41 pages • 1 hour read
Susan OrleanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The first chapter introduces the main character, John Laroche, and explains how the author came to meet him. Orlean read a short news article about a group of people caught poaching orchids, an endangered and protected flower, in the swamps of Florida. The incongruity of the elements caught Orlean’s eye and she traveled to Florida to attend the court hearing. She first met Laroche at the courthouse in Naples and spent the next two years following him around to research the story. He was accused, along with three others, of illegally removing rare bromeliads and orchids from the Fakahatchee Strand, a part of the Florida Everglades. When the hearing concluded, the judge scheduled the case for February 1995.
Laroche grew up just north of Miami and was always something of a collector. Starting as a child, he would develop an interest in something and collect it fanatically before moving on to the next thing. Among his earlier interests were turtles, fossils, and old mirrors. He and his mother used to go on hikes in the woods, where they looked for orchids. His mother loved them, and he developed an interest in them as well. As a young adult, he opened a nursery with his wife and they became fairly successful in the business. His dream was “to find a special plant that would somehow make him a millionaire” (14). After focusing on bromeliads, Laroche became obsessed with orchids. Collectors paid a lot of money for unique or unusual breeds, and he decided to create a new hybrid that would be the next craze.
This chapter explains how Laroche came to work for the Seminole Tribe in Florida. A series of misfortunes in the early 1990s brought his business to a halt. A car crash that took the life of his mother injured both Laroche and his wife; soon after they recovered, they separated. A bad batch of fungicide killed many of his plants, and the rest were destroyed during the flooding and destruction caused by Hurricane Andrew in 1992. The Seminole Tribe already owned several businesses, and the extensive land they owned made running a nursery a good fit. The land contained many species of plants native to Florida, which developers often purchased for landscaping. Laroche got the job of managing the nursery.
Laroche’s plans included setting up a lab at the nursery to propagate many species in the hopes that one or two would hit it big and become popular. By cloning a popular species, he figured, they could make lots of money. He thus put a lot of time and effort into that. The other thing he focused on was the law as it pertained to Indigenous peoples. He knew that their use of plants and animals was often exempt from state and federal laws—such as those protecting endangered species—on cultural and religious grounds. He found court cases that backed this up and devised a plan to take protected orchids from Seminole land.
In particular, he focused on a delicate white orchid commonly called the “ghost orchid.” Laroche’s vision was to master the cloning and cultivation of these flowers and strike it rich. As an altruistic twist, he hoped to then have the laws changed to close loopholes that allowed people like him to remove endangered plants, thereby both protecting the plants and becoming a revered figure.
After explaining the above backstory, the author then relates part of a day she spent with Laroche shortly after his court hearing. They met at the Seminole nursery, which Orlean hoped to get a tour of, but Laroche claimed to have urgent business when she arrived. When Hurricane Andrew had forced him out of business, he had given some of his remaining plants to a friend and he now wanted to get them back. Together they drove in the van to the friend’s nursery, where Laroche argued a bit with his friend over the plants. The latter claimed that too much time had passed and he now felt connected to the plants. He refused to give them back. They chatted some more and when asked if he was currently collecting anything, Laroche said no, that he had to be careful. Just being there stirred up the old feelings of obsession.
Chapter 3 is about Orlean’s visit to the Fakahatchee Strand, the swampy preserve where the ghost orchids can be found. She wanted to see what had caused Laroche’s obsession to such a degree that he broke the law. Since he was barred from the reserve by the judge, she enlisted the help of a park ranger to lead her into the swamp. Orlean quotes from the old records of past visitors and explorers of the swamp, who describe it as teeming with life but forbidding in its conditions. One explorer wrote in his diary of a partner on the trek who suddenly started crying: “he could not tell us why he was just plain scared” (36).
Orlean faced her own challenges in the Fakahatchee. Her legs and head ached, her skin was sticky from the humid heat, and the mud gripped her boots with force. Finally, after hiking for most of the day, she and the ranger, Tony, saw a ghost orchid. The plant itself, she writes, is “nothing but roots, a tangle of flat green roots about the width of linguine, wrapped around a tree” (39). That’s all they saw, as the plant had stopped blooming for the year. Orlean had heard that the flower is especially beautiful, with its ghostly white color and dangling lip longer than most orchids, but she began to wonder if it was itself a ghost—an elusive figure that existed only in tall tales.
Orlean delves into the scientific side of orchids, describing their origins, evolution, and morphology. She also explains their particular ability to thrive for so long. They are an ancient plant, going back millions of years, and have evolved to increase their likelihood of survival. Since they are not self-pollinating, like many plants, they must rely on external means of pollination—other living creatures or the wind. Orchids have survived by making themselves “irresistible” to insects, often evolving to look “so much like their favorite insects that the insect mistakes them for kin” (45). Others mimic the prey of their favorite insects. This ensures their pollination.
Orchids first appeared in tropical areas but now grow worldwide. Some grow in soil, while others grow attached to rocks or trees. The latter are called epiphytes; they are not parasitic—they just get their nutrients and water above the ground, which, in a thick jungle area, has lots of competition from other plants. Orchids grow very slowly, taking seven years to bloom after a seed is pollinated. Their flowers have three petals, which, in most orchids, form what is often described as a pronounced “lip.” They are varied and unusual, with looks resembling anything from a dog to an octopus to a person’s nose, according to Orlean. Something about them tends to induce obsession in certain people: People often described to the author a feeling of being bitten by a collecting bug that is similar to an addiction.
These first four chapters establish the basics of the story Orlean presents. She introduces John Laroche, the main character, and describes the court case against him involving his theft of orchids. She then describes the natural habitat of the orchids Laroche stole and, finally, gives botanical information about orchids. The first chapter starts right off with Laroche, described already in the second paragraph as “eccentric.” The author emphasizes his quirky personality and lifestyle. The details of the case that follow create momentum and suspense for the narrative. After this, the author ends Chapter 1 with more details about Laroche’s life, and picks right up there again in Chapter 2. Not only does he make a compelling figure but it is also necessary as background to the story. The reader now knows the important things about his life up to and including his theft of the orchids, so that what unfolds in later chapters has the context required to make sense. Any new information about Laroche later in the book only adds to his character and is sometimes meant to surprise based on what has already been told about his life.
The third chapter focuses on setting, as Orlean takes a trip to the swamp to see it for herself and to try to get a glimpse of the flower Laroche stole. This is one place where her method of including herself in the story makes a difference. Her visit to the swamp makes a standalone anecdote meant to be interesting on its own while also presenting information about the swamp. Without her own anecdote to tell, the history and description of the Fakahatchee would be more straightforward and lack her personal perspective. This creates variety in the writing style.
The central theme of the book, The Link Between Passion and Obsession, is introduced in the first chapter. The reader learns of Laroche’s serial obsessions, starting with turtles when he was just a boy. It continues into the second chapter as the author focuses on Laroche’s obsession with orchids—the source of his crime. After three largely personal chapters with lots of dialogue and an informal tone, Orlean shifts gears a bit to give botanical information about orchids, to make the object of obsession more knowable. Orlean ends this fourth chapter by touching on the theme of The Human Desire for Beauty and Uniqueness. After physically describing orchid flowers—their beauty and strangeness—it is an effective segue to allude to the spell they cast over people.
While certainly not written in the style of a textbook, Chapter 4 is not reported like the previous chapters are, with the author relying more on written research as her sources. Orlean momentarily diverges from the main storylines to provide context. She quotes from such varied sources as Charles Darwin and Raymond Chandler, and refers to the popular postwar comic strip Brenda Starr, Reporter. Mostly, she tries to make orchids appear fascinating, starting with a long list of things that different species resemble, describing their great variety, and detailing the countless ways they evolved to attract the pollinators they need to survive: “There is something clever and un-plantlike about their determination to survive and their knack for useful deception and their genius for seducing human beings for hundreds and hundreds of years” (49). This reference to their evolution also touches on the theme about obsession and, with the word “seducing,” adds to the motif of sexual references, which will also be an important feature of the book (See: Symbols & Motifs).
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