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53 pages 1 hour read

Graham Greene

The Quiet American

Fiction | Novel | Adult | Published in 1955

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Part 1. Chapters 1-5Chapter Summaries & Analyses

Part 1, Chapter 1 Summary

Thomas Fowler is an English journalist stationed in Vietnam during the French Colonial era. In his apartment, he waits for an American man named Alden Pyle, who is running late. After midnight, Fowler becomes frustrated and wanders out into the street. There, he meets his Vietnamese ex-mistress, Phuong, who has recently broken up with him and begun a relationship with Pyle. He invites her to wait for Pyle in his apartment. She accepts and, while inside, prepares Fowler’s opium pipe. When Fowler quizzes her about her relationship with Pyle, she is hesitant to answer. Pyle does not smoke opium, Fowler notes, which contradicts a traditional Vietnamese superstition that “a lover who smoked [opium] would always return” (6). As Fowler smokes the pipe, he tries to forget about Pyle. Phuong declines when he invites her to stay with him. Eventually, Fowler hears a knock on the door. Outside is a police officer, who escorts Fowler to the local French Investigation Bureau. Fowler goes without question since he knows that the police are not hesitant to use force during a time of war.

Phuong goes with Fowler to the station. They meet an inspector named Vigot, a Frenchman, who wants Fowler to answer a few questions about Pyle. The questions plunge Fowler into a quiet reverie. He thinks about how he first met Pyle, the “quiet American” (11). He was having a drink at the Continental Hotel when Pyle approached and asked to sit with him. Pyle was new to Saigon, and he felt spooked by the sound of car exhaust, mistaking it for a grenade. Fowler welcomed his new acquaintance but privately laughed at his mistake.

Now, Vigot confirms Fowler’s suspicion that Pyle is dead. Immediately, Fowler declares his innocence and provides an alibi for himself and Phuong. Vigot says that Pyle was found floating beneath a bridge near a restaurant named Vieux Moulin. He asks Fowler to identify Pyle’s body. Fowler suspects that Vigot wants him to “break down and betray himself“ (16), but he simply confirms that the dead man is Pyle, who he believes was “responsible for at least fifty deaths” (17). When they are released, Phuong asks Fowler what happened. She does not speak English well. In French, Fowler tells her that Pyle was murdered. They return to his apartment and sleep together as they had when they were in a relationship. In the night, Fowler wakes and thinks about whether he is the only person who truly cared about Pyle.

Part 1, Chapter 2 Summary

The narrative goes back in time to the first meeting between Fowler and Pyle. In the café at the Continental Hotel, Pyle asks a question about York Harding. Fowler has not read the books written by this American scholar; he chides Pyle for relying on out-of-date books to learn about Vietnam rather than actually experiencing the culture. Pyle asks Fowler to tell him about the political situation in the country. Fowler explains that the Vietnamese communists are fighting the colonial French troops for independence. General Thé, the leader of a separate military, has gone into hiding and wages a fight against both the French Army and the communist faction. Currently, the French Army holds the northern part of the country. According to the books Pyle has read, Vietnam needs a Third Force that is separate from the colonialists or the communists, so Thé intrigues him. Fowler leaves the hotel for his daily walk. He thinks about Pyle’s lack of experience, comparing Pyle’s arrival in Vietnam to his own.

In the present moment, Fowler talks to Phuong in the aftermath of Pyle’s death. At his suggestion, she tries to collect her possessions from Pyle’s apartment but is stopped by the police. Fowler finds Vigot, who talks about the suspects in the case. Vigot admits that he is not overly concerned about finding the assassins, as “there are thousands killed every year” (27). Fowler collects Phuong’s possessions, insisting again to Vigot that he knows nothing about Pyle’s death. He studies Pyle’s academic books and notices that Pyle’s dog is missing. Vigot suggests that the communists might have killed Pyle, “perhaps the beginning of a campaign against American aid” (29). Vigot then becomes forceful and threatens to cancel Fowler’s exit visa. Fowler calls Vigot’s bluff; he does not want to leave Vietnam.

They are interrupted by an American economic attaché named Joe. Overweight, blustering, and disheveled, Joe reveals that he has alerted Pyle’s family that Pyle died a “soldier’s death in cause of Democracy” (31). When Fowler makes a joke about an economic attaché being treated as a soldier, Joe admits that Pyle’s duties extend beyond the remit of a typical economic attaché. Joe asks for more information, but Fowler is annoyed. He says that Pyle was killed by his own naivety and names Pyle’s affair with Phuong as an example of his indiscretions. Pointing Joe in Vigot’s direction, Fowler leaves.

Part 1, Chapter 3 Summary

The narrative goes back in time to the night when Pyle and Phuong first met. Fowler and Phuong are at the Continental Hotel together, and Pyle invites them to sit with him, Joe, and a man named Bill Granger. Joe asks Granger, an American correspondent who recently attended a Hanoi press conference, whether the Viet Minh have taken a strategically important town named Phat Diem and “burned the cathedral, chased out the bishop” (37). Granger has no interest in talking about politics. He announces his plan to go to a brothel, the House of Five Hundred Girls, and the rest of the company—save for Joe and a drunk Frenchman nicknamed Mick—travel with him to a nearby restaurant called Chalet.

Pyle rides in a rickshaw with Granger, and when Fowler searches for him, he finds him surrounded by women, seemingly horrified. Fowler smirks to himself, believing that Pyle is sexually inexperienced. He retrieves Pyle and takes him into Chalet to join Phuong. As Pyle talks to Phuong, Fowler remembers how he met her. He admired how she declined the attentions of a very forward American. After four months of “a long and frustrating courtship” and although Fowler was (and still is) married (45), he and Phuong began a sexual relationship.

At Chalet, Pyle and Phuong share a dance. They are joined by Phuong’s protective sister, Miss Hei, who is impressed by Pyle’s polite, formal attitude. She invites him to visit the house that she shares with her sister to keep them company while Fowler is away in the north of the country.

Later, Fowler watches Pyle and Phuong share another dance. He debates whether he should travel to Phat Diem to report on the story. The trip will be dangerous, but Fowler has long held a practical view of death as “the only absolute value in [his] world” (50). When their dance is over, Pyle and Phuong return to the table. A cabaret show begins, and Pyle seems shocked by the sexual nature of the show. He laughs at the jokes even though he does not understand French. When a group of female impersonators takes to the stage, Pyle tells Fowler that the act is not appropriate for Phuong to see and suggests that they leave.

Part 1, Chapter 4 Summary

Several days after the dinner at Chalet, Fowler is in Phat Diem. He investigates rumors about the Viet Minh’s attack and visits the cathedral. According to rumors, the Viet Minh snuck into the town amid a church festival in the name of Our Lady of Fatima. They sacked the town over four days, but the French have driven them back. Refugees from the town gather in the cathedral. The bishop fears that they do not have enough food and medicine. Journalists have been barred from reporting on the attack, which is a big loss for the French. Fowler explores Phat Diem and sees two soldiers and a rotting corpse. With a company of European troops, he finds a canal “full of bodies” (60) and, on the other side, empty farmhouses. When someone shoots a gun, Fowler is scared. He prepares himself to die with “a sense of exhilaration” (62). The soldiers discover a dead woman and a boy nearby.

That night, Fowler plays dice with the officers. A Lieutenant announces that Fowler is to be issued with a gun. Later, he is told that he must go to bed. He is given a gun, a candle, and a box of matches. In the early hours of the morning, Fowler hears a strange noise. He reaches for his gun, only to find Pyle beside his bed. He is wearing a helmet; Fowler is surprised that he is so well-equipped. Pyle explains that he rode a boat to visit the military base. He says does not have time to explain why he has come to Phat Diem, and then admits that he was searching for Fowler. He confesses that he has “fallen in love with Phuong” (68). Fowler is amused. Pyle insists that he wants to marry her, though Fowler waves away this suggestion. Despite his dismissive attitude, Fowler does envy Pyle for his youth. Fowler confesses that he is unable to marry Phuong as he has a wife who will not grant him a divorce. Pyle happily climbs into his sleeping bag as bombs fall in the distance. Pyle talks more about Phuong, insisting that both men want what is best for her. Pyle wants to take care of her for the rest of her life. He seems quietly confident that he can provide for Phuong in a way that Fowler cannot. Exasperated and tired, Fowler pours them both whiskey, and they drink in silence, unwilling to toast each other’s good fortune.

Part 1, Chapter 5 Summary

Three weeks later, Fowler is back in Saigon. Pyle already returned, having spent only a day in Phat Diem. Fowler considers Pyle harmless and quiet. As the months pass, however, he learns about the pain that Pyle endured. He thinks back on the events after Pyle left Phat Diem.

The narrative goes back to the day Pyle leaves Phat Diem. He travels on a boat down a river plagued by snipers and other threats. Fowler is disgusted that Pyle cannot conceive of the danger he might face or the pain he might cause other people. When Fowler reaches Hanoi, he finds a letter from Pyle in which he thanks Fowler for his understanding. When he reads Pyle’s relief regarding Phuong, Fowler is amazed that a person could be so self-centered.

At a press conference in Hanoi, Fowler meets Granger. They listen to a colonel discuss French losses. Under Granger’s questioning, the colonel admits that losses were more drastic than expected and he blames the lack of “supplies promised by the Americans” (79). At his hotel, Fowler receives a “congratulatory telegram” from his office. He has been promoted to foreign editor, but this means he must return to the offices in England. Fowler wants to remain in Vietnam with Phuong. He does not want to leave her with Pyle. Feeling despondent, he walks to the Pax Bar and meets a foreign officer named Pietri. Both men prefer to live in Vietnam rather than their home countries, and they play dice games together.

Part 1, Chapters 1-5 Analysis

The Quiet American employs a nonlinear narrative structure. In the present moment, Vigot investigates the assassination of Pyle and interviews Fowler. These interactions prompt Fowler to think about his past, conjuring up the memories that form the bulk of the narrative. Fowler is a first-person, subjective narrator. He communicates to the audience his private thoughts and memories, often creating a disconnect between what he is willing to reveal to Vigot and what he has already told the reader. Thus, the nonlinear structure creates a sense of dramatic irony in which the audience knows more information than Vigot does. Fowler earns the audience’s trust by sharing this information with them, allowing the audience to discern when and why he might be telling a lie. This structure strengthens the audience’s trust in Fowler as a narrator and turns the entire narrative into a form of confession. Fowler, unable to tell the truth to the authorities, makes his confession privately to the audience instead.

Although The Quiet American takes place amid war, the story focuses on the love triangle among Fowler, Pyle, and Phuong. These characters also embody the novel’s theme of Cynicism and Naivety. The love triangle presents contrasting forms of naivety and cynicism about love. Fowler chooses to view himself as a jaded and cynical man. He has a wife in England, but he has a sexual relationship with Phuong, whom he claims to love. Pyle, meanwhile, is single and falls in love with Phuong immediately, but he is reluctant to tell her right away. Admitting that he is inexperienced in this regard, he wishes to confer with Fowler before he asks Phuong to marry him. This direct and amateurish approach amuses Fowler, who gradually realizes that he is powerless to stop Pyle. In this regard, both men view Phuong as a trophy. Her affections are the prize they each fight to win. This competition objectifies Phuong, with each man focused only on his own desires rather than on what Phuong wants.

However, the men are forced to invent desires to project onto Phuong because she keeps herself guarded. She rarely lets her emotions be known. In this respect, she might be the most cynical character of all. She has no real romantic interest in either man beyond their capacity to help her escape Vietnam. Whether she leaves with the ingenuous Pyle or the jaded Fowler makes no difference to her. While they fight each other for her affection, Phuong is eventually revealed to be the person wholly in control of the situation. For all his cynicism, Fowler is as naive about Phuong as Pyle is.

Fowler’s guilt about Pyle’s death propels the narrative, prompting the recollections and actions that make up the story. To Fowler, Pyle’s death was inevitable. Inevitable Death is an important theme in the novel, as well as one of Fowler’s main preoccupations. The knowledge that Pyle will die lends a poignant irony to Fowler’s memories of his naivety and optimism. Yet before his untimely end, Pyle had a far greater impact on the world around him than the cynical Fowler expected. When he introduces him to Phuong, Fowler assumes that Pyle’s amateurish declarations of love will never affect the equally cynical Phuong. As his narration continues, however, and Pyle demonstrates that he can surprise Fowler and defy his expectations, the audience begins to understand Pyle differently. Pyle’s idiosyncratic naivety distinguishes him in a jaded, cynical world. In structuring the novel so the audience is aware of Pyle’s fate, Greene emphasizes the importance of each gesture and remark, turning even the most naive or innocuous comment into a foreshadowing of tragedy.

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