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Sofia calls Berta and tells her she has two big problems: “How to get those five new dresses and the four hundred dollars” (92). Her family must pay $400 for her part of the tuition, and Sofia will need five dresses, one for every weeknight for the formal dinner at her new school. She has only one good dress; the one she wears to church. She has only three dollars in her piggy bank, which won’t even buy one dress. Sofia has a recurring dream that she is sitting with seven students awaiting dinner, wearing her church dress, and they all start laughing at her. When Sofia looks down, she sees she is taped up in Tia Petra’s rolls of plastic. Each time she wakes from the dream, she remembers being called “Taco Head.”
Berta comes over to Sofia’s house, and Sofia, like a good comadre sits through all the pictures of Berta’s quinceañera. Sofia asks Berta about her boyfriend, Jamie. She wants to know what it’s like when Berta kisses him. Berta is less interested in the kissing than she is in her dream of marrying him and settling down. When they finally get around to talking about Sofia’s need for four new dresses, Berta suggests Sofia find sponsors like she did for her quinceañera, but Sofia tells Berta that she is too shy and proud to ask for help. She is like her dad who, when he wanted a new guitar, he made one for himself. Berta laughs. She teases Sofia about her probable lack of domestic skills like sewing. She says, “You can’t even button your buttons straight” (96). Berta has an idea, though. They will use Sofia’s three dollars and go to Ropa Usada, a used clothing store so low in its standing that it’s where Salvation Army and Goodwill rejects go. Sofia is appalled at this prospect but has no other choice. She trusts that Berta has a good idea.
When she leaves the second-second-hand store, she has spent under three dollars for two old dresses, some neckties, a bathrobe, and a white bedsheet. Every night for the next week, Sofia helps Berta with her math, while Berta makes the dresses for Sofia. When Berta is done, Sofia has five new dresses made from the material they gathered at Ropa Usada. The dresses are elegant and beautiful. And Berta got what she needed too; math help. She would have flunked math without it. In this way, the two girls are wonderful comadres to each other.
Sofia decides she will earn the $400 needed for tuition by getting a job. She leaves one morning on the weekend with high hopes, but application after application leaves her realizing she has no experience doing anything and believes that not one of the jobs she applied for would call her back.
She drags herself toward home but then, while crossing a street, she notices the two packing sheds that are four blocks from her house. It is summer, and the packing sheds are open and busy during the summer picking months. Sofia walks inside one, and the first thing she notices is how well-dressed the workers are. The women wear nice dresses and high heels. Sofia wonders how they could stand all day in shoes like that. A man approaches Sophia and asks her if she wants a job. She says yes, and he puts her to work right away sorting cucumbers.
Sofia, at first, is not fast enough and is even threatened with getting fired. During a 10-minute break, she calls home and tells her papa what she’s doing. He is shocked. He says, “Ay mi’ja that’s really hard work” (107). He wants her to come home, but she’s determined to stay and work so she can earn the money for her portion of the tuition. She works very late hours. One night, her papa picks her up from work at midnight. She begins to dream about cucumbers, and by day, she is so tired she makes silly mistakes like putting her papa’s hair gel on her toothbrush and placing the coffee pot in the fridge.
She is still curious about why the women are so dressed up. Sofia would never dress like that to sort cucumbers. It’s a messy job, and she would not be able to stand even five minutes on high heels. One day, a man approaches Sofia and tells her she is pretty. Then, he asks Sofia if she would be interested in marrying him. She is shocked. He tells her he is proposing now because after the season ends, he will have to go back to Mexico, and he might never see her again. Sofia finally understands why the women dress up so nicely; in order to get married. Sofia is not like that. She realizes she “needed—not just wanted—more than this” (110); she wants more than working at a packing plant and finding security through a man.
When Sofia gets home that night, her mama tries to feed her, but Sofia is not hungry. She tells her mama about the marriage proposal. Her mama is worried, but more than that she is bewildered by the way traditions, especially romance, are changing: “Young people used to meet in plazas, at dances, at church, under the safe eye of the community” (110). Now, the plazas are disappearing. She tells Sofia that even the plaza at the hotel where she met her papa is going to be gone. They are turning it into a swimming pool.
The hottest days of summer are upon Sofia and her community. Her mama calls it the canicula (dog days). Sofia doesn’t know what that means. Her mama explains it’s a time period in the summer, from July 14 through August 24 when the hottest days arrive and make people do crazy things. Her mama, for instance, can’t find the key to the chest that holds some secret items for Sofia. Or she buys the wrong bread. All sorts of chaos, mayhem, and confusion take place during the canicula.
Sofia and Berta drive around in Berta’s air-conditioned car trying to stay cool. Lucy joins them, and this is the first time that Lucy asks if she can be Sofia’s and Berta’s comadre. Sofia shows her little sister how to steer the steering wheel as she drives. It’s a small thing, but it means the world to Lucy. The three of them agree that they will be each other’s comadres.
One the day of Sofia’s 15th birthday, her mama makes a festive fajita dinner, and Lucy brings out a beautiful chocolate cake that she and Berta baked for Sofia. After the cake, Lucy pulls a carton of eggs out of the refrigerator. The carton is filled with cascarones. First, Sofia opens the one that Berta made. Inside is a miniature picture of Sofia and her mama dancing at Berta’s quinceañera. The one from her mama contains a green glow-in-the dark rosary. The one her papa gave her contains a small wooden saint that he carved himself; it is Saint Sofia. The one from Lucy contains eight quarters. It’s Lucy’s entire savings. She says it’s for buying candy at school, and Sofia feels like she might cry. After they finish opening the cascarones, Papa hands Sofia her guitar, and she plays Julia while her parents waltz. At the end of the night, after Berta has gone home and Sofia’s mama and Lucy are praying the rosary in another room, Papa gives Sofia a secret cascarone. He tells her it’s for her to open whenever she wants. He tells her she will know when that day is and reminds her that the small wooden Saint Sofia will always be with her.
It is time for Sofia to say goodbye to everyone. Papa gives Sofia his favorite book, Don Quixote, and Sofia’s mama gives her a huge bag of homemade empanadas and a box of Ibarra Mexican chocolate. She also gives Sofia a box of items for her homemade altar. Berta and Sofia secretly laugh. The thought embarrasses both of them that Sophia would put up an alter in front of the rich people. Before she leaves, Sofia goes through her drawers and gives Lucy a handful of treasures, including a mariachi puppet and tiny worry dolls. The next day, they all climb into Berta’s car and drive the 300-plus miles to Austin. The closer they get to the new school, the sicker Sofia feels. She is not able to eat anything, but she tries to seem happy and nonchalant.
When they arrive, Sofia sees people driving up in very expensive cars. She starts to feel self-conscious. Once in the dormitory, Sofia finds her room. Her papa comments on how sparse it is. “Your dorm reminds me of my army barracks” (129). There is no TV and no kitchen. There is no panaderia, (bakery) no raspa (icie) stand, and no Wal-Mart. The doors to her room swing open and closed like the doors in a cantina.
Sofia is inside her room for a few minutes when a girl comes in asking her if she’s seen someone named Brooke. Sofia knows Brooke is supposed to be her roommate. The girl says her name is Terry, and she wants Sofia to switch rooms with her so she can bunk with Brooke. After Terry leaves, Sofia’s mama comments on how rude she is. Everyone is getting nervous, but Sofia tries to laugh it all off. When Brook arrives, and Terry asks her to let Sofia switch, Brooke says no. She wants to stay with Sofia. Unlike Terry, Brook at least has manners, and she introduces her parents to Sofia’s parents.
Brooke has already unpacked some things; a Chagall print that she has hung on the wall on her side of the room, a vase, and a Persian rug. When Sofia unpacks, her mama unpacks the box she told Sofia was for her soul. She pulls out several items that she says Sofia can use to make her altar. There is a statue of Jesus, bleeding on the cross, one of the Virgin of Guadalupe that lights up, a glow-in-the-dark rosary, a framed print of the Guardian Angel, and a black Saint Martin de Porres. Sofia is so embarrassed, and Berta is biting her lip to keep from laughing. But when Brooke walks in, she is surprised and inviting, asking Sofia if all the items are for her home altar. Sofia is surprised that Brooke knows about home altars, and Brooke tells her she knows about home altars because her parents run a foundation in Latin America.
Sofia’s family gather on the lawn to say their goodbyes. Sofia’s mother tells her to make sure that she shares her empanadas with Brooke: “She’s too skinny and pale” (134). They chatter and laugh at each other’s nervous jokes, then they climb into the car. Sofia watches her father get in and feels like she’s really alone. She waves until the car disappears, and she wonders if now is the time to open the cascarone he gave her. She decides not to, but she pulls out the wooden Saint Sofia where she’s been keeping it in the front pocket of her shirt. She remembers what her father said after Halloween when she complained about her side of town because of the bad candy: “…our side of town has its own wealth and warmth” (135). She realizes she finally understands what he means. She climbs the stairs to her dorm room and wonders if this strange mundo (world) will not just teach her about the other side of town, but also help her understand her side of town, too.
The story picks up pace when it becomes clear that Sofia will be going to Austin to embark on the next adventure in her life. The poverty of the community is again put to the test when Sofia must raise $400 for her part of the tuition—an amount that might as well be a million dollars to her family. Sofia, not much of a girly-girl, also must come up with five dresses for the formal dinners at the school.
When Berta promises (and delivers) that she can make five dresses from the small amount of cash on hand, the author shows once again a resilient community and its creative responses to the larger, more affluent world. This is an important refrain in the story—that the characters are strong, that nothing will stop them, and that their creativity is an aspect of their personal wealth.
While Berta magically transforms a sheet and a bathrobe into beautiful clothing that would be acceptable for Sofia’s formal dinners, Sofia must find a way to earn the $400 dollars for her share of the tuition. Sofia’s search for a job highlights the economic issues of the barrio—jobs are hard to find, and they are few and far between.
It’s important to note that when Sofia does find a job, it’s a seasonal one, the type usually reserved for workers who cross the border to find jobs. We learn that Sofia is proud, but that it is her humility and desire to make things financially better in her life that allows her to take a job most people would never do. The cucumber packing facility also gives readers a glimpse into the hardship of seasonal work, one that involves low wages, long hours, and physical pain. Sofia learns many valuable lessons in the process. She realizes that sometimes you must suffer to get what you want, but she also sees how people who are poorer than she is must live their lives. She is even more grateful for what she has. These pages show that even without money, life can be rich and rewarding. We also learn more about Sofia: She is humble yet takes pride in her work and her people. She is also strong and intrepid. She will do her part to see that she gets a leg up in the world, and she doesn’t complain. These are all exceptional qualities that the author imparts for the reader.
When Sofia begins school, she comes face-to-face with overt and blatant racism in the form of Terry. Terry is not only jealous of Sofia’s budding friendship with Brooke, but she is ill-mannered and feels threatened by Sofia’s lifestyle. This is “Taco-Head” on a larger scale, and Sofia must learn to navigate the challenges of racism and bigotry.
Sofia also sees how the other half lives in this section. Just like her Halloween venture into the rich side of town, Sofia is confronted by girls being driven in expensive cars and having beautiful store-bought dresses. The author develops the tension but shows that Sofia doesn’t back down. As much as she wants this education, Sofia knows she will have to sacrifice and face the ugly side of life.
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