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67 pages 2 hours read

Rick Riordan

The Mark Of Athena

Fiction | Novel | YA | Published in 2012

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Chapters 17-20Chapter Summaries & Analyses

Chapter 17 Summary: “Annabeth”

Annabeth is trying to cheer up Hazel when Frank rushes in, anxious to leave because the Romans are following them. Leo gets the ship up and, following Percy’s order, sets their course for Charleston, to find a map leading to the Mark of Athena or something “that might heal the rift between the Romans and Greeks” (153). Annabeth begins to put the pieces together but says they need to find the map to know more. They consider potential Charleston landmarks: the museum where the C.S.S. Hunley is kept and the Battery, a park near the harbor, apparently haunted by a Civil War-era southern belle who only talks to women.

Back in her room, Annabeth studies Parthenon models stashed on her laptop, inherited from legendary inventor Daedalus, and recalls her last meeting with her mother when they ran into each other at Grand Central Station. Athena did not recognize Annabeth and seemed lost and confused, lamenting the sack of her patron city, theft of her identity, and removal from her “beloved homeland” (160). When Annabeth identified herself as Athena’s daughter, the goddess pressed a coin into her hand and demanded that she avenge her mother against the Romans, who have disgraced her. Otherwise, Athena says, Annabeth is no child of hers.

Annabeth had tried to throw the coin away, but it kept reappearing in her pocket. Now, she replays phrases she has heard, afraid that she knows what they mean and praying to be wrong. Frank stops by, asking Annabeth to show him the trick behind the Chinese handcuffs he picked up at the aquarium gift shop. She explains their counterintuitive mechanism: Pushing outward tightens the woven mechanism. To escape the trap, it is necessary to push inward, which loosens it. Frank asks Annabeth to help him with his “Achilles’ heel” at some point but does not elaborate (164).

Chapter 18 Summary: “Annabeth”

While Annabeth and the other demigods split up to go on their separate missions, Percy stays behind, planning to jump into the harbor to get advice from the local Nereids about how to free Keto’s captive sea creatures. Annabeth, Piper, and Hazel head for the Battery. As the girls stroll, Annabeth contrasts the beauty of the surroundings and the sinister history of slavery that is bound up in it. She worries about the deadline to save Nico, about whom she has “mixed feelings” (168). Piper catches sight of the ghost, but Hazel claims that she glows too brightly to be a ghost. As the apparition approaches, Annabeth realizes that it is Aphrodite/Venus, who is filling Annabeth with feelings of inadequacy. Piper is not happy to see her mother, who brings the girls to a pavilion for tea.

Annabeth asks if she is Aphrodite or Venus, and she replies that she is both, claiming, “Love is love,” hence the civil war will not affect her as much as some of the other gods (170). Annabeth notes that the only gods who seem able to help them heading into the war represent love, revenge, and wine. Aphrodite reminisces about a party the Confederates threw the night the Civil War began in the same area they now sit enjoying tea. Horrified, Annabeth reminds her that it was “the bloodiest war in U.S. history” (172). Aphrodite continues unabashed.

Claiming to want to help the girls, she notes that the Romans “sidelined” Athena, “the most Greek of all goddesses” (173). Neither the Greeks nor Athena ever forgave the Romans. Annabeth realizes the Mark of Athena leads to “the statue” (173, italics in original). Aphrodite replies that Athena’s children have been looking for it for centuries, in the meantime largely being responsible for every civil war. Reminding Annabeth that none of Athena’s children have managed to find the statue, Aphrodite tells them that the map they need is located nearby in Fort Sumpter. Two large eagles suddenly appear. The Romans have found them.

Chapter 19 Summary: “Annabeth”

The girls run for the ship, but three eagles drop Octavian and two other Roman commandos in their path. Octavian demands they throw down their weapons and surrender. With the other scouting group still out, and Percy in the harbor, Annabeth thinks of a distress signal: She tosses her dagger into the water. The harbor explodes “like a Las Vegas fountain putting on a show” (176). Emerging from the water, Percy hands Annabeth her dagger.

They rush back to the ship and send messages to the others to return quickly. Annabeth and Percy get the ship moving. Festus blows fire to keep the eagles away. Frank, Leo, and Jason struggle to make it back to the ship, finally disappearing behind the fort’s ramparts. Eagles carrying Roman demigods rush the ship. Annabeth orders Percy to guard the ship so she can go into the fort and recover their friends and the map.

Chapter 20 Summary: “Annabeth”

The Mist obscures the fighting between the Roman demigods and Jason, Leo, Frank, and Annabeth, but the morals are panicked, providing cover for Annabeth to move deeper into the fort while the others head back to the ship. As Annabeth tries to imagine where the map could be hidden, spiders cover the walls and surround her. She recalls a memory from her childhood of spiders surrounding her at night as she slept. Later, she learned that all Athena’s children fear spiders, a consequence of Athena’s curse of Arachne.

Now, Annabeth hears Gaea tell her that she will soon meet “the weaver” (182, italics in original). Athena’s owl blazes red along the wall, burning up the spiders. Annabeth hears her mother command her to “Avenge me. Follow the Mark” (183, italics in original). The garrison door blasts open. Explosions rock the fort. The Argo is under attack, but a storm is holding the Romans back. The Mark of Athena glows along a cannon, in which Annabeth recovers a hidden disk that contains the map.

As she turns to leave, Reyna appears with her dogs. She wants Annabeth to surrender and accept a show trial and execution to prevent further violence. If Annabeth chooses not to, the Romans will march on Camp Half-Blood and destroy it. Annabeth tells Reyna the quest must go on and asks her to delay the Romans for as long as possible. On the Argo’s deck, Annabeth sees Jason and Percy working together, commanding the sea and sky to slow the Roman attack. Reyna warns her that the next time they meet, they will be on opposite enemy lines, then retreats. Annabeth rushes back to the ship, and they race across the ocean (186).

Chapters 17-20 Analysis

Returning to Annabeth’s point of view enables development of the central Mark of Athena plot, while also developing the relationship between Piper and Annabeth. Scenes in these chapters show both demigods meeting with their divine mothers. Both daughters feel a degree of resentment toward what they interpret as their mothers’ hardness towards them. Athena is prepared to renounce Annabeth if she does not obey her mother, while Piper feels that her mother only cares about a good story rather than being genuinely connected to her daughter. Both Athena and Aphrodite seem preoccupied, Athena with her desire for vengeance and Aphrodite with romantic conflict.

Both meetings further the plot by providing Annabeth with the clues she needs to understand that she must find the Athena Parthenos. At Fort Sumpter, she finds the disk that holds the map she will need to follow, a tangible asset in her quest. Annabeth’s arc in the book is to recover the statue that was stolen. This arc then feeds into the larger arc of the series, which is for the Greeks and Romans to choose reconciliation over vengeance.

As predicted by Reyna in the novel’s opening chapters, the Romans do not compromise or reconcile easily. In her standoff with Annabeth in Chapter 20, Reyna shows herself to be the daughter of a war goddess, rather than a strategic goddess, when she asks Annabeth to choose to sacrifice herself for the larger cause. Annabeth, in turn, demonstrates her ability to find strategic solutions—a quality associated with her mother. She asks Reyna to stall the Roman assault on Camp Half-Blood to allow her and the other demigods to pursue their quest. Reyna does not turn Annabeth down, but she also makes it clear that they are, as of this time, antagonists.

Anticipation and tension continue to build with foreshadowing. The spiders and Annabeth’s childhood memories prefigure Annabeth’s showdown with Arachne at the end of the novel. Jason and Percy pooling their gifts to hold off the Romans serves as precursor to their collaborative approach against the giants in chapter 48. Their collaborations show what the two camps need to do to prevent Gaea from destroying the gods.

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