64 pages • 2 hours read
Jonathan AuxierA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Stories play a dominant role throughout The Night Gardener. Sometimes the stories are told by the characters themselves, and they also appear in the narration as allusions to classic tales. In both cases, the mechanics of the novel are heavily influenced by the myriad patterns of fiction and the common symbols of literature. In this way, the act of storytelling takes on a life of its own and almost comes to have the same presence as a character in the novel. Through the tales that Molly and Hester tell, as well as the books that the tree gives Penny, The Night Gardener illustrates the many powers of stories.
The power of storytelling is first evidenced in Molly’s own origins. For as long as Molly can remember, she has been able to tell stories that keep people entranced. She doesn’t know how she does it, only that she has “a way of talking that ma[kes] other people believe in magic things” (34). This power works wonders, whether she’s telling stories to entertain or to influence. She often makes up stories about magic to entertain Penny, which endears the girl to her and shows how stories can bring people together. Similarly, she makes up tales about her parents for Kip. While they are also entertaining, these tales are primarily meant to conceal the deaths of their parents from Kip, and ultimately, they make Kip feel as though Molly isn’t telling him something. Accordingly, he is hurt by Molly’s deception when he finally learns the truth about their parents. These two situations show how stories told for the same purpose can have vastly different effects. Molly’s stories for Penny are entertainment for the sake of entertainment. They don’t hide anything, and as a result, Penny appreciates the tales for what they are. By contrast, the stories that Molly makes up about her parents are entertainment meant to hide something, and even though she hides the truth to protect Kip, the stories lose all entertainment value once the truth is revealed.
While Molly’s storytelling mostly revolves around the tales she makes up, Hester tells stories based on known myths, and thus her storytelling serves as a source of information and mentorship throughout the novel. For example, Hester offers Kip and Molly a legend that matches what they are experiencing at the Windsor house. If Molly and Kip weren’t faced with the danger of the Night Man and the tree, Hester’s stories might be entertaining, but the truth behind the legend transforms the stories from a spooky fiction to a terrifying reality. Molly’s reaction to the story shows how closeness to a tale makes us experience it differently. She is angry because the legend doesn’t offer a resolution to the very real predicament she finds herself in. If Molly weren’t actually living the legend, she might have enjoyed spinning her own ending or speculating how the original concluded, but instead, the dire importance of the tale to her current situation inspires nothing but anger in her when the legend does not provide her with a solution.
Molly and Hester both show how oral storytelling can influence its audience. Stories come in many forms, and the books that Penny receives from the tree also show the power of written tales. Before the beginning of The Night Gardener, Constance would often tell Penny bedtime stories about “Princess Penny,” a royal version of Penny who went on grand adventures. Since moving to the house, however, Constance no longer does this, and in the absence of these oral tales, Penny seeks a more concrete type of story that she can revisit whenever she wants. The books therefore offer Penny an escape from her dull yet sometimes frightening life at the house. She understands that the books are from the tree and are therefore possibly dangerous, but her desire for stories that offer her an escape proves greater than her fear. The books about Princess Penny represent the hope that stories can provide, and their physical manifestation likewise symbolizes how powerfully stories can influence people’s lives. Stories have the power to inform, entertain, and transform people. Thus, the characters of the novel use stories for a variety of different purposes, but no matter what the intention, the final product always has a profound effect upon its audience.
Magic takes many different forms in The Night Gardener. Some are seemingly good and others are bad, but all types of magic inspire fear in the characters: both of the magic itself and of its unknown effects. Through the tree itself, the Night Man’s abilities, and the night garden, the novel explores the many ways in which magic and fear intertwine.
The tree itself offers a type of magic that is both good and bad. In Chapter 22, when Molly considers the letters ostensibly written by her parents, she rationalizes that although the tree has real magic, she shouldn’t be afraid of it because “why shouldn't real magic be a little frightening?” (166). The very presence of unknown magic is scary because it is something that she has never encountered before, and even before she understands the tree’s motives, the letters scare her because of their dubious origins. On the other hand, the letters are also wondrous because Molly initially believes they are evidence that her parents are alive. As the story progresses and Molly uncovers the truth of the tree and its gifts, she realizes that the magic, while amazing, carries a steep price, and she comes to understand that the tree takes away her strength even as it offers her false courage. The tree’s magic harkens back to the old saying of something that’s “too good to be true.” The tree offers people solutions to their problems only to use people’s vulnerabilities to draw out their energy.
The Night Man’s abilities are another form of magic, but unlike the tree and its gifts, his powers are driven by pure darkness. Whether the tree realizes it or not, its gifts provide people with hope, false as that hope turns out to be. In this way, it has at least an illusion of goodness that conceals its malicious nature. By contrast, the Night Man has long been twisted by the tree’s desire to survive, and he uses his power only to help the tree and harm those who threaten it. There is seemingly no end to what he can do as long as he does it in defense of the tree, and his powers range from inducing nightmares to blocking out light. The Night Man’s abilities represent how fear can twist goodness into something wicked. Under the tree’s influence, he fears harm coming to the tree because it also means harm comes to himself, and this fear allows him to do terrible things to anyone within the tree’s grasp.
While the tree and the Night Man show the intersection between magic and fear, the glowing night garden offers a glimpse at how hope and magic can thrive together, even under the worst of conditions. No explanation is given for why the glowing garden has escaped the tree’s influence when the rest of the island, and even most of the bridge to the mainland, has fallen victim to the tree’s control. Regardless of the reason, the flowers represent hope in the face of fear and imply that hope itself is a form of magic. At the end of the book, Kip and Alistair head toward the glowing garden because they believe it will offer them sanctuary from the Night Man’s attacks. Although they don’t make it there in time, the garden still inspires hope, and that hope combats the dark magic with its own form of light, allowing the boys to keep fighting even when it seems that all is lost.
The characters of The Night Gardener frequently struggle with their desires, and pursuing those desires sometimes borders on addictive behavior. While wanting something isn’t the same as being addicted to it, the two aspects do share some common ground, and the book shows how desire can sometimes transform into unhealthy reliance on an enabling source. Through the effects of the tree’s gifts and the behavior of the Night Man, The Night Gardener examines the fine line between desire and dependency.
For the characters of the novel, the tree’s gifts begin as wish fulfillment, which grows into a desire for more and, for some, a dependance on the gift in question. The one exception to this dynamic is Kip. In Chapter 41, Kip shows Molly the healing balm the tree gives him for his leg, but although he wanted to use it, he never did because he knew he’d go back for more when it ran out and that no matter how much he got, “it'd never be enough” (286). Kip recognizes the gift for what it is—the tree’s attempt to establish itself as Kip’s only source for what he needs. The tree’s gifts reflect how addictive behavior begins. It offers the characters something they will do anything to keep, setting itself up as a solution to a desperate desire. Unwilling to move away from the thing that fulfills that desire, the people stay, not realizing how the tree—and by extension, their need for its gifts—is draining them.
The dependency illustrated here is manifested in different ways by different characters. For example, Molly’s deepest desire is to have her parents back, and the letters represent how a strong enough desire allows us to ignore logic and believe things that make no sense. Realistically, there is no way that the ocean could appear in the knot of a tree, but Molly wants to believe that magic is possible and that her parents are alive, so she ignores the strangeness in favor of believing that the letters are real. In this way, she quickly becomes dependent on the letters, eagerly awaiting the next one and becoming unwilling to leave in case another letter should arrive. Similarly, Mr. Windsor moves back to the house because he believes that the tree can fix his money troubles. At first, the tree’s gifts may have helped, but as time goes on, the tree gives him less and less money, forcing Mr. Windsor to keep asking it for help. These two types of manipulation are slightly different, with Mr. Windsor’s being more obvious, but the end result is the same. Both Molly and Mr. Windsor come to rely on the tree as the only provider of the thing they think they need.
While the Windsors and Molly exhibit addictive behavior in relation to the tree’s gifts, the Night Gardener shows his own type of dependency. The narrative implies that the tree and the Night Man have a parasitic symbiotic relationship—a situation in which one organism in a connected pair benefits while the other suffers. The tree thrives while the Night Man does its bidding, collecting the sweat of nightmares and finding new victims to keep the tree nourished. The Night Man gets nothing out of this relationship, suggesting that he only remains near the tree because leaving would destroy him. He is unable to go beyond the area influenced by the tree, which is likely a safeguard—the tree doesn’t want to lose its caretaker. In addition, the Night Man retreats when he is set on fire during the book’s events, showing that he wants to continue his existence in any form. Since he exists solely to nourish the tree, he is dependent on the tree to remain in the world, and thus he too is reliant on the gift of “life” that the tree offers him. Whether willingly or otherwise, the characters of The Night Gardener find themselves reliant on their desires and perceived needs. Dependency takes many forms, some less obvious than others, and only by renouncing their reliance on their objects of desire can the main characters finally overcome their dependency on the tree’s gifts.
By Jonathan Auxier
Action & Adventure Reads (Middle Grade)
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