54 pages • 1 hour read
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Alina relishes the time she spends in the woods with Tomasz. They dream of their life after the war, a “fresh beginning” (168) in America, where Tomasz will become a doctor and the two will have many children. Children, he says, “are both our hope and our future” (171). Tomasz shares with Alina the story of meeting an extraordinary pediatric surgeon in Warsaw named Saul Weiss. When he first arrived in Warsaw and the Nazis invaded the country, Tomasz immediately enlisted in the Polish army, but the Nazis quickly overwhelmed it. The captured Polish soldiers were given two options: join the Nazi army or they and their families would be executed. Tomasz had no choice. He understands he betrayed his country and that when the war is over, he will be held accountable. Because of his proficiency in German, he was put in charge of relocating Jewish families into the rapidly expanding Warsaw ghetto.
It was then when he met Dr. Weiss and his wife, Eva. What struck Tomasz was the Jewish couple’s kindness and composure. When Dr. Weiss shared with Tomasz a long-shot plan to escape the ghetto through the city’s sewer system, Tomasz agreed to accompany them. The plan worked, and the three went into hiding, heading back to Trzebinia, more than 100 miles away, using a network of resistance fighters for food and shelter. By the time they arrived at Trzebinia, Eva was noticeably pregnant, and Tomasz was determined to pay back the couple who saved his life by keeping them safe in a farmhouse of a local who provides the shelter in return for gold. “I wouldn’t be the man you deserve,” he tells Alina, “if I didn’t help these people. […] I’m not a monster” (178). The baby is born, and for several weeks now Tomasz has been scavenging the countryside for food. Alina is stunned by the story. Her life is now in jeopardy—she is helping someone who is hiding Jews from the Nazis. She does not care. In her eyes, Tomasz is heroic, risking his life to help the Jewish family. Alina promises she will help.
Weeks pass and fall approaches. Alina worries about Tomasz surviving in the woods. When Alina is stopped by a German soldier searching the woods for Jewish refugees, it is only the intervention of her mother, who appears out of nowhere, that saves Alina. Her mother figured out long ago that Alina was meeting Tomasz and has been shadowing her to protect her. To Alina’s surprise, Alina’s mother wants to help. Since the deaths of her sons, she understands that passivity is cooperation with the Nazis, that doing nothing allows evil to flourish. She shows Alina a secret second cellar underneath the barn where, for months, she has stored flour, eggs, fruit preserves, and potatoes. She wants to offer Tomasz the food to help the refugees. She also wants Tomasz to live in the cellar against the fast-approaching winter. Initially, Tomasz declines the cellar (it is too much risk for Alina and her parents) but wants the food. When Alina makes the food conditional on Tomasz moving into the cellar, he agrees.
When Tomasz arrives, Alina’s mother cannot believe how thin he looks. During the day in the cellar, he and Alina cuddle in a makeshift bed. Although he departs every night to take food to Saul and his family, he stays in the cellar during the day, even when he overhears his own little sister Emilia visiting. Weeks pass. Just when Alina believes the arrangement will work, Nazi trucks roll up to the farmhouse. Alina heads down to the cellar, but her parents do not join her. Huddling with Tomasz in the darkness, she cannot make out what is happening above her. When the truck departs and Alina emerges, she is shocked to find her parents gone. Tomasz vows to find out what happened and heads to town.
Alina huddles in the dark cellar until Tomasz returns. He says that her parents were relocated to the nearby work camp, known as Auschwitz, the camp with the furnace chimney that Alina noticed. He refuses to lie. He tells her that the camp is not a work camp but an extermination camp where hundreds of Poles, Jewish and Catholic, are executed every day; the stench is the smell of their bodies burning in the camp’s crematoria furnace. Alina struggles to understand. Tomasz tells her that a photographer in Warsaw secretly filmed conditions at the camp and that there was a plan to smuggle the film canister out of occupied Poland to the Allies, who were not aware of the death camps. Although Alina wants to stay as long as they can in the security of the cellar with all its provisions, Tomasz tells her they cannot. The time to fight back has come.
Alice Michaels cannot see how she can drop everything and fly to a country she knows nothing about for some nonspecific mission, even for the grandmother she loves. Her husband urges her to go. He can run the house while she is gone, despite her reservations about how he will handle Eddie. As they talk, Alice remembers when they were first married: “In the early months of our relationship, we talked until sunrise more than once, and I never felt so important” (196). Wade asks Alice, “Do you still love me?” (204). Alice admits that Eddie changed everything, because unlike Wade and Callie, Eddie needed her. Wade sees Alice’s time away as a chance to treat Eddie with more responsibilities. It is time, he tells Alice, to challenge him, to “loosen the reins” a bit (198). Angrier than she wants to admit, and hoping Wade will see how difficult handling two such disparate children really is, Alice books a flight. Wade enlists a licensed guide, Zofia, to meet Alice in Krakow and get her to Trzebinia. That night, Wade and Alice make love.
Telling Callie she is leaving for a week is more of a challenge. Callie panics, sure that her father cannot run the house or handle Eddie. Alice heads to the hospital and tells a tearful Babcia the news. Her own mother dismisses the mission as another indication of her ever-rebellious daughter’s impulsive and irresponsible thoughtlessness.
Even as she boards the plane, Alice struggles with the heartache of leaving Eddie. When she arrives at Krakow, she feels alone and helpless. She gets to her hotel and then strolls around the beautiful and picturesque city. That night she Skypes her family. She can tell something is off, although Wade assures her everything is fine. Later that night, she gets a text from Callie telling her how proud she is of her mother. That is enough to give Alice heart.
In these chapters, Aline and Alice emerge from behind the chaos and anxiety of their lives to assert a strength they did not suspect they possessed. In these chapters, both couples make love, Aline and Tomasz in the makeshift bed in the farm’s cellar, Alice and Wade after Alice books the airline ticket for Poland, marking her first step away from her quagmire of a family in her difficult search for emotional and psychological independence. These chapters also introduce the idea of inspiration, how the actions of others can excite profound admiration and the compelling assurance to follow their lead. Tomasz finds Saul Weiss an inspiration; Alina’s mother is inspired by the dedication of Tomasz; Aline is inspired cradling the Weisses’ tiny doomed baby; and Callie tells an uncertain and fretful Alice that she finds her mother’s mission to Poland inspirational. It is this concept of inspiration that will in the end be responsible for the emotional redemption of Alice Michaels, who will come to see inspiration to salvage her marriage in the example of her grandmother’s love.
When Tomasz shares the story of his months collaborating with the Nazis, Alina sees him not as a coward or a traitor but as a hero trapped between impossible alternatives, someone willing to sacrifice his moral integrity to ensure the well-being of his family. Alina sees the choice to join the Nazis as no choice at all. The story moves Alina, who is inspired to join the underground movement. It is a pivotal moment in which Alina leaves behind yet another comfortable illusion of her childhood, the fairy-tale world where bad guys never win because they are bad. She is inspired to help Tomasz in his illegal and very dangerous work of helping Jewish refugees: “We had to fight—even if not with guns and weapons, with the sheer strength of our spirit” (178). Tomasz’s revelation does not make Alina question his character but rather to ask whether she is good enough for him.
In turn, after she rescues Alina from a potentially catastrophic encounter with Nazi soldiers, Alina’s mother shows Alina her illegal hoarded food and, inspired by Tomasz’s example and certain that laying low and hoping the Nazis will disappear is not good enough, offers Tomasz a share of her provisions. What’s more, she offers to let him stay in the cellar over the winter. In this, she joins the resistance movement and puts her life in jeopardy. She tells Alina that they tried to keep her safe, but passivity has only made conditions worse.
When the Nazis swarm the farmhouse and arrest Alina’s parents, Alina is left alone (Tomasz leaves her in the cellar determined to go to town to find out what has happened). When Tomasz returns with the news that her parents were taken to the nearby extermination camp, Alina moves to a position of empowerment. She refuses to collapse in emotional despair; she refuses the easy gesture of anger. This is her chance to define herself. In accepting a role in the plot to secret the film of the death camp to the Allies, in agreeing to participate in such a high-risk venture for the noblest and most selfless cause, Alina asserts a position of moral strength and defiance. She agrees to lead—her name, after all, is Polish for “light.”
Similarly, Alice moves to the terrifyingly exhilarating position of independence, an assertion that her time has come, that she must let go of her anger, her frustration, and her paralyzing fears over the loss of her integrity. The kitchen showdown with Wade justifies for her the indecision over dropping everything and heading off to Europe. Surely Wade cannot handle the immense task of running the household. Wade’s cavalier certainty, his glib dismissal of her importance, causes her to rage. She calls herself “a boiling, seething pile of fury” and notes that she has “no idea what […] to do with all of this anger” (196).
Her anger reflects her own fears that if running such a crazy house does not require her, then what does that leave her with? She intentionally avoided pursuing a career so she would not end up like her mother. Alice misperceives Wade’s offer. For her, Wade invading her home is symbolically like the Nazis occupying Alina’s home, a violation of boundaries. It is an unreasonable response, a distortion of Wade’s gentle reassurance that perhaps the family can operate without Alice and, more to the point, that perhaps easing up on controlling Eddie might help both Eddie and Alice. The reasonableness of the offer puts Alice’s angry response in a harsh light that she does not see. “Allie Michaels,” Wade says tenderly, “one way or another we will all survive. You, me, Callie, and yes even Edison. I love you” (210). For Alice, the revelation edges her toward an insight that parallels Alina’s insight into Tomasz’s character and her own willingness to do what she once would never have done: assert herself with pride and integrity. Can Alice be wife and mother and still be herself? When Wade assures her that yes, their trek is difficult but they are at least “walking on the same” (210) path, the two make gentle love.
As she prepares to depart for Poland with no clear purpose or objective, Alice sees the mission in a light that inevitably recalls Alina’s decision to help Tomasz in his mission to get the film canister out of Poland. It is a chance to do the right thing and to define who she is, a mission as selfless as it is selfish. Alina and Alice both need to know who they are. Alice reflects, “Wade is right. There’s a chance for me here. Somehow it’s simultaneously a chance he’s giving me and a chance I’m taking greedily all for myself” (240). These chapters leave both women on the threshold of that journey of discovery, both heroes in the making: Alina awaits Tomasz and the canister of film; Alice settles uneasily into the Krakow hotel, but she is decidedly buoyed by Callie’s text message, which reads: “We were just talking in class about inspiration figures in our lives and […] I talked about you because it is so amazing you are doing this” (248). Both women are poised on a new tomorrow, uneasy yet exhilarated.
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