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78 pages 2 hours read

Veera Hiranandani

The Night Diary

Fiction | Novel | YA | Published in 2018

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Chapters 40-50Chapter Summaries & Analyses

Chapter 40 Summary: “August 31, 1947”

Nisha awakens to meet her uncle. Papa introduces Nisha to Mama’s younger brother, and Nisha notices her uncle has a cleft palate. Papa says, “He can’t speak, only write” (174). Nisha explores Rashid Uncle’s home and comes to a room with an easel and blank canvas. She notes the paintings hanging on the walls and one in particular, which Nisha knows is of Mama. The house is orderly and aesthetically pleasing, furnished with tapestries, paintings, embroidered pillows, porcelain vases, and flowers. Nisha finds it to be lovely.

Dadi is ailing, and Amil is worried she will die. Nisha tells Amil about the paintings. Amil smiles and says he guesses that’s why he can draw.

Amil and Nisha watch Rashid Uncle prepare the evening meal. Nisha feels overwhelmed by the experience, and when Amil notices tears in Nisha’s eyes, he asks Rashid Uncle if Nisha can help prepare the meal. Rashid Uncle welcomes her assistance, and Nisha is heartened by how Amil understands her. Nisha works alongside her uncle, preparing the remainder of the meal. Before they sit down to eat, Nisha takes a bowl of rice to Dadi and feeds her by hand.

The family shares a simple meal, the “best food [Nisha] has ever eaten in [her] life” (183). They have multiple helpings and eat until they are full. Papa tells Rashid he’ll never be able to repay the kindness Rashid has shown them. After dinner, Nisha and Amil discuss how they wish they could stay with Rashid Uncle until the fighting ends and “then live [there] forever” (184).

Chapter 41 Summary: “September 1, 1947”

Nisha imagines her home in Mirpur Khas inhabited by a new family and envisions the little girl who finds her doll, Dee, and sees it as “the best surprise she ever got” (185).

Chapter 42 Summary: “September 2, 1947”

Nisha does not want to leave Rashid Uncle’s, but must always stay inside, since they are not supposed to be there, and they are beginning to feel trapped. Nisha overhears Papa and Dadi speak of the violence occurring on the trail and on the trains, and Nisha still cannot make sense of the violence.

Nisha regularly assists Rashid Uncle in meal preparation and no one tells her to stop. It is unlike cooking with Kazi because she and Rashid Uncle work in silence. Nisha is desperate to ask questions about Mama, but she can’t get the words out, and he cannot speak. In addition to not being able to speak, Nisha realizes she shares other mannerisms with Rashid Uncle. Nisha takes this to mean that she is more like her mother than she thought.

Dadi is recovering and sits up talking with Papa after dinner while Rashid Uncle carves a small bowl (parallel to Kazi’s mortar/pestle) and a horse. Nisha admires his skill and thinks he has “magical fingers” (190).

Chapter 43 Summary: “September 3, 1947”

From her bedroom window, Nisha sees a little girl playing next door. She watches the girl and thinks they must be about the same age. Nisha wonders why the girl is playing alone and wants to join her, but she can’t.

Chapter 44 Summary: “September 4, 1947”

Nisha does not see the girl and thinks she imagined her. She wants to be friendlier with Rashid Uncle so she can find out more about her mother, but he doesn’t seem to want to be with the family. Instead, he stays out most of the day and does his carvings under a shade tree. Papa and Dadi restrict Nisha’s access to the newspapers, but she’s managed to see a few headlines pertaining to violence, strife, and Gandhi’s fast for peace.

Chapter 45 Summary: “September 5, 1947”

Nisha feels like a prisoner. From the window, she sees the little girl again, and this time, she waves. The girl starts to wave back but then runs inside. Nisha worries she will tell her family and thinks she may have put her family in danger.

Chapter 46 Summary: “September 6, 1947”

Nothing happened as a result of waving to the girl, so Nisha looks for her again. The girl is outside, and when she sees Nisha, she waves before running back inside. Nisha feels “a tingly feeling […] like she had opened a gift covered in shiny English wrapping paper and bows” (197). Amil sees Nisha’s excitement, so she tells Amil about the girl, to which Amil replies, “Brilliant” (198). The British word is an inside joke between them and makes them laugh.

Chapter 47 Summary: “September 7, 1947”

Nisha and Amil write and deliver a note to the girl; she picks it up and comes to their window. She says, “Who are you? Where did the man with the broken face go?” (202). She wants to know if Amil and Nisha are staying, and they tell her they’re just passing through. The girl realizes they are hiding and appears worried. The girl introduces herself as Hafa, and the three of them plot to see each other again. Hafa leaves, and Amil points out that Nisha had spoken aloud to the girl.

Rashid Uncle brings home sweet potatoes—a rare treat—which Nisha is anxious to prepare. After talking to Hafa, Nisha thinks she could be a new, different person, and when Rashid Uncle hands her a knife, she says, “Thank you” (206). Rashid Uncle is surprised to hear her speak. They prepare the meal together and everyone enjoys it. After dinner, they all sit together like they usually do, Dadi and Papa drinking tea and Rashid Uncle carving wood. Nisha takes a deep breath and asks her uncle what he is making. Dadi and Papa both put their papers down, surprised Nisha has spoken. Rashid Uncle writes “a doll” on his chalkboard. He looks at Nisha and writes that she has her mother’s mouth. He writes to Amil that he has Mama’s eyes and that “it makes [him] so happy to see [their] faces” (207). Rashid Uncle then writes: “She loved you both before you were born” (208). Nisha audibly thanks Rashid Uncle, and thinks his words “almost made everything [they] had been through worth it” (208).

Chapter 48 Summary: “September 8, 1947”

Amil and Nisha see Hafa, but she will not acknowledge them. Eventually, Hafa comes within speaking distance and reveals she has two older brothers who are out fighting for Pakistan. Amil tells Hafa she is not supposed to like them, and Hafa says, “And you’re not supposed to like me because I’m Muslim” (213). Hafa says all of her friends had been Hindus and Sikhs, and they have left. Nisha tells Hafa their mother had been Muslim and that they are staying with their uncle. Hafa thinks Nisha and Amil are lucky to be both Hindu and Muslim, and she hopes they will stay.

Hafa comes over and asks Nisha to braid her hair. Hafa then offers to braid Nisha’s. The kids hear Dadi coming and help Hafa out the window. Dadi asks Nisha about her braided hair, and Amil says he did it. After Dadi leaves, Nisha tells Amil that Dadi knows he’s lying. Amil says, “Well, then you talk. Don’t leave it all to me. You don’t seem to have trouble talking to Hafa” (217). Nisha smiles, wondering why she has no trouble talking to Hafa and thinks if adults find out Hafa has been coming over “they will see that [they’re] just two lonely girls who want to be friends. How could a friendship be dangerous?” (217).

Chapter 49 Summary: “September 9, 1947”

Hafa visits and brings Nisha a red ribbon for her hair. Hafa tells Nisha and Amil how lonely she has been and how glad she is to have friends. They hear someone coming, so Hafa leaves and does not return. Nisha cherishes the ribbon and puts it in the pouch with Mama’s jewelry, knowing she cannot wear it without having to explain where she got it.

Chapter 50 Summary: “September 10, 1947”

Papa catches Nisha and Amil talking to Hafa. Infuriated, he asks Nisha and Amil if they are trying to get everyone killed and says they’ll have to leave immediately. Amil says Hafa will not tell anyone, and Papa becomes enraged at Amil. Nisha tells Papa it is her fault, but he doesn’t believe her. He adds that if Hafa’s visit is Nisha’s doing, “Maybe we’re all better off when you keep your mouth shut” (222). Nisha feels the sting of Papa’s words and is ashamed. They family eats dinner in silence, and Nisha vows to never speak again.

Chapters 40-50 Analysis

Nisha’s inability to have friendship with a person of her choosing is one of the unjust consequences of conflict on the individual. Robbing a child of the gifts of friendship, particularly one that alleviates loneliness and encourages hope, carries forward the theme of injustice that runs throughout The Night Diary. After coming to know Hafa, Nisha is so hopeful: “she [feels] different, like maybe [she] could be a new person” (206), and as evidence, she begins speaking. It is a move forward, growth in the character.

Amil’s warning, “Tell [Hafa] we’ll all be killed if she [tells anyone]” (199) is harsh and foreshadows the short life of the friendship. Hiranandani lets the friendship play out with hair braiding and the gift of a red ribbon to show the reader just how little the parents have to fear.

With Nisha as first-person narrator, the reader sees how Nisha thinks but is also aware of other dynamics occurring in the story, namely how either set of parents will be vehemently against the friendship. Tenison builds in tandem with Nisha’s enjoyment of her friendship with Hafa, allowing the reader to predict its abrupt end. The personal nature of the diary enables the reader to experience Nisha’s emotions and celebrate her growth, a tool Hiranandani uses to show the absurdity in prohibiting something as innocuous friendship.

Nisha, a child, knows Papa loves and wants what is best for her, and she assumes the same of Hafa’s parents. After the desert and her assault by a grieving Muslim father, Nisha’s begun to understand the depth of discord between Hindus and Muslims. She allows herself to fantasize that she and Hafa can be different; if their parents find out “they will see that [they’re] just two lonely girls who want to be friends” (217). Nisha cannot conceive of “how a friendship could be dangerous” (217).

Hiranandani uses the image of “a tingly feeling” that makes Nisha feel like she “had opened a gift covered in shiny English wrapping paper and bows” (197) to describe the joy Nisha feels after Hafa waves to her, and to show the injustice of not allowing the friendship, the author juxtaposes the excitement of the wrapped gift to Papa, telling Nisha that she is trying to get them killed and telling her they’re all better off “when she keeps her mouth shut” (222). The sting of the punishment obscures the hope that had emerged in little girls braiding hair, red bows, and opening gifts, and it again silences Nisha and halts her growth.

Hafa is young enough to differ from her brothers who are out fighting for Pakistan. Her brothers having already exited the magic stage of childhood idealism. Nisha and Hafa have not, and the pain of losing the only friendship either of them has speaks to the injustice inflicted upon children and other innocents in times of conflict. While Nisha’s perspective that a friendship can’t be harmful may seem overly simplistic in such turbulent times, perhaps the adults have over-complicated it by framing Hafa as an enemy.

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