Primrose knew of them, and the girls’ magic would be uncontrollable at such a concentration. Ian confesses that he, Lucie, Ken, and Jamie all know about real witches because Lillian is also a real witch who told them about magic. Mika understands now. She grew up under Primrose’s watch in a similar manner, complete with enchantments to keep Mika’s profile low. It’s the same as what she felt when she came up the driveway.
Through the window, Mika watches the girls play in a treehouse. They’re clearly not blood relatives. She learns that Lillian found the oldest, Rosetta, in London after a fire killed her parents; the middle child, Terracotta, in Vietnam after a virus killed half her town; and the youngest, Altamira, in the rubble of a Palestinian hospital. Mika has mixed feelings about Lillian raising these girls the way Primrose raised Mika. Outside, Altamira climbs down the treehouse ladder, igniting it in green flames.
Mika is shocked that the girls are ignoring the “witchfire,” which Ian says takes them several blankets to put out. Witchfire won’t harm anything; it only works in cauldrons but will burn indefinitely until put out. Lillian didn’t give them any tips for dealing with magic. With a gesture of her hand, Mika douses the witchfire, impressing the group, but the girls, who are still outside, hardly notice. Mika asks how Ian knew she was a witch. Ian says he saw the aura around her in her videos. Mika decides to discontinue her videos. If Primrose knew of these girls, she’d take over and separate them all instantly.
Mika explains what Primrose taught her: that a large concentration of magic in one place draws attention and cites history to show that such attention is dangerous. She says that witches survive best alone. Ian begs Mika to stay and help them, but Mika is still uncertain. Between the three girls is a lot of uncontrolled magic. It takes a very strong magic force to wrangle that much of it. With the addition of Mika and her own magic, the potential for accidents and danger rises. Ian thinks Mika is strong enough to help the girls. He argues that it’s even less safe to leave the three girls uninformed of their power without help to control it. He explains that they’ll never be able to leave Nowhere House and live independently if they’re not taught properly how to control their magic.
Another pressing issue is Edward, Lillian’s solicitor—her lawyer that handles her documents. He’s due to drop by the house in a few months to collect some documents for Lillian, who is too busy to come by the house herself. Edward adores Lillian but loathes the rest of the house’s residents. He hasn’t been to the house since the girls were much younger, and no one wants him to find out that the girls are witches. Lillian won’t let anyone else collect the documents because she’s a very private person.
Mika thinks trying to teach these girls to control their magic in the next seven weeks is a daunting task. She can’t promise anything because of how risky the situation already is without the addition of her own magic. She says she’ll consider the offer.
In the driveway, Mika recalls her own upbringing. She doesn’t remember the nannies and tutors who came in and out of her life but does remember the loneliness of growing up in isolation with no permanent caretakers. The girls at Nowhere House have a chance to learn about their magic from a mentor—something Mika never had. Mika goes back inside and accepts the job.
Mika loves the sea. In the many places she has lived, she has always required a view of the sea. Its consistency brings her comfort. She’s happy that she can see the sea from Nowhere House. Ian emails a contract, informing Mika that she’ll initially be hired for a two-week trial period. Mika feels responsible for helping these girls however she can.
Mika’s neighbor and dog-sitter, Noah, returns with her dog, Circe. Mika and Noah have been friends since Mika moved in, and Noah sometimes takes Circe out for Mika during the day. Mika invites Noah to stay for tea. He’s surprised to learn that she’s moving. He says how he’ll miss Circe. Mika serves Noah lucky tea—his favorite. Mika doesn’t tell him, but the tea is magic. Mika has long concealed her identity as a witch, not just for safety but to fit in. Mika has worked so hard for so long to mask her true self that she can’t fathom showing it to anyone.
In Nowhere House, Terracotta argues with Jamie about bringing in a new tutor. Terracotta doesn’t feel that they need a new tutor at Nowhere House. She pesters Jamie, joking about disposing of the new tutor in violent ways. Jamie insists that they give her a chance, as neither of them know her. Terracotta points out that Jamie did meet her. He acknowledges that Mika was unlike what he expected when he saw her all made-up and glittery in her videos. She was more ordinary than he thought she’d be. Jamie encourages Terracotta to give Mika the benefit of the doubt because Mika is risking a lot to come help the girls out.
Mika arrives at Nowhere House on Friday morning. She used magic to make the trip shorter. Ian, Ken, and Lucie greet Mika, trailed by Rosetta and Altamira. Mika notices that Terracotta and Jamie aren’t present.
Mika feels nervous, realizing that she’ll influence these children. Mika doesn’t want to be their Primrose. Circe runs to check out the girls, helping break the ice. Mika tells the girls that Circe is friendly and they’re welcome to pet her, which they do. Rosetta introduces herself and her sister. She says that Terracotta isn’t feeling well. Mika is gentle with the girls. She asks for help unloading her car, which they enthusiastically agree to.
Mika uses magic to unpack the car, showing that she had fit much more inside than expected, including her koi pond, which floats out of the car intact. Mika has a large assortment of witchy items, including a large collapsible greenhouse. Altamira is so excited that she curses—a habit she picked up from Ian and Jamie.
Rosetta and Altamira show Mika through Nowhere House’s cozy interior. Mika notices very few photos of Lillian. Rosetta comments that Lillian doesn’t like to be photographed. This isn’t uncommon for witches.
Altamira shows Mika the bedrooms. Lucie and Jamie’s doors are cracked, so Mika can’t see inside. Altamira’s bedroom has a play tent, a game console, and lots of stuffed animals. Rosetta’s room is more muted colors and is filled with books. Terracotta’s colorful room is full of Pokemon plushies, but she isn’t there. Rosetta admits that Terracotta isn’t sick; she just said that to protect Mika’s feelings because Terracotta didn’t want to meet Mika. Mika says that Terracotta can meet her when she’s ready.
Mika’s room is the attic. Rosetta was worried Mika wouldn’t like the attic, but Mika loves the balcony and view. The attic is large—larger than any space Mika has lived in before—and pristine for Mika’s arrival. Mika is flattered by the effort.
Altamira begins floating in a seated position, magic sparkling around her. She doesn’t notice that she has left the ground. Mika learned to control her own unexpected floating quickly after the first incident when she was five. She worries that Altamira will have a harder time because of all the magic around. Altamira can’t get down by herself but isn’t concerned. Mika explains that it’s unsafe for Altamira to levitate without control. She asks if Altamira has ever cast a spell. Altamira recalls trying to get fruit from a tree. She asked the tree to drop the fruit into her hand, and it worked. Mika explains that that’s how magic works. Spells have intent, and good spells have directions to get the desired result. Most witches’ spell books are just notes about conversations that the witches have had with magic. However, it’s sometimes hard to get magic to listen, and it’s harder when there’s more of it.
Altamira asks the magic to put her down, but she continues to float, so Mika uses her own magic to bring Altamira to the ground. Mika explains that magic is like a puppy—it loves witches and wants to be around them, but it’s also a lot of unruly energy, so it needs to be handled and controlled by the witches near it. Mika has been keeping the magic around herself in line for so many years that she hardly noticed she’d begun doing it at Nowhere House too.
As they return to the car, Rosetta asks Mika if she’s sure she likes the attic. It was Rosetta’s idea to give Mika the attic because witches dislike feeling closed in. She thought Mika would like the balcony. Rosetta says Ian also knows that witches like open spaces. Mika wonders how Ian knows so much about witches.
The girls show Mika the rest of the house. Lillian’s bedroom is unused, but her office is a disorganized mess. Outside, Ian is happy to learn that Mika is already helping the girls with their magic. He bombards Mika with questions about her magic. Before she can answer, Altamira asks where the pond will go. With Ken’s guidance, Mika settles her pond and greenhouse into empty spaces in the backyard. When she sets them down, she can feel the magical weight lift from her.
While the girls play with Circe and help Mika unpack, she shows them her spell ingredients. Mika explains that using magic requires energy like everything else. Holding a spell for a long time by oneself is impossible, so spells can be bound to other objects with magical properties, like the warding spell Lillian has put in place. Mika speculates that she anchored the spell to the biggest, oldest trees around the house. Rosetta says that Lillian goes into the forest every spring to recast the spell. Lillian must be very powerful for her spell to last a year. Mika shows the girls a peppermint oil spell to keep bugs out of the attic.
At lunch, Terracotta joins, wearing a black dress. Mika compliments her dress. Terracotta says she’s attending a funeral later and makes death threats toward Mika. Jamie interrupts and jokes with Terracotta. Mika banters back with Terracotta, saying that Circe is very protective and will guard her. Mika jokes that Terracotta and Jamie have the same scowl.
Over lunch, Lucie explains that the girls will have lessons with Mika each morning, starting tomorrow. Mika is nervous, as no guides exist for teaching magic.
Mika invites the girls to join her on the beach that afternoon, but Jamie says he needs the girls’ help in the library. Mika maintains her positive demeanor, but she can tell that Jamie doesn’t want to let the girls go anywhere with her.
The first six chapters establish the groundwork of the novel’s world as well as the primary characters, setting, and conflict. The England location places the story in a realistic world, while the laws governing magic and those who use it help guide the novel into the range of magical realism. The setting of Nowhere House, as well as the plot point of Mika’s helping raise three young girls, also pulls the novel into the realm of domestic fiction.
Two sets of rules govern the magic of Mika’s world: The function of magic itself establishes one set of rules, like how witches can see it and plucked it from the air and how it takes energy to use; and the other set of rules are those that Primrose imposes on all the witches of the Society. Primrose believes that witches must keep their lives separate from one another: “There could be no connection between any of them, no visits, no texts, no emails—nothing, in short, that could lead anybody from one witch to another” (2). Magic is attracted to witches, so an abundance of magic in one place is dangerous because it can draw attention and lead to accidents. In Chapter 5, Mika explains the nature of magic by comparing it to a puppy. As Mika puts it, magic “really likes us” and “wants to be used. But it’s also mischievous […] And if we forget to be very firm and bossy with it, it has a tendency to run wild” (63). This narrative illustrates this concept in Chapters 2 and 3, as Mika witnesses Altamira accidentally set fire to the ladder of their clubhouse. This personification of magic shows how it can be a source of conflict for those around it. In addition, Chapter 5 hints at magic’s tendency to resist control when Altamira begins levitating and can’t get down without Mika’s assistance.
The rules governing magic create the story’s central conflicts for Mika and the other residents of Nowhere House. Because Mika has been taught all her life that too much magic in one place is dangerous, she risks a lot by accepting the job at Nowhere House. The tension created by this risk contributes to the conflict’s development as the novel unfolds. Another conflict arises with Mika’s own confidence in her magic: She worries about being responsible for any magical outbursts or incidents that occur on her watch, particularly because it’s her duty to quell these outbursts and prevent them from happening before Edward’s visit. Edward, along with Primrose, serves as a looming antagonist; though Edward and Primrose are rarely present in the novel, their existence and beliefs make them a threat to the residents of Nowhere House. The presence of these antagonists introduces the theme of Freedom Versus Safety by showing how dangerous it is for Mika to step outside her upbringing.
Mika’s upbringing plays a significant role in her characterization and how she moves through life. Primrose, as Mika’s guardian, elected to raise her by hiring a series of nannies and tutors to comply with the rule of witches staying apart. As a result, Mika had “very little in the way of companionship or love” (5). Mika continues this trend as an adult by moving often, never living in one place very long or forming serious attachments with anyone. Mika’s lack of permanency and familial ties establishes the theme of The Importance of Family by showing how loneliness affects Mika. She ultimately accepts the job at Nowhere House because of her lonely upbringing. At the end of Chapter 3, Mika recalls “how much she longed for company. A parent, a sister, a friend. Someone who was there because they wanted to be and not because they were paid handsomely to be” (39). She remembers discovering magic all by herself with little guidance, and though it brought her joy, she longed to share it and realizes this is an opportunity for things to be different for the three young girls at Nowhere House.
Another way the novel emphasizes the importance of family is through the hodgepodge of residents at Nowhere House, who have no blood relationship to one another yet function like a family. This assortment of characters come from various backgrounds yet have all come together to make Nowhere House their home. These characters embody several literary tropes. Ian and Ken are the kindly and eccentric elderly men who guide the protagonist, Mika. Lucie is the nurturing housekeeper. Jamie is the brooding librarian who mistrusts Mika and functions as her foil as she begins her time at Nowhere House. However, Chapter 2 hints that Jamie is also Mika’s love interest. Upon Mika’s first meeting with him, “The mortifying phrase devastatingly handsome flashed across Mika’s brain” (24). Although he’s cold toward her, the narrative establishes her attraction toward him, hinting at the possibility of romance.
Meanwhile, the narrative establishes the individual personalities of the children of Nowhere House. Rosetta, the oldest girl, is bookish and curious about the world. Her name refers to the Rosetta Stone, which relates to Rosetta’s personality because she loves the written word and communicating with others. Terracotta, the middle child, is standoffish and protective of her family. This relates to her name, which refers to the Terracotta Army that stands in protection of their emperor in the afterlife. Finally, Altamira, the youngest, is full of energy, creativity, and curiosity. Her name refers to the Cave of Altamira in Spain, famous for its walls, which are filled with prehistoric art. These three young witches have very unique personalities, which create unique problems for Mika as the story progresses. Magic is central in Mika’s life and her interactions; even her dog has a name that hints at magic, as Circe was an enchanter in ancient Greek mythology.
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