logo

51 pages 1 hour read

Clive Barker

The Thief Of Always

Fiction | Novel | YA | Published in 1992

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Chapters 9-14Chapter Summaries & Analyses

Chapter 9 Summary: “What Do You Dream?”

A suspicious Harvey returns to the House after his fall into the lake, and “the House trie[s] so hard to please him […] that he almost [forgets] about the accident entirely” (65). Beneath the nightly Christmas tree is a brand-new bike that surpasses the one he lost two years earlier. Parrots and monkeys adorn the treehouse, the living room grate comes alive with flames that look like battling heroes and dragons, and mechanized acrobats perform on the lawn.

One day, Rictus’s brother Jive appears suddenly on the stairs and asks if Harvey misses his parents. Harvey says no, although privately he feels moments of homesickness. Jive offers to help Harvey get revenge on Wendell for his Halloween trick and suggests that the boy fly at Wendell like a vampire. Jive promises to help Harvey do this if the boy meets him on the roof.

Minutes later, they’re both standing atop the House. With them is Marr, Jive’s huge, slovenly, toothless sister, who vaguely resembles a giant slug. She puts her hands on Harvey’s face as if reshaping it. Enjoying the game, Harvey suggests fangs and bat ears and “crazy eyes” and wings. Marr steps back, and Harvey looks down to see that he now has leathery wings and sharp talons, and he feels fangs in his mouth. A breeze begins to lift him up, but Jive holds onto him. Jive points down toward Wendell, then pushes Harvey off the roof.

Chapter 10 Summary: “Falling From Grace”

Harvey falls screaming toward the ground, and Wendell flees in terror. A breeze lifts Harvey, and he flies after Wendell and lands next to him. Convinced that he’s in the presence of a vampire, Wendell begs for mercy and wails, “Take Harvey! Take Harvey!” (76). Harvey feels betrayed. From his hiding place in the bushes, Jive tells Harvey to suck some of Wendell’s blood. Harvey hesitates, then roars, “Never! Wendell runs away screaming, and Jive claims that Harvey disappoints him; he’d thought the boy had a “killer instinct.” Embarrassed, Harvey admits that he’s not a killer and knows that he made the right choice.

Marr appears holding giant mushrooms. She rebukes Harvey for his failure to use her magic. Jive wants the boy to remain a vampire on the chance that he might begin finally to act like one, but Marr doesn’t want to waste the magic. She returns Harvey to human form and waddles away. Harvey insists it was just a game, but Jive calls it an “education” (77) and warns the boy, “All the great powers in the world are bloodsuckers and soul-stealers at heart. And we must serve them. All of us” (79). In the kitchen, Wendell tells Mrs. Griffin what he saw and is overjoyed to find that Harvey is still alive. Although he calls Harvey his best friend “for always,” Harvey privately remembers Wendell’s earlier eagerness to sacrifice him to a vampire. 

Chapter 11 Summary: “Turnabout”

The next day, Wendell and Lulu are absent. Harvey mulls over the previous evening’s vampire adventure. He ponders what Jive meant by calling the incident an “education” and wonders whether Mr. Hood is the great power that Jive and Marr serve. In the afternoon, Harvey sees Wendell stomping around angrily in boots and a windbreaker. Wendell explains that he’s trying to go home—he has decided that Holiday House is “dangerous”—but the foggy brick wall keeps returning him to the property. He fears the place will kill him, and mentions the discarded clothing in the costume room as evidence that other children have also perished on the property. Harvey is equally unsuccessful at penetrating the wall and suggests they act as if they’ve given up while continuing to search for answers.

Harvey tries to locate Lulu. When he asks Mrs. Griffin about her, she warns him not to be too inquisitive, or Mr. Hood will be displeased, begging him to enjoy himself because his time is short. She confirms that all the children are prisoners there and warns him that if he tries to escape, Carna will come for him. Carna is the fourth creature, after Rictus, Jive, and Marr, who lives on the roof. Harvey demands to meet Mr. Hood. Mrs. Griffin swears that he is dead and warns him not to mention the owner of Holiday House again. 

Chapter 12 Summary: “What the Flood Gave Up (and What It Took)”

Wendell asks Harvey if he’s learned anything new. While Harvey states aloud that everything is fine, and that the House is better than the outside world, he passes a wadded-up piece of paper to Wendell. The note tells his friend to meet him at midnight for an escape attempt. That evening, the boys go through the motions of Halloween and Christmas, pretending that all is well. Near midnight, Harvey sneaks outside and hears Lulu calling his name. He tells her to follow him, but she says it’s too late for her and gives him three toy figurines from the ark. Lulu retrieved them from the bottom of the lake.

Harvey realizes that Lulu is turning into a fishlike creature. He insists that she come with him, but she refuses and runs toward the lake. Harvey follows and catches up with her at the shore. She has scales and a fin and has lost her hair and nose. As he watches, her legs fuse together. Lulu thanks him for being a friend, then dives into the water and disappears.

Chapter 13 Summary: “The Fourth Part of Darkness”

Harvey meets Wendell and together they head for the wall. They decide that Wendell will lead, and Harvey will hold his hand as Wendell tries to walk as straight as possible through the wall. Wendell enters the wall; his voice fades quickly. Harvey hears a noise behind him. He sees Mrs. Griffin standing in the doorway as something rises up from the roof with a terrible screech. It’s the rotted, bony figure of Carna, flying toward Harvey with its huge jaws filled with hundreds of sharp teeth and dozens of tongues. When Wendell cries out that he’s lost, Mrs. Griffin’s arms reach into the foggy wall and deposit Blue Cat in front of the boys. The feline leads them to the street beyond.

The boys escape, but Carna follows, climbing into the sky and wheeling to dive at Wendell. However, its wings disintegrate, and it falls to the street, badly wounded. The monster picks itself up and, snarling at the boys, limps back through the wall. Blue Cat stares out at them from the wall, seems to sigh with longing for the outer world, then heeds Mrs. Griffin’s call and disappears. The boys stare at the wall, and Wendell wonders if they’ll remember the place. Harvey assures him that they will and pulls out his souvenirs: the three figurines that Lulu returned to him. In his hands, though, they quickly crumble to dust and blow away. 

Chapter 14 Summary: “Time Was”

The boys walk for an hour until they reach midtown, then trade addresses and promise to talk in a couple of days. Wendell thanks Harvey for saving his life; Harvey says they saved each other. They part and head for their respective homes. Near dawn, Harvey arrives at his house and knocks on the door.

An elderly man answers. Harvey begins to apologize for waking the wrong people, but the man’s aging wife appears behind her, and Harvey recognizes her as his own mother, but much older. She knows Harvey on sight. The old man insists it’s just a prank, but she makes him look closer. He protests, “It’s thirty-one years ago” (111), but finally he, too, recognizes his son. Harvey falls into his mother’s arms. She strokes his hair, saying she prayed for his return. Harvey realizes that his month at Holiday House cost his parents three decades of sorrow. Had he stayed at the mansion, he would have become a fish like Lulu.

Chapters 9-14 Analysis

Chapters 9 through 14 recount Harvey’s further adventures at Holiday House and his escape with Wendall back to the ordinary world, where he discovers that one year has passed for each of the 31 days he spent at the evil mansion. With Harvey’s return to his world, the novel imparts the realization that, just like the stories from traditional folklore in which faerie realms exist in a different time frame than the mortal world, Holiday House likewise possesses the ability to convert a year into a single day, thus stealing the lives of the children who visit. This process extracts something vital from the children’s essence, and Harvey intuits that the House exacts a heavy toll in exchange for the myriad delights that it offers its visitors. However, although Harvey is perceptive enough to suspect that all is not as it seems, he too falls prey to the enchantments and temptations that the House offers, succumbing to The Perils of Pleasure.

With every wish at his disposal, Harvey begins to be influenced by the sinister influence of the House and plumbs the darker depths of his own soul, Confronting Vampiric Tendencies within his own personality. Accordingly, he revels in his fascination for vampires and even consents to receiving Jive and Marr’s help to become a real vampire during one particular Halloween celebration. Consumed by a lust for vengeance that hints at darker elements lurking within his own natural personality, he almost kills Wendell in his enthusiasm for playing the role. Thus, what first appears to be a whimsical game quickly turns dangerous as Harvey manifests his dark inner urges and momentarily gives in to the temptation to become a monster. In this incident, Barker boldly addresses the uncomfortable reality that everyone, even children, harbor yearnings that are less than acceptable. As the author himself admits, Harvey is a lot like he himself was at age 10, “a very angry little kid who had very strange dark imaginings that he never knew quite how to deal with” (Barker, Clive. “What’s The Thief Of Always All About?CliveBarker).

The Perils of Pleasure become even clearer when Lulu finally pays the price for her idyllic time at Holiday House and transforms into one of the baleful, fishlike creatures that inhabit the dark lake. In addition to providing Harvey with critical clues to the true nature of Mr. Hood’s mansion, her transformation also demonstrates the powerful pull that Holiday House exerts on children’s psyches. The story implies that the willingness to indulge in endless pleasures rather than Transcending Illusions that destroy the soul can only result in consequences of Faustian proportions. Therefore, despite its trappings of fantastical horror, the House also represents the real-world temptations that plague those who must negotiate the technological comforts and conveniences of modern civilization. Though the novel was written in the early 1990s, if interpreted from a more recent perspective, it can easily be read in the context of a cautionary tale, for it arguably anticipates the many process addictions that both children and adults of today’s society struggle to overcome: the allure of video games, social media, AI conveniences, and augmented reality. As these modern technologies continue to improve and become ever more realistic and engaging, Barker’s novel will only gain in significance, for the dark fable of Holiday House represents the allure of constant artificial stimulation, especially given the tendency of such pursuits to steal precious moments from people’s lives.

In a continuation of this theme, the endlessly delicious and plentiful meals of Holiday House also symbolize a key pitfall of modern civilization. In Western societies, food is cheap, accessible, and comforting, and people can indulge themselves by eating as much as they like. However, such indulgence often results in nothing but health conditions. This dynamic is exaggeratedly portrayed in the novel’s later chapters, when Harvey will realize that the food the children eat is made of nothing but dust beneath its wholesome and inviting veneer. This aspect of the story also serves a cautionary role, warning readers that, much like at Holiday House, many of the pleasures of modern convenience exact a heavy toll as the price of momentary enjoyment. Thus, the illusory food of Holiday House represents yet another example of The Perils of Pleasure.

blurred text
blurred text
blurred text
blurred text