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54 pages 1 hour read

Jodi Picoult

The Storyteller

Fiction | Novel | Adult | Published in 2013

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Part 1, Pages 1-48Chapter Summaries & Analyses

Part 1, Pages 1-48 Summary

Protagonist Sage Singer attends a grief therapy group meeting. Both of Sage’s parents are dead—her father died of a heart attack when she was nineteen, and her mother died three years later in a car accident. Sage has a large scar on her face from the accident; The scar and trauma of losing her parents have made her a self-conscious loner. She finds an emotional outlet in baking, having taken up her late father’s former hobby after his death. To avoid interacting with other people, Sage works the night shift at a local bakery called Our Daily Bread.

Sage ducks out of the meeting to use the bathroom. On the way back, she runs into a new participant, a 95-year-old German man named Josef Weber. She recognizes him as a frequent customer at Our Daily Bread who always writes in a black leather-bound journal. Josef is reluctant to open up during the meeting.

Our Daily Bread is attached to the Our Lady of Mercy shrine in Westerbrook, New Hampshire. The bakery is run by Mary, a former nun and the closest thing Sage has to a friend. Mary disapproves of Sage’s relationship with Adam, an attractive funeral home director whom she first met at her mother’s service. Adam is married to a woman named Shannon and father to twins Grace and Brian. Sage knows the affair is wrong but doesn’t think that she deserves a normal relationship. Every time she looks at her scar, she is reminded that she “did something awful” (35).

As Mary prepares to close the bakery ahead of Sage’s night shift, she realizes that Josef Weber is still inside. Sage surprises herself by inviting him to stay until the late bus comes. They make stilted conversation until Weber asks her what brought her to the grief group; Sage lies to him, replying that her mother died of cancer.

Sage reminisces about her late parents. Her mother and father were Jewish but followed “an abridged version” (30) of their religion which involved only select traditions. As a child Sage rebelled against Judaism, disliking how it set her apart from her small-town classmates. When she refused to have a bat mitzvah, her mother revealed that Sage’s grandma, Minka, was a Holocaust survivor. Sage flashes back to a childhood memory of accidentally seeing Minka’s identification number from Auschwitz tattooed onto her wrist.

Josef Weber continues to come into the bakery. Slowly, Sage opens up to him, even visiting him in his home and showing him the full extent of the scar that she usually hides behind her hair. She tells him that the scar is from a car accident and implies that her mother died in the same accident.

Josef soon becomes a regular at Our Daily Bread, so when he is absent from the bakery for two consecutive days, a worried Sage abandons her baking to check on him. She finds him alive and well, but her detour ruins all of her bread. The next morning, Mary slices into a ruined loaf and finds that Sage has accidentally baked the face of Jesus into the bread. Soon a media flurry descends on the bakery. Sage panics when a reporter thrusts a camera into her face and flees the bakery to hide out in the shrine. She’s surprised to find Josef already there and shocked when he asks her for a favor: He wants her to help him complete suicide. Sage refuses, telling him that she isn’t a murderer, but Josef replies that he is one. He shows Sage a photo of himself as a young man dressed in an SS uniform—Josef was a Nazi guard during WWII.

Part 1, Pages 1-48 Analysis

A central theme of The Storyteller is the way people tell stories about their lives to change the way they are perceived by others or even by themselves. Protagonist Sage lies to everyone about the story of her scar and her parents’ deaths to avoid confronting her trauma. For now, Picoult excludes certain details about Sage’s life from her internal monologue, obscuring the reader’s view into her past and mirroring the way that she hides herself from the outside world. Her scar and her deep guilt hint that she was somehow responsible for the car accident which killed her mother.

The friendship that blossoms between Sage and the mild-mannered Josef Weber initially seems touching. Sage is so starved for human connection that Josef quickly becomes her closest friend, and she opens up to him in ways she hasn’t to anyone else. The intimacy of their connection heightens the shock of Josef’s confession. Picoult introduces Josef as a sympathetic, lonely old man, so when his amoral past is revealed, the reader is as unsure as Sage as to the truth of his admission. Through Sage, Picoult has already shown the reader that characters in this novel can and do lie about their lives for various reasons.

Sage’s character provides an early example of another of the novel’s key themes, the duality of good and evil that can exist within one person. Despite her loner status, Sage is a kindhearted person who has a strong sense of right and wrong. Yet she engages in an affair with a married man, a choice which in incongruent with her moral compass. Sage feels immense guilt over her relationship with Adam but cannot bring herself to end it because he is the only person who makes her feel loved. Josef also displays a complex morality—he has spent years giving back to Westerbrook, becoming a staple of the small-town community, but he allegedly participated in one of history’s largest genocides. Sage finds these two sides of him nearly impossible to reconcile, but The Storyteller will go on to make the case that people rarely fit neatly into categories. Everyone has the potential to be cruel, and everyone has the potential to be kind. Picoult portrays morality not as the result of some predetermined nature, but as the sum of an individual’s choices. To Picoult, many people exist somewhere between the two extremes of pure good and evil.

An emerging theme of The Storyteller in these early chapters is the role of a person’s background and environment in guiding their choices. Sage’s decisions, for example, are heavily impacted by her trauma and lack of a support system. She is completely alone in the world and believes she is unworthy of love, engaging in self-destructive actions to punish herself for her perceived guilt. This leaves the reader to ponder how culpable she is for the harmful choices like her affair. As more of Josef’s backstory emerges, the question of freedom of choice will become central to his character arc.

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