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The power and importance of family tradition rooted in ancestral heritage and religious faith is a main theme of The Tequila Worm. Throughout the story, Sofia engages in, and learns about, the important traditions and rituals that have been in her family for decades, both in the United States and in Mexico, where the family line begins.
For instance, the story begins with the faith that binds the family to their community; their Catholic religion. Sofia describes her First Holy Communion and conveys the importance of accepting the symbol of Jesus into her life. But it is interesting to note that Sofia does not completely swallow the host—she clings to cultural tradition more than to her faith.
Her Catholic faith is also tied to superstition. After the debacle of the communion wafer, Sofia’s shirt is mysteriously returned to her with the pocket sewn closed. In Sofia’s faith, the traditional Catholic mores and rituals are intertwined with Mexican spirituality and magic. These rituals are also something to be questioned and to treat with thoughtful ambiguity until Sofia is otherwise convinced of their value. This concept is further demonstrated with the family’s expression of Christmas. The making of the nacimiento and the delegation of Sofia as the Christmas madrina expresses textually the family’s dedication to religious holidays. Being the madrina is an honor. During the ritual, celebrated on two separate dates, Sofia is taught that the birth of Jesus is a sacred event, not to be trifled with. When her mother thinks she is not taking it seriously, she scolds Sofia: “This is no joke…you are representing the whole family, Sofia” (179). From this moment on, Sofia truly understands that her ancestral tradition is hallowed and important; something to be treated with reverence and respect.
Not all practices are Catholic in nature. The Day of the Dead is an important Mexican tradition, and one that teaches Sofia an important lesson. When her bully, Terry, tells Sofia that Mexicans are obsessed with death, Sofia learns through experience that, in fact, this tradition in her culture helps her people accept death. By the end of the story, Sofia has a moment of deep reckoning as she understands that Dia de los Muertos is “woven like a thick vine throughout our lives, helping us transcend death itself, and compelling us to live even richer and more meaningful lives” (198).
Easter is a celebration not just of the birth of Christ, an important event in the Mexican Catholic calendar, but an opportunity for non-religious fun. When the family makes the cascarones, they are carrying on a tradition from their Mexican culture. The picnic after church when they search for the decorated eggs, then smash them on each other’s heads, is a long-standing day of joy and celebration.
Perhaps one of the signal traditions in the story is the power of the tequila worm to cure homesickness. Sofia is taught by Doña Clara, and later her father, that when you eat the worm, you cure your homesickness. As the novel progresses, the tequila worm also becomes a tradition between friends as they part ways and say goodbye. As a talisman, the worm is a powerful symbol of home and loyalty.
Importantly, Sofia’s life is built around these traditions, many that come from her ancestral home. The result is that Sofia knows who she is, and what she values. The traditions and rituals teach Sofia how to act and how to express loyalty. Cleaning the beans with her father teaches her humility and the value of silence. The author has used these traditions to string together the plot points of the novel, provide a calendar of events and to develop wise and humble characters.
Sofia learns from infancy onward that the community in her culture is everything. It takes its form in many ways, including in the powerful act of storytelling. Sofia learns early on that story ties the community members to each other and to their traditions. When Doña Clara makes her visits with her burlap sack filled with treasures, Sofia learns the stories of her family and her people.
Sofia learns, through Doña Clara, that one of her community’s enduring anchors is to be a comadre. Sofie deduces when Doña Clara leaves after each visit that there is a link between storytelling and building community. “All I could figure out,” she thinks, “was that telling stories was a big part of becoming [a comadre]” (5).
Family is the foundation of community. Sofia’s mother tells her that being a comadre is the most important building blocks to happiness and lasting friendship. When Sofia questions what her mama means by being a “good comadre” her mother replies that a comadre is “someone who makes people into family” (5). It is more than a friend. Being a comadre is presented in the book as a philosophy that glues the people together and keeps them happy and safe.
The community is also built on traditions like the nacimiento at Christmas, eating tamales on the graves during Day of the Dead, and making cascarones on Easter. Community is woven together by food, religion, and grief. Within Sofia’s community there are brujas (witches) and curanderas (healers). Sofia learns a valuable lesson about how healers are an integral part of the community, often being able to make people well when fancy expensive doctors can’t.
When it comes time to make the decision to go to the privileged, and mostly white school in Austin, it is Sofia’s community that helps her find her way. She must make a decision between staying home and feeling safe or pursuing her dreams. Only after she receives the blessings of her family and other close members in the community is Sofia able to feel free enough to accept the scholarship.
It’s also the community that accompanies her into the school, where her identity as a Latina is challenged on a daily basis. Because the foundations of her present day and ancestral community are built celebration by celebration and comadre by comadre, Sofia finds her place at the school and honor her natural intelligence and ambition. Without the important element of community, Sofia would not know who she is. The knowledge of where she came from and who she belongs to gives her an important grounding that allows her to grow and gain wisdom.
In Sophia’s world, food is not just sustenance for the body, but balm to the soul. Almost every meal during religious or cultural celebrations contains food that speaks to Sofia’s life in the barrio and beyond. Food is also a thematic link between the characters and their identity, and sometimes food is comfort.
It’s not just eating either. Sometimes preparation becomes a metaphor for love. When Sofia and her papa clean the beans on Tuesdays, what they are really doing is bonding. During their long periods of silence and contemplation, Sofia and her papa find the cohesive traits that bring them together. They are both quiet and introspective, creative and intelligent. Making the beans ripe for preparation is a metaphor for establishing strongholds of love so that when Sofia goes out in the world, she has a sturdy foundation.
Each celebration has its one particular, food which is meant to show that in Sofia’s culture, the rituals and ceremonies are defined not just by their meaning, but by the food that accompanies them. There are always tamales for Dia de los Muertas. Tamales are also comfort food, as are the empanadas Sofia’s mother gives her when she arrives at her new school. Raspas are icy summer drinks, and for Thanksgiving, it’s turkey mole, rice, beans, and hot corn tortillas.
Thematically, the representation of food is meant to show how Sofia and her community find comfort in all seasons. Food is meant to restore and relax. During sobremesa, there are pastries and for warmth, they drink café de olla, “Papa’s sweet spiced coffee treat” (169.) when Sofia’s family drops her off at Saint Luke’s, her mother worries about the food she will be served. After they eat lunch, her mama complains about the food: “Those sandwiches were so tiny, like for a doll. And where was the coffee? The hot chocolate” (133)? Sofia’s mama is as worried about whether Sofia will have enough to eat, as she is about Sofia finding comfort. Thematically, food is love, food is comfort, and food is celebratory, something deeply anchored into Sofia’s family and community that represents her culture.
Food is also an emblem of how the very poor must make their living. When Sofia works in the cucumber packing plant, she is familiarized with the hardship and difficulties that come with being seasonal workers. She knows that no one else will do these jobs and most of the time, to work in a packing plant or in the fields means long painful hours bending over or on the feet for little pay and no benefits.
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