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The novel takes place in the English countryside in 1950. Flavia de Luce, the story’s 11-year-old narrator, is tied up and locked in a closet by her older sisters, Daphne (Daffy) and Ophelia (Feely). Flavia is adept at freeing her hands and gagged mouth and picking locks, so she frees herself and joins her father at the dinner table.
Flavia belongs to an old aristocratic British family, and the Buckshaw estate has been their home for centuries. Her mother is deceased, “killed in a mountaineering accident” when Flavia was one and now “not often spoken of at Buckshaw” (4). Flavia and her sisters rarely see their father, Colonel Haviland (Laurence) de Luce, as he spends all his time in his study with his beloved stamp collection.
Flavia’s great-uncle Tarquin de Luce was a chemical genius, so there is an elaborate laboratory in the house, which is Flavia’s sanctuary. She has loved chemistry since the day she found An Elementary Study of Chemistry, which belonged to her mother. Flavia quickly became a prodigy in the subject and enjoys recreating the experiments found in the books in the laboratory. She notes, “My particular passion was poison” (10).
To get revenge for being locked in the closet, Flavia steals a lipstick, as well as her mother’s pearls, from Ophelia’s room. Ophelia counters by telling Flavia that she was adopted, and Daphne concurs. This is very upsetting to Flavia, who has no memories of her mother. Flavia melts down the lipstick, adds essential oil of poison ivy that she distills herself, and replaces it in Ophelia’s drawer. Flavia takes notes to detail Ophelia’s reaction to the poison.
As she is leaving for the day, Mrs. Mullet, the family’s cook, finds a dead bird with a postage stamp stuck to its beak on the doorstep. Flavia’s normally impassive father turns ashen when he sees the bird.
Flavia fears that her father is having a heart attack, but he is just in shock. He pulls the stamp off the bird’s beak and tells Mrs. Mullet to dispose of the bird.
Flavia goes to her cavernous bedroom and ponders what frightened her father so badly. He does not fear birds or stamps. Outside her window, Flavia hears shouting in the garden. It is Dogger, her father’s “man.” Dogger started out as her father’s valet, then became chauffeur, and now serves as handyman and gardener. Dogger suffered greatly as a prisoner of war and is prone to “episodes” of agitation and hallucination. Flavia shouts encouraging words to him, but “suddenly he went limp, like a man who has been holding a live electrical wire in which the current has just been switched off” (20). Flavia brings Dogger a glass of milk, then gently jokes with him to help restore his senses.
Flavia’s father is not at lunch. Daphne sits reading as usual, while Ophelia sighs to herself. Flavia thinks Ophelia must be dreaming about Ned Cropper, who works at the town inn. Flavia notes that there is no visible sign of Ophelia’s reaction to the lipstick yet.
That night Flavia cannot sleep, disturbed by the fear on her father’s face. Flavia hears some noise downstairs and goes to investigate. She hears an angry voice coming from her father’s study and puts her ear to the door. A stranger’s voice tells Flavia’s father that he would not want others to discover him, that they are all in this together. Her father tells the stranger to get out and says that “Twining” was right, that the stranger is a despicable person. And the stranger retorts that Twining has been dead for 30 years, Flavia’s father says, “And we killed him” (25).
Flavia is shocked to hear this. She looks through the keyhole and sees that the stranger has red hair. The stranger says her father can afford the money, as he must have come into a considerable amount when Harriet died. Flavia’s father shouts at the man to get out.
Suddenly Flavia is grabbed from behind, and a voice hisses in her ear to go to bed. It is Dogger, who says this is none of her business. Flavia returns to her room and thinks about what she heard, wondering how her father could be a murderer.
Flavia goes to sleep but wakes at 3:44 a.m. She looks out her window at the garden, where Dogger has left an overturned wheelbarrow. Flavia decides to straighten things up for him, so she dresses and goes downstairs. In the kitchen, she notices a slice missing from Mrs. Mullet’s custard pie, which is curious because everyone in the family hates her custard pie.
In the garden, Flavia sees a man lying in the cucumber patch. He opens his eyes and exhales the word, “Vale.” Flavia smells a strange odor on his breath. The man then dies. Flavia watches with more interest than fear.
Flavia goes to wake her father but decides to get Dogger instead. She shows him the body in the garden. Dogger checks for a pulse, then says he must get the colonel. Flavia thinks they should phone the police, and Dogger agrees, though no one ever uses the telephone in Bucksaw, since Flavia’s father despises it. The constable asks who the deceased is, and Flavia is reluctant to say that it is the man who was in her father’s study, so she replies that she has never seen him before.
Inspector Hewitt arrives to lead the investigation and asks for Flavia’s father. She says he is indisposed and that she will show him the corpse. Detective Sergeant Woolmer and Detective Sergeant Graves accompany them to the garden and collect evidence. Inspector Hewitt asks Flavia to arrange for tea and says she should stay in the house, which greatly annoys her.
Daphne and Ophelia are at breakfast, and Flavia tells them about the body. Flavia is sure the man was poisoned. Daphne reads aloud from her murder mystery book. Flavia cannot stand to be around her sisters and goes to her laboratory, which she calls “my sanctum sanctorum” (37).
Flavia continues to think about her father and the argument she heard. She worries that her father was not at breakfast. To calm herself, she opens her Oxford English Dictionary. She looks up vale and finds the Latin definition to be “farewell; good-bye; adieu.” Flavia thinks this an odd last word to say to a stranger.
Dr. Darby, the local doctor and coroner, arrives. Inspector Hewitt tells him that the deceased is unknown, with no identification, though it appears he recently came from Norway. Dr. Darby estimates the time of death to be no later than midnight, and Flavia sucks in a breath, since she had witnessed the death only a few hours before. She runs off before she can be questioned.
Dogger is trimming roses and does not answer directly when Flavia asks about her father. Inspector Hewitt asks Flavia to answer a few questions.
Inspector Hewitt asks Flavia who she was speaking to outside, and Flavia answers that it was Dogger, explaining that Arthur Dogger is the gardener, formerly the chauffeur, and a former prisoner of war. Inspector Hewitt understands what she is saying and comments that she is a remarkable girl.
Inspector Hewitt asks if Flavia’s father still keeps a motorcar. Flavia answers that there is an old Rolls Royce Phantom in the coach house. It was her mother’s, “and it had not been driven since the day the news of her death had come to Buckshaw” (43). Flavia’s father forbids anyone to touch it, but Flavia often sits in it when she needs to be alone. One day, she spied her father weeping by himself in the car.
Inspector Hewitt asks Flavia who first discovered the body, and she pauses, unsure if it would implicate her father if she confesses that she found the body and that the man had still been alive. Finally she admits that she found the body.
Sergeant Woolmer brings Flavia’s father, who was in the coach house, to Inspector Hewitt. Flavia’s father furiously demands to know who they all are and what they are doing in his house. Inspector Hewitt tells him that a dead body was found in his garden, which stuns Flavia’s father. Flavia notices that he has no bruises or other signs of a struggle, and that Inspector Hewitt sees this also.
Inspector Hewitt asks if Flavia’s father can help identify the body, but he faintly says that he cannot deal with death. Flavia is shocked that her father, a military man, would lie. Inspector Hewitt asks Flavia’s father what he was doing for hours in the coach house, but he says that he is “not prepared” to answer that.
Mrs. Mullet comes in with refreshments. She mentions to Flavia’s father that she disposed of the dead bird. Inspector Hewitt wants to hear more about this. She says it was a jack snipe with an old Penny Black stamp stuck to its beak. She comments that it was strange because jack snipes are never seen in England until September. She is interrupted by a groan as Flavia’s father faints.
Dr. Darby revives Flavia’s father with smelling salts, and Dogger helps him to bed. As she returns to the kitchen, Mrs. Mullet asks Flavia if the pie was good. Flavia makes a noncommittal sound.
Now alone, Flavia gets her bicycle Gladys and pedals toward the nearby town of Bishop’s Lacey to investigate Twining, the name her father spoke to the deceased man.
These first chapters introduce the protagonist, 11-year-old Flavia de Luce, a precocious English girl from an aristocratic family. A prodigy with a passion for chemistry, Flavia is extremely intelligent and curious. She is also very lonely, as she lives in a huge country manor with no other children besides than her sisters. Ophelia is 17 and Daphne is 13, and both routinely bully Flavia, both verbally and physically, as when they tied her up, gagged her, and locked her in a closet. Flavia is bewildered that Daphne, who is closer in age to Flavia than to Ophelia, always takes Ophelia’s side. Flavia’s father hides away in his study all day, and even at meals he is remote and cold. His obsession with philately occupies his thoughts: “Father loved stamps more dearly than he loved his offspring. The only thing he had ever loved more than his pretty bits of paper was Harriet” (19).
Harriet was Flavia’s mother, who died during a mountaineering accident when Flavia was a year old. Flavia refers to her as “Harriet” rather than “Mother,” and only Ophelia, who has some memory of her, calls her “Mummy.” Rather than envying Ophelia’s memories of their mother, Flavia says she despises them. Harriet is very much a character in the story, despite being deceased, as she is constantly present in the minds of the family. Flavia repeatedly refers to items that belonged to her mother, such as a chemistry book and the kimono robe she wears. Flavia remarks on the personal traits she shares with her mother, such as her acute hearing:
“Harriet had possessed it too, and sometimes I like to imagine I am, in a way, a rather odd remnant of her: a pair of disembodied ears drifting round the haunted halls of Buckshaw, hearing things that are sometimes better left unheard” (23).
Flavia deeply feels her mother’s absence and needs to retain a sense of connection with her. This is why she is so devastated when Ophelia and Daphne cruelly tell her she was adopted. Flavia protests that everyone says that she looks just like Harriet, so Ophelia tells her that their mother chose her from the orphanage specifically because she looked like Harriet’s baby pictures. This prank affects Flavia in ways that a different type of cruelty would not, because she keenly desires a bond with her mother.
Flavia’s emotionally detached father also misses his wife dearly. He keeps her possessions, including her Rolls Royce Phantom, which no one is allowed to touch. Flavia was shocked when she came upon her father crying in the car, thinking that he was alone and able to express himself. Similarly, Flavia cannot believe that her father is frightened by the dead bird on the porch, as she is unaccustomed to seeing him show any fear; “To me—to all of us—Father was fearless. […] Unbelievably British. Unbearably stiff upper lip. But now…” (22). Flavia is also astonished when her father lies about being squeamish about death, so he exhibits several unexplained behaviors over these developments. This novel being a mystery, there are many mysteries inserted immediately into the story.
A primary theme here is how Flavia’s isolation and loneliness are mitigated by her love of chemistry. Discovering the elegant design of chemical compositions changed Flavia’s life and gave her a focus. She reflects, “I still shivered with joy whenever I thought of the rainy autumn day that Chemistry had fallen into my life” (8). Yet Flavia’s love of chemistry sets her apart from girls of her age and time. Ophelia plays the piano, and Daphne reads classic literature, pursuits more “typical” of English girls in 1950. Though he encouraged her scientific interest by showing her the laboratory, Flavia’s father considers her enthusiasm and talent for chemistry a strange pastime.
Flavia does have a friend in Dogger, the jack-of-all-trades who works for her father. She sympathizes with his post-traumatic suffering, and he treats her as a person rather than a nuisance. Rounding out the household is Mrs. Mullet, who cooks for the family every morning, though she acts more like comic relief. Flavia has a biting sense of humor and mentions frequently that Mrs. Mullet’s cooking leaves much to be desired: “I hated Mrs. Mullet’s seed biscuits the way Saint Paul hated sin” (49).