41 pages • 1 hour read
Susan OrleanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Orlean reviews the history of orchid collecting and some of the eccentric figures involved in it. Orchids had been cultivated and collected in China for thousands of years before they became a craze in Europe. They first arrived from explorers of the tropics in the 18th century, but it was not until the 19th century that they really gained popularity. In the Victorian era, wealthy collectors in England would hire adventurous orchid hunters to travel the world and bring back rare species of orchids.
Orchid hunting was not for the faint of heart. Orlean describes it taking place in the midst of wars and natural disasters like earthquakes. The hired orchid hunters were often ruthless in their competition with one another. They might take every orchid they found in an area and then burn it down for good measure—just to make sure no one else got any. Huge quantities of plants were shipped back to England, both because of greed and because so many died en route.
In the mid-1800s, a collector named William Spencer Cavendish had a strong influence on the direction of orchid collecting. Until then, it had still been a small endeavor by a handful of people. When Cavendish started collecting orchids, he hired a gardener named Joseph Paxton, which turned out to be a master stroke. Paxton was truly adept at growing plants and built greenhouses to cultivate orchids. He tweaked conditions to help the plants survive better out of the wild and began experimenting with hybrids. Within a decade, Cavendish had the biggest collection in the country and helped to spur the craze among the upper class.
Tropical orchid collecting in America arrived first in New England, but soon became centered in Florida, where the weather was more conducive to their growth and they grew natively. Orlean describes the Fakahatchee Strand as “an orchid supermarket” in the early days of American collecting (78). It was near there, in the 1880s, where the ghost orchid was first found in the United States.
The chapter ends with the author describing a black-tie event she attended at a Palm Beach mansion to celebrate the 75th anniversary of the American Orchid Society. She chats with a wealthy British collector, the Earl of Mansfield, who has been bitten by the “bug” of obsession like so many others before him. He did not start collecting until later in life, when a friend sent him an orchid, but over the previous 30 years he had amassed the largest collection in Scotland.
This chapter describes an orchid show in Fort Lauderdale that Laroche invited the author to. Laroche arrived after Orlean. He entered the parking lot through the exit and parked his van where parking was prohibited. She paid for both of their tickets after he tried, and failed, to get them in for free.
Inside the auditorium, they went from table to table, admiring the various orchids. One with dozens of burgundy spots on the flower Laroche likened to “an explosion in a paint factory” (89). They had quirky names like Markie Pooh and Dee Dee’s Fat Lip. Some are named for their appearance; others are named for celebrities. There is, for example, a Jackie Kennedy orchid and one called Elizabeth’s Eyes, named for Elizabeth Taylor.
Laroche commented on each table they visited, describing the orchids’ features and telling stories from his days in the business. One room was full of cloned orchids, a practice that Orlean explains began in France in the late 1950s. Cells from an actively growing part of the plant are provided with hormones and chemicals to get them to multiply. Then they are separated and placed in a growth medium, where they eventually mature into a full plant—all exact replicas of the original from which the cells were taken. This helped make collecting more widespread and less expensive, though the best orchids still fetch a hefty price.
Laroche drew attention from many people. He said the wrong things, offending people, like blurting out that one seller’s plants looked terrible and were probably dying. In addition, he looked odd: rail thin and pale, with missing teeth. Still, people took to him. Orlean was surprised how people were drawn to him despite his oddities and disagreeable ways. She thought it might be “because he could be as earnest about their concerns as he was about his own, and because his self-confidence was contagious” (98). She describes him engaging another visitor at the show who was admiring a rather ugly-looking orchid. Laroche told the woman that she loved it in spite of its ugliness because it was part of the “sickness” of being captivated by orchids. He meant it genuinely and commiserated with her plight.
Chapter 7 is largely about the history of the Fakahatchee Strand. Orlean relates this while discussing a trip she made there to see some of the orchids taken by Laroche that had been returned to their natural habitat. Some had died, but the remaining orchids had been brought back to the swamp and glued onto trees. They were hardier than they looked and generally did fine afterward.
Much of Florida’s flora, Orlean notes, is tough—even “invincible.” Nonnative species did well there, totaling about a quarter of all the state’s plants. Sometimes such plants did too well and efforts to eradicate them failed. Driving the long way to the Fakahatchee on small roads, Orlean encounters almost no one else: virtually no one out walking and few other cars. The vast, empty land she passed made the world feel lonely. Maybe people were passionate collectors, she surmised, because “it whittles the world down to a more manageable size” (109).
Orlean writes that Florida has seen many land scams over the years. One of the more infamous scams in the 20th century led to the creation of the Fakahatchee Strand State Preserve. In the 1940s, the Fakahatchee was logged for cypress trees, which were virtually cleared out by the early 1950s. The company that owned the land sold 75,000 acres to the Gulf American Corporation, owned by Julius and Leonard Rosen. The Rosens created two sections from the land, called Golden Gate Estates and Remuda Ranch Grants, and peddled the property through largely dubious means. Most people, they hoped, would buy the land sight unseen so they would not have an opportunity to raise questions. The Rosens touted the area as well-developed, but it was largely barren and isolated. Those who did visit were subject to company tactics like bugging their hotel rooms to learn about their concerns and then try to preemptively counter them.
In 1967, Gulf American was accused by the state of fraud in its land sales, and the company pleaded guilty. Soon afterward, the Rosens sold Gulf American to another company, which continued to sell the properties until it went bankrupt in the mid-1970s. As part of a settlement with the state, almost 10,000 acres of land in the Fakahatchee were donated to Florida, which also purchased some of the lots that were privately owned. This would become the Fakahatchee Strand State Preserve.
When Orlean arrived at the preserve, she was led to see the orchids by a park ranger. They were accompanied by two men Orlean describes as “giants,” who turned out to be convicts in a work-release program. As anxious as Orlean was about the swamp—its heat and muck and creatures—the two men were even more anxious. The ranger explained that they were terrified of encountering snakes in the water, and were only mollified when she gave them machetes with which to hack at anything that moved.
These three chapters provide some in-depth research as background to the central narrative, as well as more about John Laroche. After setting the story in motion early on, Orlean then slows down a bit to take deep dives into various aspects of orchids and orchid collecting. This begins in Chapter 4 with a look at the biology of orchids.
Orlean continues in Chapter 5 with a historical overview of orchid collecting, drawing attention to how The Link Between Passion and Obsession in orchid collecting developed over time. She focuses most of her attention on England during the 19th century, followed by information about collecting in the United States. The stories she unearths about orchid hunters range from bizarre to harrowing to gruesome. She focuses on a few of the main hunters to give her anecdotes a protagonist.
However, amid the attention-grabbing stories, Orlean also provides some serious information about how orchid collecting became so popular. She highlights the turning points and key players, especially William Cavendish’s gardener Joseph Paxton, probably the most influential figure in turning orchid collecting into a craze. In part, this chapter places Laroche in context as the latest in a long line of strange and obsessed characters involved in the orchid trade. If he at first seems unique, by this chapter it is apparent that there were, and are, many others just like him.
Chapter 6 returns to the contemporary storyline, with Orlean attending a flower show with Laroche. Its inclusion here does several things. After two chapters of research-oriented information, it changes the pace of the text back again to focus on Orlean’s immersive journalism (See: Background). It also provides more of an insight into Laroche and refocuses the text on him by returning to the central narrative. The author reveals a new side to Laroche as he interacts with other people. Despite his many off-putting qualities, not everyone is put off by him, leading the author to analyze his personality as she attempts to understand him instead of regarding him as just an eccentric stock figure.
The camaraderie she witnesses between Laroche and the other attendees also reflects The Benefits of Community. Orlean observes all the people involved in growing, selling, and buying orchids, noting how they all belong to their own community. There is a purpose and, as Laroche puts it later, a direction for each of them. This reveals some of the more beneficial aspects to activities such as orchid collecting, suggesting that while it can lead to apparent obsessions, it can also help people connect with other like-minded individuals, who can inspire and support one another.
The themes dealing with obsession and The Human Desire for Beauty and Uniqueness are strong in Chapter 5, with many examples relating to both in the telling of the bygone years of orchid collecting and hunting. The connection between obsession and some of the more outlandish tales is quite clear: a great passion for things can make some people act in seemingly irrational ways. Nevertheless, Orlean is also careful to emphasize the beauty and diversity of the orchids, implying that their beauty and uniqueness make them an appealing object and, therefore, a likely target for obsession.
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