107 pages • 3 hours read
Ken LiuA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
In many of these stories, the Chinese language is featured not just as a form of communication, but as an art with hidden meaning. Because the written word in Chinese is based on pictures and patterns, Chinese calligraphy can illuminate reality. This idea is most prevalent in “The Literomancer,” in which Mr. Kan tells Lilly’s fortune and explains concepts to her using Chinese characters.
Liu uses this device in several other stories, including “The Paper Menagerie,” in which Jack’s mother is only able to express her true emotions through writing in Chinese, and Jack is possibly able to connect with her spirit at the end by tracing the Chinese character for “love.” Readers also see the power of the language (using kanji, in which Japanese writing is formed with Chinese characters) in “Mono No Aware,” which begins with the kanji character for umbrella, representing the solar sail that propels the last survivors of Earth away from their home planet, and also includes a kanji symbol that represents Hiroto himself, saving the people he loves by patching the solar sail.
The ancient Chinese game of Go shows up in several stories from The Paper Menagerie and Other Stories. The game consists of a board separated into a grid, with white and black stones, all identical, for two players who attempt to surround the other players’ stones in order to win. The game can take a long time, as it only ends when both players run out of moves, then count up their territory. Go becomes an apt allegory, however, in “Mono No Aware.” As a child, one of Hiroto’s classmates claims he doesn’t like Go, that it is boring because all the stones look the same and there are no heroes in the game. Here, Go represents Japanese culture, so when Hiroto sacrifices himself for the good of the ship, Hiroto hears his friends voice saying that there are heroes in Go. The implication is that there are heroes in Japanese culture.
In “All the Flavors,” Logan teaches Go to Lily using lotus and watermelon seeds. The seeds are representative of the cultural conversation Logan and Lily are having, finding common ground and learning about one another. Conversely, Guan Yu, the God of War in Logan’s story, learns that he has a taste for battle by playing Go.
Sacrifice figures largely in Ken Liu’s stories, suggesting that sacrifice is part of the human condition. Each of the characters that make sacrifices find it important to do so in pursuit of a greater cause—life, or truth, or their children, mostly. In “State Change,” Rina sacrifices her ice cube soul to “live” briefly with Jimmy. In “The Paper Menagerie,” Jack’s mom sacrifices some of her culture to make her son more comfortable.
In “An Advanced Readers’ Picture Book of Comparative Cognition,” the mother sacrifices her husband and daughter to go out to the stars, noting that love comes in many forms, and the husband sacrifices his wife for the good of the SETL (search for extra-terrestrial life) mission. In “The Waves,” João sacrifices himself, as do many of his children over the years, for the sake of human progress. In “Mono No Aware,” Hiroto sacrifices himself for the ship, and in “The Litigation Master and the Monkey King,” Tian sacrifices himself for the sake of the truth. Finally, in “The Man Who Ended History, A Documentary,” Evan Wei sacrifices history for the sake of bringing an injustice to light.
Prejudice and its effects show themselves in different ways in these stories. As these tales are often told in western contexts, some levels of ignorance and bias are integrated into these stories as part and parcel of the experience of the “other.” Ken Liu offers a unique voice within the science fiction and fantasy realms because he is Asian.
Prejudice shows up most starkly in stories like “The Paper Menagerie,” with the comments of people in Jack’s family’s community, and “All the Flavors,” especially in the character of Elsie, Lily’s mother. Readers can also find hints of prejudice elsewhere, as in “The Literomancer,” which is a wartime situation. The motif also shows up in “Good Hunting,” as the Caucasian comes in and denigrates the religion and customs of the Chinese people who are working on the railroad. The story takes place during a time in which western civilizations were introducing opium to the Chinese and forcing China to allow more foreign trade. “The Literomancer,” too, has threads of this motif, as Lilly initially has trouble fitting in because she brought an Asian-style lunch to school.