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The Cid is sleeping in his castle in Valencia when his lion escapes. His men circle him while he sleeps, but his sons-in-law flee: Fernando hides under a couch and Diego squeezes himself behind a wine press. The Cid awakes and confronts the lion, who is terrified at the sight of him. The Cid walks him back to his cage. The sons-in-law emerge, scorned and mocked by the court. Shortly after this, King Búcar of Morocco surrounds Valencia. The Cid and his men are excited at the prospect of financial gain from battle, but the Carrións are scared. An advisor overhears them and informs the Cid that “fighting is / not on their minds—only running for home” (161). The Cid assures the Carrións they can stay with his daughters rather than fight. The Carrións join the fight anyway, but when one is attacked, he flees. Pedro Bermúdez kills the attacker and offers one of the Carrións the horse. The Cid is pleased but asks Pedro to take care of his sons-in-law. Pedro resists, preferring to fight, and Bishop Don Jerónimo and Minaya arrive, eager to rejoin the battle.
First, Don Jerónimo kills many Moors before the Cid joins him, driving back the enemy troops. The battlefield is littered with body parts: “Arms wearing mail shirts” (167), “heads wearing helmets” (167), and “horses that had no riders” (167). The Cid tries to talk with King Búcar, imploring him to return home, but the king flees, and the Cid kills him by driving his sword through him from his head “all the way to the waist” (169), and acquires his sword Tizón, “worth a thousand gold marks” (169). After the battle his sons-in-law ride to meet him on the field, and his men return unscathed. The Cid is proud of the Carrión brothers, saying, “A start this fine will lead them to finer” (171), but they still think he despises them. They all return to Valencia with their loot and divvy it up. The Cid gives thanks for their victory and for seeing his sons-in-law fight alongside him. He prays in gratitude, assuring his God that he is not hunting Moors and would be happy if they just paid tribute to him while he stays in Valencia. The Carrión brothers are happy with their portion of the spoils, using it as a reason to stop fighting. The other soldiers giggle to themselves, mocking Diego and Fernando for days because no one saw them on the battlefield.
Diego and Fernando decide to ask leave of the Cid to head home with their new wealth. Once out of his reach, they plot to kill their wives and “marry the daughters of kings or emperors” (177) with the new wealth they have acquired. The Cid, unaware of their plan, agrees and offers them even more wealth for their return. As the daughters leave, they beg their father to send messages, to which he agrees. Their mother blesses them, and everyone “Could see these marriages were far from perfect” (181), so the Cid sends his nephew, Félix Muñoz, to escort them and report back. The Cid himself escorts the girls as far as possible then turns back, but first asks Félix to stop in Molina and ask his friend Abengalbón to accommodate them. When they stop in Molina, Abengalbón welcomes them and escorts them further along the coast. The sons-in-law see his wealth and decide to kill Abengalbón as well as the daughters, but one of the Moors who understands Spanish overhears them and tells Abengalbón of their treasonous plot.
Abengalbón confronts them directly with an army of two hundred men, saying “I’ve gone far out of my way [for you]—and you’re planning my death?” (183). Only love for the Cid stops him from killing them, and he abandons them on the road, returning to Molina. The travelers continue hurriedly, entering a dangerous forest. They find a clearing and camp for the night, “often embracing their wives, and showing their love” (185), but in the morning they order everyone to leave except their wives. All alone, they order the girls to strip to their undergarments, and they beat the girls savagely with leather straps despite their pleas for mercy. Beaten and bloody, Sol and Elvira are left for dead on the forest floor as the Carrións ride away, satisfied that they had their revenge “for that lion business” (189).
Meanwhile, the girls’ cousin Félix had separated from the troupe, not wanting to leave. Deep in the woods, he overhears the Carrións passing by, retraces their tracks, and finds his cousins, “both half-dead” (191). He rouses them, despite their state of shock and suffering, and gives them water. Eventually he gets both girls on his horse and leads them out of the mountains by the end of the day. They find shelter first in Doña Urraca’s tower, then in San Esteban with Diego Téllez, who takes good care of them until they can recover. The Carrións return home, boasting to King Alfonso. News also reaches the Cid, who spends “a long, long time thinking it over” (193), before thanking Christ for the “honor” (193) he has had from the Carrión heirs.
The Cid sends Minaya and his best men to retrieve his daughters, who are grateful to see him. Pedro Bermúdez comforts them saying, “You’re healthy, you’re alive, there’s no need to worry” (195). The Cid and his allies promise revenge and ride out the next day, staying one night with Abengalbón and returning to Valencia the next. The Cid welcomes them with joy and later meets with his best men to discuss how to broach the topic with the king.
The Cid sends a message to the king with Muño Gustioz, explaining the dishonor and asking for justice. Muño is welcomed at court and recounts what happened to the girls, saying, “[Y]ou have been dishonored still more than my Cid, / and it is you, wise king, on whom we call” (199). The king agrees, regretting the marriage match he made to help the Cid, and he calls all men with titles to court. He sends a message to the Cid, inviting him to come to Toledo in seven weeks and asking him to be patient. The Carrións are scared to face the Cid in Toledo, but the king does not grant them an exception. They discuss the problem as a family, including the Cid’s enemy, Don García. The time comes and all the counts gather, including the Carrións and their men who, according to the narrator, “Assembled for assaulting my Cid, the Warrior” (203). The Cid arrives five days late with a large entourage of his best knights, and the king rides out to meet him.
The King grants the Cid permission to arrive the next day after all his men have arrived and they have a chance to pray at San Servando. The Cid chooses his best knights and a hundred men, advising them on how to dress for battle. He himself puts on his best clothes, wears a linen cap so no one can pull his hair, and binds his beard so that “whoever might want to pull his beard couldn’t” (209). When he arrives, everyone at court stands for him except the Carrións. The king offers him a seat on his bench, saying “you’re better than us all!” (209), but the Cid humbly refuses. King Alfonso is pleased and calls court to order to give the Cid “justice against the Carrión heirs” (211), asking Count Don Enrique and Count Don Ramón, among others, to stand as judges. The Cid begins, saying the desertion of his daughters brings dishonor on the king, not himself, since the king gave the girls away in marriage. Instead, he first asks for his two swords back, Colada and Tizón, to which the judges agree and the Carrións concede, thinking “once he’s gotten them, he’ll leave the court” (213). The Cid gives Tizón to his nephew Pedro Bermúdez, and Colada to Martín Antolínez.
Next, he asks for the three thousand marks he gave as a dowry to be reimbursed, and the Carrións try to refuse, having already spent that money. They are compelled by the court to repay them in kind, with racing horses, mules, palfreys, and swords, along with some help from the king. Finally, the Cid submits his “most bitter complaint” (215), seeking revenge for the brutal beating and abandonment of his daughters in the Corpes forest. Don García insults the Cid’s beard and says the daughters are not good enough to be mistresses of the Carrións. The Cid retorts, insisting no one has ever pulled his beard, but that he and “every single Moorish boy” (219) took their turn pulling Don García’s beard in Cabra castle. Fernando insists they had a right to abandon his daughters because it raised their reputation; as Carrión heirs, they “ought to be married to the daughters of kings, or emperors” (221). Pedro Bermúdez accuses Fernando of lying, showing how association with the Cid bettered their reputations. He reminds Fernando of his cowardice on the battlefield at Valencia and how he hid under a couch from the lion. Pedro invites him to fight in the names of Doña Elvira and Doña Sol. Diego speaks, claiming the marriages should have never happened and that the girls will forever be humiliated, while Martín Antolínez reminds him of his cowardice in front of the lion and challenges him to fight.
The brothers’ kin Ansur arrives, whose “face [is] beet red, from eating and drinking” (225). He insults the Cid, so Muño Gustioz insults him for his gluttony and lies and challenges him to a fight. They move to proceed to combat, but suddenly messengers from the Princes of Navarre and Aragon arrive. They ask the Cid “for his daughters as queens of Aragon and Navarre” (227). As before, the Cid allows the king to decide, who gives it his blessing. With that settled, Minaya arises and addresses his “profound quarrel” (229) with the Carrións, accusing them of being traitors and pleased to see they will now have to serve the girls as subjects. But only the previous three accusers will fight the next day. The Cid asks to return home to Valencia. Due to a lost page, there is a break in the narrative, which resumes with the king and the Cid bidding farewell.
Three weeks later, the fighters meet in Carrión. The Cid’s men prepared for the fight as “three who were as one, serving one lord” (237), while the Carrións unsuccessfully try to bar the knights from using Colada and Tizón. The king warns the Carrións to fight fair, and the boundaries are set on the battlefield. The fight begins, each man charging the other. Pedro wounds Fernando with the lance, knocking him off his horse. Fernando concedes when he sees Pedro draw Tizón, and that battle finishes. Martín Antolínez fights Diego González, smashing his helmet with Colada and slightly wounding him, but Diego flees the field terrified, forfeiting the battle. Finally, Muño Gustioz battles Ansur, knocking him from his horse and winning the match.
The victors return home to Valencia that same night, having “shamed the Carrión heirs” (245). The Cid is pleased his daughters have been avenged and turns to planning their upcoming weddings. They eventually become queens of Aragon and Navarre. For the Cid, “two Spanish kings were his close relations” (245) and he brought them honor. The Cid dies around Pentecost, and the narrator concludes the tale.
The Third Canto opens in a quiet, almost surreal tone: There is a lion loose in the palace, and the commanding hero is sound asleep. Up until now, the Cid has been active—attacking, winning, praying, rewarding—but here he is passive and asleep. The dreamlike quality of the opening shifts the narrative in a subtle way, moving the focus from the Cid to the men around him. With the Cid asleep, the focus is on his defenders and those who run from battle. This will continue throughout the Third Canto, where the Cid’s narrative is often relegated to the sidelines; he is home while his daughters are attacked in the forest, he is displaced as his King again decides on the marriages of his daughters, and he is back in Valencia while three of his knights defend his honor. If the first two Cantos have focused on the Cid’s loyalty to the King, the last Canto puts a spotlight on the loyalty—or lack thereof—of the knights in his circle. This is the final tally of his generosity and fairness, where he reaps what he has sown. The Cid has been modeling these traits from the start, compensating and honoring his men, and as such, he has their unwavering loyalty and faith.
The escape of the lion could be read as a metaphor for the impending attack from Morocco, which occurs shortly thereafter. The lion’s escape prefigures his men’s actions in battle: as with the lion’s escape, where they stand up to fight while the Carrión brothers hide, the Cid’s men are eager to fight on the battlefield, and the Carrións are nowhere to be found. The encounter with the lion is a pivotal catalyst in the narrative; the humiliation of this experience becomes the primary motive the brothers have for beating and leaving the Cid’s daughters for dead in the forest, which leads to the Cid’s final victory in his quest to bring justice and order to his family.
Notably, this conflict begins while the Cid is unconscious—out of control and “blinded” to their cowardice. But through this episode and the corresponding battle, the reader sees the true nature of the Carrión brothers. They are ungrateful for the Cid’s generosity and goodwill, and unable to see how it elevates their status. They are greedy but cannot identify what is truly valuable; they reject their wives so they can marry better, but Sol and Elvira are quickly sought after by princes. The brothers are also suspicious and untrusting, for even when the Cid is proud of their “victory” on the battlefield, they cannot accept it. Finally, they are duplicitous with everyone, even their wives, whom they make love to one night and the next they beat and abandon to the wild animals of the forest. The Carrións personify ambition without honor, which inevitably leads to their humiliation at court.
By contrast, the Cid’s men are honorable, brave, and good at fighting. They are often eager and quick to assist the Cid in battle, having joined his campaign willingly. On the battlefield and off, the Cid’s men play fair, and they are even merciful with the Carrións, satisfied at humiliating men they could easily slaughter. In playing fair and honorably, the craven nature of the Carrións is easily brought to light and scorned at court by the Cid’s men, reflecting—or projecting—contemporary expectations of how knights and servants of the king should behave.
Care for women, in this case the Cid’s daughters, is likewise central to the “goodness” of the Cid’s men. Not only does his nephew Felix outsmart the Carrión brothers and rescue his cousins, a network of the Cid’s allies then heal and accompany the girls safely back to Valencia, including the Moor Abengalbón, who has proven himself more trustworthy than the Cid’s own sons-in-law. Like a politically savvy leader, the Cid has conquered lands but has also cultivated relationships throughout the narrative, and when he needs their help the most, he can count on these relationships.
By the Third Canto, the Cid’s strength resides much more in the alliances and networks he has established than in the violence that initially won him so much wealth and power. With no more lands to conquer, “The Warrior” becomes the strategist, achieving his victories through friendships and his own cunning. This is evident first in his faith in King Alfonso, whom he lets define the terms of the confrontation with the Carrión heirs. The Cid could easily defeat them with violence, but instead he chooses the path of the king’s law and order. Here the “battlefield” has become the court, where the Cid successfully petitions the king and appointed nobles for justice and compensation. This is where his loyalty to the king is paid back in full, and where the Carrión heirs realize the grave mistake they made insulting the king by rejecting their wives.
Ultimately, the Cid outmaneuvers the Carrión heirs so that he is granted all he lost, and the honor of his family is restored, while theirs is ruined. The Cid does not lift a sword to achieve this, and he is not even present for the final reckoning with the Carrión heirs. As he leaves, his mind and heart are already back with his daughters, who are soon to be wed to princes. He has moved on to a more important future for the future of Spain, and he knows his proxies are assured victories in his favor. A significant upgrade from the Carrión heirs, the girls’ second marriages, both historically and in the epic, place the Cid at the founding of medieval Spain, his family becoming a crucial part of national myth.
By the time the Cid returns to his family, the epic has resolved multiple injustices towards the Cid, all done peacefully and through diplomacy. While it may be appropriate for the Cid to wage war beyond the borders of Castile, the Third Canto demonstrates how domestic conflicts can be resolved peacefully at home. This would have been of no small significance in 11th and 12th century Spain, when battles for inheritance and the competing interests of various Spanish kingdoms would have regularly threatened peace within the borders of Castile. Much of the Cid’s exploits in The Cid have been in the interest of reestablishing order and justice to his family, but also to the social order. By the Third Canto, violence has been displaced, and instead the rule of law and a fair trial become the standards for justice—so much so that the Cid can return home before the final skirmishes occur, trusting justice has already been done.
By Anonymous
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