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Frank Pemberton greets Flavia very casually. Flavia tries to act casually though she is terrified, but Pemberton is not fooled. He watches her face “the way a cat watches the family canary when they’re alone in the house” (303). Flavia waits for Pemberton to make his first move and wonders how she can escape.
Pemberton heard that Flavia’s father is a renowned philatelist. He makes up a story about his publisher asking for a history of an obscure stamp and says that perhaps Flavia’s father could take on the assignment: “I expect your father wouldn’t say no to a bit of pocket change to buy a New Guinea ha’penny thingummy, would he?” (304). Insulted by this pretense, Flavia thinks of throwing sand in his eyes and running away.
Pemberton stands and says he saw her at the Thirteen Drakes, looking at the register as he arrived. Flavia replies that her friends work there, and she sometimes visits them. Pemberton is not fooled: “And do you always rifle the guests’ rooms?” (305). Flavia blushes involuntarily, and Pemberton says that it is as he suspected—there was something taken from the room that belonged to him.
Flavia calls his bluff, asking, “Are you referring to that old stamp?” (306). Flavia says that she did not exactly steal it, since she thought it belonged to Bonepenny and he was already dead. Pemberton says she can return the stamp and everything will be settled.
Flavia quickly says that she will run home and get it. Pemberton mirthlessly laughs, saying that Flavia is very clever for her age. Flavia says that she can tell him where it is hidden so that he can get it himself, but Pemberton is done playing with her. “Something about his face had changed, as if a curtain had been drawn across it” (307), then Pemberton grabs Flavia’s wrist. She blurts out that the stamp is hidden inside a clock in her father’s dressing room.
Flavia suddenly sneezes and, without thinking, pulls out her handkerchief, which still has the AA stamp in it. Pemberton grabs the handkerchief and stuffs it in her mouth. He throws his jacket over Flavia’s head, tightening it with his portfolio straps. He painfully grabs her arm and moves her forward.
As Pemberton pushes her along the path, Flavia tries to yell for help but cannot. Terrified and blinded by the jacket, she cannot run away. Pemberton tells her to stop and opens the metal door of the Pit Shed.
Pemberton tells Flavia to empty her pockets. All she has is her key to Buckshaw’s kitchen door, which falls to the floor. Flavia hears it clink onto concrete, meaning it landed in the service pit. As Pemberton moves the wooden planks to retrieve it, Flavia tries to run back toward the door. Pemberton seizes her and spins her around till she can barely stand.
Pemberton forces Flavia down into the service pit. Pemberton finds the key and ties Flavia’s hands with his necktie. She remembers to form an arch with her fingertips as he tightens it. Pemberton notices and pinches her hands, tightening the bonds with her wrists squeezed together. Flavia knows she cannot loosen them. Pemberton commands her to sit, ties her ankles with his belt, and leaves.
Flavia tries to think of what her personal heroes might do in this situation: “I was surprised by how quickly the answer came to mind: They would take stock” (316). Flavia takes stock of her predicament, notably that she is having trouble breathing and must limit her oxygen use. She determines that Pemberton seated her on a tea chest. The rank smells of old oil and sewer gas are overpowering.
Flavia is counting on Dogger to confront Pemberton when he breaks into Buckshaw. Flavia thinks of Dogger’s years of loyalty and vows to ask him to tell her all about his life. Flavia realizes it is possible that Pemberton will enter Buckshaw undetected and find that there is no stamp in the clock. She knows that he will then return to the Pit Shed and hurt her, so she has no time to waste in escaping.
Flavia slowly moves along the perimeter of the room, touching the wall with her fingertips. She cannot find any protrusion to use to cut her bonds. She thinks she might find something to help her if she could get her head above the level of the pit, so she makes her way back to the tea chest.
All this movement exhausts Flavia, as she can barely breathe and is lightheaded from her cold and the lack of oxygen. She finally finds the tea chest and discovers it is against a wall. She hopes that if she can climb on top, she can throw herself over the rim and find something to rip the jacket off her head. Her leg cramps as she tries to climb onto the chest, but eventually she stands on top. There is no way to climb out of the pit, so Flavia lowers herself down again.
Flavia suddenly realizes that she should have inched her way back to the stairs, rather than exhausting herself with this other movement. It is too late and she is too tired now. Instead she sinks to the floor.
Flavia falls asleep and dreams of her family presenting a performance of Romeo and Juliet. She wakes to the sensation of a rat running over her feet. She sits up and wonders how long she slept. Flavia is afraid and feeling hopeless but forces herself to be brave. She tells herself, “Think of something else. Think of anything. Think, for instance, of revenge” (326).
Flavia distracts herself by thinking of ways to kill Pemberton. She then ponders why his appearance seemed so strange to her the first time they met.
Flavia realizes that Pemberton had been standing on the southeast side of the lake, on the opposite side from the direction of Bishop’s Lacey. Flavia pieces it all together in her mind. Pemberton had believed that Bonepenny would come to Buckshaw carrying the Ulster Avengers. Perhaps the two had traveled together, intending to blackmail her father, though Pemberton had planned an additional step of killing Bonepenny to take the stamps for himself. He had to murder Bonepenny at Buckshaw to frame Laurence.
Pemberton searched Bonepenny’s room at the Thirteen Drakes but had not found the stamps, so he believed Bonepenny must be carrying them. Pemberton found lodging in Doddingsley, then walked to Buckshaw on the night of the murder. He killed Bonepenny, who did not have the stamps in his possession. The next morning, Pemberton made sure he was seen arriving at the Thirteen Drakes so that he would not be suspected of the murder. He searched Bonepenny’s room again, but Flavia had already found the stamps.
Flavia further examines the details of Bonepenny’s murder. She thinks about the smell emanating from his mouth as he spoke his last word to her; she has “no doubt whatsoever that it was carbon tetrachloride, one of the most fascinating of chemical compounds” (332). Carbon tetrachloride is an insecticide, but it is also used by philatelists to bring out a stamp’s watermark.
Flavia realizes that when she was in Bonepenny’s room, she found insulin but no syringe. Pemberton must have taken his syringe, loaded it with carbon tetrachloride, then thrust the needle into the base of Bonepenny’s skull. Then the “unmistakable fumes of the carbon tetrachloride would have been quickly transmitted to his mouth and nasal cavities as I had detected,” but the smell “had evaporated without a trace” (333-34) by the time Inspector Hewitt arrived.
Flavia tries to free her bonds again, but they are as tight as ever. She fears that she will die down in the pit. Horrified to find herself in tears, Flavia thinks that no one would miss her if she died. No one in her family loves her enough to miss her, though Dogger would be sad. Flavia struggles to compose herself and takes a deep breath to calm down. She smells methane.
Flavia thinks that if she can find the pipe that leads from the pit to the riverbank, she might be able cause a spark that would ignite the gas and bring help. As she searches for the conduit, a cold voice whispers in her ear, “And now for Flavia” (336).
Pemberton grabs Flavia’s upper arm and jams his thumb into the muscle. She tries to scream but no sound comes out. Pemberton says, in a pleasant conversational tone, that they are going to have a little talk. He will remove the covering from her head, and she must keep still. He says, “Listen to me, Flavia, and listen carefully. If you don’t do exactly as I say, I’ll kill you. It’s that simple. Do you understand?” (338). Flavia nods.
Pemberton takes the jacket off Flavia’s head and shines a bright light in her eyes, saying that if she lies to him again, what comes next will be much more painful. Pemberton loudly says that Flavia lied to him, that the only stamp in the clock was the Penny Black. Flavia fears what happened at Buckshaw, but she cannot speak. Pemberton takes the handkerchief out of her mouth, showing her a filled syringe. Flavia sees a flash of orange as the sodden handkerchief falls to the floor.
Flavia hoarsely says that she put the stamps in the clock and tries to think of some way of distracting Pemberton. When Pemberton tells her to continue, Flavia says that her feet are so painful she cannot think, so Pemberton bends down to loosen the belt.
Flavia kicks Pemberton hard in the teeth. His head is flung back into the concrete, and the syringe rolls away. Flavia hobbles to the stairs and painfully starts climbing. It is now night and too dark to see. As Flavia moves toward the door, Pemberton runs up the stairs and throws his arms around her, squeezing the breath from her. They struggle around the room, and Pemberton falls back into the pit, Flavia landing on top of him. Flavia tries to flee but Pemberton grips her arm again and drags her toward the stairs, where the syringe fell intact.
Flavia feels a prick at the back of her neck, and Pemberton details how he injected the carbon tetrachloride into Bonepenny. Desperately she tries to stall for time, saying, “You killed Professor Twining, didn’t you? […] You and Bonepenny” (343). Pemberton pauses, and Flavia continues, saying that he and Bonepenny faked Mr. Twining’s suicide. Pemberton asks if Bonepenny told her this, but Flavia says she figured it out herself and also found the cap and gown under the tiles. She taunts, “And now you’ve killed Bonepenny the stamps are yours. At least, they would be if you knew where they were” (343).
Pemberton viciously digs his thumb into Flavia’s arm, and she screams. He demands to know where the stamps are, but Flavia is in a haze of pain. Pemberton jabs the needle into the back of her neck, and Flavia points to her handkerchief, wadded up in the shadows.
Flavia hears a whirring noise and then a huge crash of broken glass. Then the “room above us, beyond the mouth of the pit, erupted into brilliant yellow light, and through it clouds of steam drifted like little puffing souls of the departed” (344). Flavia looks up, thinking she has gone insane, because she sees the undercarriage of Harriet’s Rolls Royce.
Pemberton tries to scramble up the stairs, but he is blocked by the car’s front bumper. An arm seizes him, and Flavia hears Dogger’s voice. In a daze, Flavia sees a figure slip down from the car and throw its arms around her. It is Ophelia, calling Flavia a silly little fool while planting kisses on her neck.
The people of Bishop’s Lacey slowly come forth. A few men help push the demolished Rolls Royce out of the pit so that Flavia and Ophelia can climb out. Ophelia excitedly tells the dazed Flavia that she and Dogger had followed Pemberton after Dogger saw him prowling around Buckshaw. Dogger called the police, started the car with a tractor battery, and raced after Pemberton.
Miss Mountjoy is there, glaring at the destruction of her library. Mrs. Mullet is also there, being held back by her husband Alf. Flavia sees Ned and Mary standing together. Dr. Darby arrives and casually looks Flavia over.
Inspector Hewitt arrives, and Detective Sergeant Woolmer takes Pemberton from Dogger. Dogger comes up to Flavia, and she tries to find the perfect words to say to him. A figure moving in front of the police car distracts Flavia; it is her father. He moves toward her, then turns to speak to Inspector Hewitt.
Flavia asks Ophelia to go back into the pit and retrieve her handkerchief. Flavia turns to Dogger, and he speaks before she does: “‘My, Miss Flavia,’ he said quietly. ‘It’s turning out to be a lovely evening, isn’t it?’” (350).
Inspector Hewitt is in Flavia’s laboratory, where she offers him tea. He admires the china cup, and Flavia tells him that both Albert Einstein and George Bernard Shaw drank tea from it.
Inspector Hewitt and Flavia discuss the case. Flavia remarks that the police must have known Bonepenny came from Norway because of the jack snipe in the pie, but Inspector Hewitt tells her that Bonepenny wore new shoes from a shoemaker in Stavanger.
Inspector Hewitt says that they are still investigating Robert Stanley’s connection to Mr. Twining’s death. He confirms that Flavia believes Bonepenny and Stanley were confederates, and she explains her findings. She also says Bonepenny died from the carbon tetrachloride that Stanley injected into his brain stem. She mentions that Stanley stole the syringe from Bonepenny’s room in the Thirteen Drakes. Inspector Hewitt asks her sharply how she knows what was in Bonepenny’s room.
Flavia replies that she will get to that part later, but the main thing is that she knows that carbon tetrachloride killed Bonepenny because he breathed its smell on her. Inspector Hewitt goes white and asks if Flavia is sure, which she assures him she is: “I’m quite competent with the chlorinated hydrocarbons, thank you” (356).
Flavia shows Inspector Hewitt where Stanley injected the poison, using her articulated skeleton. She repeats what Stanley told her in the Pit Shed. Flavia says that Dr. Darby should find a pinprick on Bonepenny’s neck and that the poison’s effect was intensified by the drink Bonepenny had at the Thirteen Drakes.
Flavia says the police can test for the level of the poison in Bonepenny’s brain. Inspector Hewitt asks to have a look at what she has done. Flavia feigns innocence, but Inspector Hewitt insists: “No one who has had the pleasure of your acquaintance would ever believe for an instant that you haven’t done your homework” (358-59). Flavia shows him a piece of cow brain that she stole from Mrs. Mullet’s larder, which she injected with carbon tetrachloride and later tested for levels of the poison.
Inspector Hewitt says Flavia must give him the king’s stamp, since it is stolen property. He also needs to know how she came to possess it. Flavia would like to do something nice for her father, since he has gone through a rough time, having been arrested for murder. She says, “I’d like to give him the Ulster Avenger, even if it’s only for a day or two. Let me do that, and I’ll tell you everything I know. I promise” (362).
After commenting that Flavia is trying his patience, Inspector Hewitt agrees to 24 hours. Flavia shares her entire story, from the dead jack snipe to her captivity in the Pit Shed. Inspector Hewitt takes notes then solemnly shakes her hand goodbye.
Flavia finds Daphne in the drawing room and asks where Ophelia is. Daphne replies that Ophelia went to the doctor about an allergic reaction. Flavia is thrilled that her experiment was successful. Daphne then quietly tells her that she did not get away with her trick: “Have a peek at yourself in the looking-glass […] Watch you don’t break it” (364). Flavia sees that she has an angry red splotch where Ophelia kissed her in the Pit Shed.
Flavia thinks of how her family has so much trouble expressing emotion to each other as she goes to her father’s study. Inside, her father is at his desk with his stamps and his magnifying glass. Flavia reaches into her pocket and hands him the AA stamp. Her father examines the stamp and asks where she got it.
Flavia says she found the stamp and it is for him; “[f]ather studied my face the way an astronomer studies a supernova. ‘This is very decent of you, Flavia,’ he said at last, with some great effort’” (366). He insists that it be returned to the king. Flavia says Inspector Hewitt wants it turned over to him, but her father says that she must return it herself.
Flavia asks Dogger how to address a letter to the king. Together they look in Mrs. Mullet’s copy of Inquire Within Upon Everything, and Flavia copies the format listed in the book.
A week later, Flavia receives a return letter from King George, thanking her for returning the “splendid item” that is important not only to the history of his own family, but to that of England. Flavia notes, “And it was signed simply ‘George’” (370).
Flavia is a very self-assured girl. She believes herself to be highly competent, but much of her competency is intellectual and theoretical. Confronted by the very real threat of Pemberton, who is actually Bob Stanley, Flavia is out of her element. Her older sister once gave Flavia advice on how to deal with the threat of physical danger from a man: “If ever you’re accosted by a man […] kick him in the Casanovas and run like blue blazes!” (305). Flavia recognizes that this is useful intelligence, but she’s too young to act upon it.
Flavia still believes that she can somehow outsmart Pemberton, as she continues to think of him, and get away to safety. Flavia’s strength is in clever verbal sparring, and at first it seems like Pemberton is going along with it. They both trade niceties and embellished lies, dancing around the ugly truth before them, that Pemberton killed Bonepenny and now wants Flavia to tell him where the Ulster Avengers are.
Pemberton quickly tires of their game, and his affable facade turns menacing. Making a makeshift hood of his jacket, he forces Flavia down into the Pit Shed. She now understands that his threats are not empty and he truly could hurt her: “An image of Horace Bonepenny breathing his final breath into my face floated before my covered eyes, and I knew that Pemberton was more than capable of following through on his threat” (310).
After Pemberton leaves her alone to search Buckshaw for the stamps, Flavia has quite a bit of time to think dark, sardonic thoughts, which come naturally to her. She pictures her dead body being eventually found and the soggy ball of handkerchief being extracted from her mouth during her autopsy. She then imagines the surprise when the king’s orange stamp is discovered. Flavia likens it to something out of an Agatha Christie novel and thinks that perhaps Miss Christie herself might write it. Flavia is accustomed to thinking of life in terms of scenes from novels that Daphne reads aloud or films that Ophelia talks about. The brutality of real life has not touched her till now.
Flavia is still a fighter. Rather than despairing at her situation, she uses all her mental and physical faculties to try and escape. Though it exhausts her further and causes more pain, Flavia tries to climb out of the pit. She likens herself to a hamster who has climbed up to the top of its ladder in its cage and finds there is no way to go but down. Flavia keeps struggling till she literally passes out from exhaustion.
The horrifying sensation of a furry rat running over her legs brings Flavia back to consciousness. She has led a privileged life, away from vermin and filth, so this makes her cringe. Flavia again contrasts real life from literary tales: “It was too much to expect that the rats would nibble at my bonds as they did in fairy tales” (325-26). This theme resurfaces when Flavia is going over Bonepenny’s murder in her mind and concludes that he died from an injection of carbon tetrachloride. She realizes that she was silly to suspect the pie as the source of his demise: “What a fool I had been to think of poisoned pie! This wasn’t a Grimm’s fairy tale; it was the story of Flavia de Luce” (332).
Flavia’s endurance, which is remarkable for a sheltered 11-year-old girl, finally falters, and she is about to give up the AA stamp to Pemberton. She then receives the cinematic/novelistic last-minute rescue that she had never stopped hoping for. The first hint comes from a grinding noise above them; “as the beam of Pemberton’s torch danced towards it, I looked away, then looked up, as the old-time saints were said to do when seeking for salvation” (344). Flavia is not religious, but she believes in salvation.
Another element of Flavia’s despair in the pit is her sense of loneliness. Flavia’s family is emotionally stunted, and she has grown up without a sense of familial love. She believes that “[n]obody loved me, and that was a fact. Harriet might have when I was a baby, but she was dead” (335). Flavia thinks no one in her family will mourn her if she dies by Pemberton’s hand, though she does feel that Dogger would be despondent. Flavia’s father does not show her signs of affection, and the scene in the police station only reinforced the idea that he is closed off to her, for Flavia realizes that he had not truly been talking to her the entire time.
When Flavia is saved from Pemberton’s clutches, she is astounded that Ophelia is there with Dogger, that she actually hugged and kissed Flavia, like a genuine sister who had feared for her life and is relieved beyond words that she is safe. Despite the crowd of villagers that form, Ophelia remains in Flavia’s sight: “As I stood there motionless, it was as if everything dissolved between us, and for a moment Feely and I were one creature bathing in the moonlight of the shadowed lane” (345). All Flavia has known from Ophelia are insults and neglect and actual cruelty, so hearing her sister excitedly recount how she and Dogger followed Pemberton and saved her life feels magical.
Daphne bursts this bubble the next day, saying that Ophelia’s affectionate kiss was just to get Flavia back for the tainted lipstick prank. Once again, it feels like Ophelia and Daphne against Flavia, who was so moved by her big sister’s display. There are clues that Ophelia was genuinely worried about the threat against Flavia and was overjoyed to see her unharmed. Flavia describes Ophelia as a shadowy figure leaping out of the Rolls Royce: “As it threw its arms around me and sobbed on my shoulder, I could feel the thin body shaking like a leaf” (345).
Flavia’s family may be incapable of expressing love for one another, but that does not mean love is absent. Flavia is too young and inexperienced to see signs of this when they arise: “As I have said, there is something lacking in the de Luces: some chemical bond, or lack of it, that ties their tongues whenever they are threatened by affection” (365). Flavia sees the world through the lens of chemistry: elements coming together, being separated, or becoming some new substance all together. She would like the kind of family depicted in books and films, elements coming together in a strong bond, but that it not the de Luces. Even when Flavia’s father sees that she is safe outside the Pit Shed, he observes Dogger standing by Flavia and cannot run up and hug her. The role of nurturer, in Harriet’s absence, has fallen to Dogger. When Flavia presents him with the priceless AA stamp, Laurence is unable to verbally muster more than six words, though his voice is choked up and he looks at Flavia with love and wonder.
Flavia has only Dogger to turn to after her father tells her to figure out how to send the stamp back to the king. Dogger is a substitute parent and true friend to Flavia. Together they find the instructional book, and he makes editorial suggestions for her letter. It is Dogger who hands Flavia the return letter from the king and shares in this unprecedented experience. It is common for aristocratic children to find comfort and love from servants rather than their parents, and Flavia is no exception.