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51 pages 1 hour read

Mitch Albom

The Magic Strings of Frankie Presto

Fiction | Novel | Adult | Published in 2012

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Character Analysis

Frankie Presto

The protagonist of the novel, Frankie (a.k.a. Francisco Rubio or Francisco de Asîs Pascual Presto) is arguably one of the most gifted guitar players of all time. He was given his musical abilities at birth (or, as Music says, Frankie took them from him when he was born), and from a very early age, it was clear that he was incredibly talented. His ability to play the guitar and sing, combined with his good looks and ability to dance, eventually made him a superstar. However, he gives it all up, realizing that music and money are two very different entities.

Frankie is best described as passionate, and his two biggest passions in life are music and Aurora. When he is younger, he confuses his passion for music with his desire to have an audience for his music, but as he grows older, he comes to find that music has nothing to do with fame, and in fact, fame detracts from the true pursuit of music. His passion for Aurora remains constant; in his youth, this passion is immature, and he lets his desire for fame get in the way of their relationship. As he grows older and lets go of fame, he becomes solely devoted to Aurora.

Frankie is also kind, and at times, selfless. His magical blue strings represent the many times that Frankie saved another person’s life or altered their destiny for the better. 

Music

Music is the narrator of the novel, but he is also an important character. He considers himself to be a timeless, ageless talent that was created in nature. He and the other talents hover around newborn babies, presenting themselves as vivid colors, and the baby grabs whatever color it likes best. Although Music has no shape or body, he has a voice, thoughts, opinions, and is all-knowing. He can see every path a person might take, and as a result, he can see the future. He seems to have a complicated relationship with Frankie. At various points in the novel, he refers to Frankie as being like a child, a part of him, yet he is also jealous of Aurora, the one person who could compete with him for Frankie’s attention.

It’s not clear whether Music really cares about Frankie on an emotional level, but his distress when Frankie scars his playing hand suggests he might. Music tells Frankie’s life story, but he doesn’t overtly express any emotive sentiments about him; he never says that he loves Frankie or is sad about the tragic circumstances in his life (although he does state his opinion when he thinks things are wrong, like when Frankie used drugs, drank, or when he forsook his guitar playing for fame). 

Aurora York

Aurora is Frankie’s main love interest. Although he briefly marries another woman, his heart has always belonged to Aurora. She is best described as a free spirit. Her father was a spy who left her family when she was young. When her mother remarried an abusive man, she ran away from the family and sought a new life in America. When she first reunites with Frankie, it’s clear that she is ashamed about her past, although she never directly says why. When she realizes that Frankie’s musical ambitions will take him away from her, she leaves him first; this seems to be a defense mechanism against getting hurt—a way to feel in control.

While Aurora comes in and out of Frankie’s life, her love for him remains constant. She supports his musical talent, but not necessarily his career. For example, when they first reunite in America, she doesn’t like the way Frankie’s manager gets him to sell out by forsaking his guitar playing and focusing on his singing. However, later in life, Aurora encourages him to play again after injuring his hand. Ultimately, she always wanted Frankie to follow his heart rather than the expectations of others. 

Baffa Rubio

Baffa is Frankie’s adopted father. A sardine factory owner by trade, he is a simple man of faith. Before Frankie, he had never been married or had children. When he finds Frankie, he believes it’s a miracle, and he immediately takes him in as his son. He selflessly loves Frankie, pouring his money and time into getting him guitar lessons. When he is arrested at his factory, he gives El Maestro his entire life savings to ensure that Frankie leaves Spain and finds refuge in America. When Frankie learns the truth that Baffa isn’t his real father, he is angry at him for most of his adulthood. However, by the end of the novel, Frankie has forgiven him, finally realizing the extent of Baffa’s love for him.

El Maestro (Carlos Andrés Presto)

El Maestro is arguably one of the most influential characters in Frankie’s life. He is not only the first person to open Frankie’s eyes to his true calling in life, but he’s also his real father; although he doesn’t know he’s Frankie’s real father, he inevitably ends up treating him like his son. El Maestro’s life is defined by tragedy: He went blind after saving his brother-in-law during war, and his wife, Carmencita (Frankie’s mother), died shortly after giving birth; he never knew his son survived. Despite these tragic circumstances, he holds fast to his love of music. Not only is he a gifted guitar player like Frankie, but he has a vast knowledge of musicians and musical history. Although he went blind, his loss of sight didn’t affect his guitar playing. Shortly after saving Frankie’s life, his friend murders and betrays him. 

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