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107 pages 3 hours read

Ken Liu

The Paper Menagerie and Other Stories

Fiction | Short Story Collection | Adult | Published in 2016

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Story 8Chapter Summaries & Analyses

Story 8 Summary: “The Paper Menagerie”

Young Jack is a bi-racial boy, the product of a Chinese mother and a Caucasian father. As the story opens, he is sobbing. His mother folds paper into an animal and then she blows into it. The paper tiger, named Laohu (the Mandarin word for “tiger”) comes to life, and Jack laughs. His mom explains, “This is called origami” (178).

Jack relates that his mother is a mail-order bride that his father picked from a catalog that lied about her abilities. At his request, though, his mom makes other paper animals that get into trouble and amuse them, including a shark out of tin foil so that it can swim in water. At age 10, he moves into a new house, where the neighbors come by to say hello. They make racist comments about Jack and his mother.

Mark, a neighborhood boy, comes over with Star Wars toys. Jack is not impressed, but his paper toys don’t impress Mark either. When Laohu pounces on Obi-Wan Kenobi, the action figure’s head falls off, and Mark punches Jack, telling him, “It probably cost more than what your dad paid for your mom!” (182). Laohu defends Jack, and Mark grabs him and tears him in half.

From this, Jack learns to disparage his mother’s culture, language, and food. His father buys him action figures, and he packs away the paper menagerie. The animals escape and return to their old places, until Jack squeezes the life out of them and puts them in the attic.

As Jack becomes a teenager, he remains uninterested in anything his mother has to say. Later, she gets cancer, but Jack is involved with the college recruiting season. He is relieved when his mother tells him not to worry about her, to do well in school. She asks him to focus on his life and just take out the box of animals on Qingming (the Chinese festival for the dead) and think about her. She says, “Haizi, mama ai ni” (“Child, mother loves you”), which are the last words he hears from her. She dies while he is flying back to school.

Jack’s girlfriend, Susan, finds the paper menagerie in the attic. Jack wonders if he imagined their movement: “The memory of children could not be trusted” (187). One day, he is switching channels and sees Laohu move. He asks his old friend how he has been, and the paper tiger unfolds itself into a letter. It turns out, that day is Qingming.

Jack goes downtown and has a woman translate the letter for him. The letter from his mother says she is afraid to talk to her son, but she will write, and the animals’ magic will come alive on Qingming if he thinks of her. She tells him of her sad story. She was an orphan at age 10 and was trafficked. Marriage to an American was her only way out. She was lonely in the US but found comfort in her son: “I was so happy when I looked into your face and saw shades of my mother, my father, and myself […] But there you were, and your face was proof that they were real” (191). She says she understands he does not like the Chinese parts of himself, but they brought her much joy until he shut her out. At that time, she felt that she lost it all again.

Jack writes the character “ai,” for love, with the woman’s help, and folds the letter back into Laohu. He and the tiger walk home.

Story 8 Analysis

“The Paper Menagerie” won the Hugo, Nebula, and World Fantasy Awards in 2012, becoming the first fiction tale to do so. The story explores topics of love, immigration, culture, identity, prejudice, culture, and the adolescent breaking away of children from their parents.

In “The Paper Menagerie,” Liu juxtaposes the magical and the mundane, Asian and American culture, tradition and modernity, and connection and separation. The magic comes in the form of the paper animals, which come alive and delight the young Jack. Yet, as he grows older, he comes to realize that people treat him with prejudice, and he blames his mother. Their connection disappears, and his resentment intensifies as he tries to create an identity for himself separate from his half-Chinese heritage. His treatment of the animals parallels his treatment of his mother, who helped them come to life with her personal magic. Like the animals, he puts his mother away and doesn’t think of her.

Jack’s mother’s attempts to assimilate so that he will accept her only make him more resentful. His father, whose knowledge of his wife is minimal, unwittingly assists Jack in shutting his mother out so that he can better fit in with American culture. It is a situation common to children of immigrants who find themselves taking on new ways in conflict with what they view as the restrictive and hopelessly uncivilized actions of parents with a different cultural background. For example, Jack’s mother tries to hug him, which is a foreign action for a Chinese person. She is willing to change for the sake of her son and shows him affection in a way that he will understand and appreciate, but Jack misconstrues the action.

At the end of the story, readers discover how painful this separation really is for his mother, whose life has been tragic and difficult. In that way, Jack’s decision to split himself from that part of his identity has caused devastating loss to his mother, who views his actions as another painful event to rival the loss of her entire family. Because he has never learned his mother’s history, Jack has also lost a part of himself.

In the end, Jack takes back his Chinese heritage by accepting his mother’s paper animals, and he responds to her message by tracing the Chinese word for “love” on the paper: “I wrote the character again and again on the paper, intertwining my pen strokes with her words” (192). It is too late for him to make amends, but the Chinese festival of the dead allows him to connect to her from beyond the grave. He intertwines his words with hers, symbolizing a bringing together. The animals coming to life allows Jack to bring a bit of his mother to life.

Again, Liu juxtaposes Westernization with Chinese folklore and magic. When Jack assimilates to American culture, he loses the magic of his mother’s culture. It’s only when he accepts his Chinese heritage by speaking to the tiger and seeking a translation for his mother’s letter, that the magic returns.

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