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67 pages 2 hours read

Meg Shaffer

The Lost Story: A Novel

Fiction | Novel | Adult | Published in 2024

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Chapter 9-Interlude 9Chapter Summaries & Analyses

Chapter 9 Summary

Rafe, Jeremy, and Emilie drive to the house in which Rafe grew up. Rafe still finds the old home ugly, though he remembers that Jeremy did not want to leave it the first time he came over. Before they head in, Rafe tells the others to keep the bit about reentering Red Crow a secret from Bobbi until he can gradually break it to her. Emilie agrees but counters that secrecy is useless, as Bobbi, like most moms, will know the real purpose of their visit immediately. Bobbi comes out and greets the three, happy to see that Rafe has shaved. She is even more delighted to see Jeremy, whom she loves like a son. Jeremy calls Bobbi “Mom” (135).

Interlude 7 Summary: “Storyteller’s Corner: Moms”

The narrator says that there are usually only two types of moms in fairy tales: the good, dead mother and the evil, living stepmother. Fathers in fairy tales tend to make poor decisions, such as marry the vile stepmother or, as in the case of Rumpelstiltskin, brag unnecessarily about their children so as to attract unwanted attention. A few fairy tales, like this one, contain a third kind of mother: the fairy godmother. The godmother doesn’t have to be magical; she just has to bestow a gift upon a worthy character. The narrator adds the aside that Emilie is right—Bobbi does know why the three are at her house.

Chapter 10 Summary

Rafe and Jeremy go to Rafe’s room to look for a box that contains Bill’s maps of Red Crow. In the process, they find Rafe’s old sketchbooks, filled with Rafe’s drawings of Jeremy. The sketchbooks bring back memories. The night before they got lost, Bill asked Rafe to help Bobbi clean up after dinner. Rafe shot back that Bill could help Bobbi for once. Enraged, Bill slapped him and tore up the sketchbook in which Rafe was “doodling” (143), Bill’s dismissive word for Rafe’s art. Bobbi sent Rafe to his room to protect him from Bill. 

The next morning, Rafe told Jeremy that he did not want to go home. The boys missed the bus and lost their way while walking to Jeremy’s place. Before they got lost in the forest, Rafe had given Jeremy a taped-up sketch from the torn notebooks. Jeremy calls himself and Rafe “partners in crime” since it was not just Rafe’s love for art that infuriated Bill. With this cryptic remark, Jeremy goes off to find a bow for Emilie to train with.

Chapter 11 Summary

Emilie asks Jeremy why she needs to learn how to shoot arrows. He replies that archery is a necessary life-saving skill where they are going. He teaches her to celebrate a bull’s eye by exclaiming, “West—By God!—Virginia!” (149). During a break from practice, Jeremy tells Emilie that it is Bill who taught him how to shoot. Even though Jeremy is reasonably good with a bow and arrow, Rafe is the true prodigy. Rafe could outshoot Bill, himself an expert archer, by the time he was 14. 

Emilie disarms Jeremy by asking him when cupid’s arrow made him fall in love with Rafe. Momentarily nonplussed, Jeremy recovers and replies that he has loved Rafe since the day he met him. Rafe also loved Jeremy but could never admit to his sexuality because of Bill’s hardline views. While Rafe likes girls and Jeremy, Jeremy describes himself as unisex because he “fits both men and women” and is a top (153). Emilie groans at the bad joke.

Given Jeremy’s love for Rafe, Emilie thinks it’s odd that Jeremy never went back to meet him. Jeremy replies that he did go to the psychiatric ward where Rafe was admitted after he drove his car off the road in a sleepwalking incident. However, Bill did not let Jeremy see Rafe, blaming him for Rafe getting lost. It was easier for Bill to blame Jeremy than himself. 

Jeremy never told Rafe about his visit, as he knows how hard Rafe took his father’s death. According to Jeremy, it is always tough to deal with a loved one’s death when there is unfinished business.

Chapter 12 Summary

While Emilie and Jeremy are out in the yard practicing shooting, Rafe tells Bobbi about going to Red Crow to find Emilie’s sister. Bobbi says that even though she wants Rafe to always be close to her, she will not stop him from looking for a missing girl. Bobbi then gives Rafe an early Christmas present: a custom-made bow. An ecstatic Rafe cannot wait to show the bow to Emilie and Jeremy.

Rafe joins Emilie and Jeremy in the yard. He dazzles them by moving 40 yards away from the target—the others have been practicing at 20—and shooting a bull’s eye. Jeremy asks Rafe to show Emilie how to shoot the spider, the cross in the middle of the gold bull’s eye. Rafe says that it is impossible at 40 yards, but Jeremy tells him that he has shot the spider twice, though he cannot remember one of the times. The other time was in Jeremy and Bill’s presence, and Bill told him that his shot was off-center because he was jealous of Rafe. However, Jeremy saw that Rafe had shot the arrow right in the middle of the spider. Rafe tries the shot and misses. Jeremy tells him that he will make the shot again when the time comes.

Chapter 13 Summary

The next morning, Emilie wakes up from strange dreams to find Rafe studying Bill’s topographical maps of Red Crow. As Emilie stares at him and tells him that he is stunning, Rafe tells her that she does not have to tell people every single thought she has. Emilie grins and replies that she actually does, as she is wired that way. 

They study the maps together, where Bill had marked every area where the boys could have been. Rafe cannot understand Jeremy’s and Bobbi’s lingering anger toward Bill, who never stopped searching for him. Emilie gently tells Rafe that perhaps Bill was indulging in what Jeremy calls “searching behavior” (173), where grieving people look for someone they have lost, spurred by guilt. Rafe says that Bill does not have that much to be guilty about: He only hit Rafe once and never blew up at him after Rafe returned from the forest.

Chapter 14 Summary

Bobbi sees the three off with hugs and kisses, giving Jeremy an old Nokia button phone and Emilie an antique pocketknife that belonged to Bill. Rafe drives Jeremy’s car deep into the woods toward Red Crow, feeling the forest tug at him. He parks at the forest’s edge. Jeremy asks them to leave their iPhones behind in the car, taking only the old Nokia. Jeremy also arms himself with a sword. Jeremy asks Rafe to lead the way, and Rafe inexplicably knows exactly where to go, pointing to a trail.

Chapter 15 Summary

Rafe leads the others into the forest, finding paths as if by an old instinct. They pass Goblin Falls to get to a steep hill and begin to climb. At the top of the hill is a grove of enormous trees, with the largest emperor tree in the middle. The tree has a hollow in its trunk. 

Rafe looks up at a branch and sees a red crow there. The bird flies into the hollow, as if to lead the others inside. Jeremy says that they must all go in together, so the three hold hands and step inside the dark hollow.

Interlude 8 Summary: “Storyteller’s Corner: Wonderland”

Referring to a quote from Alice’s Adventures in Wonderland, the storyteller tells the reader that it is time to start believing in impossible things.

Chapter 16 Summary

Rafe wakes up in a world where the trees are thousands of feet tall, with trunks ranging in every color from blue to pink, as if in a child’s imagination. It is clear that he is in a new world, a theory that is confirmed when he sees Jeremy sitting on the ground with a sleeping unicorn resting its head on his lap. Emilie is still asleep. 

As Rafe takes in the landscape, he can see that this is what he has drawn and sculpted in his cabin. Realizing that what he has been recreating are his memories and not his dreams, he asks Jeremy why he didn’t tell him that they had been lost in an alternate world. Jeremy replies that magic plays by its own rules: The conditions of their return were such that Jeremy could not have told him about the magical forest until now.

When Emilie wakes up, Jeremy finally tells Rafe the story of their lost time. They had been lost in the forest for a day and a half when they climbed to the steep hill beyond Goblin Falls and entered the magical kingdom of Shanandoah, where they are now. They were immediately found by the Bright Boys, terrifying creatures with sharp teeth who are drawn to fear. The Bright Boys were about to kill Jeremy and Rafe when they were saved by a party of girls, the Valkyries, led by the ruler of the kingdom, Queen Skya. Queen Skya is none other than Shannon, Emilie’s missing sister. It is after her that Shanandoah is named.

Rafe assumes that the scars on his back were from wounds given by the Bright Boys. Queen Skya’s healers healed the wounds, and Jeremy and Rafe became Skya’s subjects, living happily in Shanandoah and going on adventures. However, Skya always pined for her baby sister, who had been put up for adoption. In the magical kingdom, Emilie is known as the “Lost Princess of Shanandoah.” When Jeremy and Rafe needed to return to the real world, Skya deemed it too dangerous for both to be out there with complete knowledge about the hidden kingdom. She sought a solution from the Witch of Black Wolf Cave.

The witch told Skya that the only way Jeremy and Rafe could return was if their memories were divided: Jeremy would remember everything about their time in Shanandoah but forget the way back; Rafe would know the way back and forget the rest. The spell had one unbreakable rule: Jeremy could not tell Rafe about Shanandoah until they were back in the kingdom. 

Skya asked Rafe to draw all his memories in a sketchbook and lock it with a combination. When Rafe returned to Shanandoah, he could open the sketchbook and recover his memories. Now that he knows the truth about Jeremy’s silence, Rafe feels his anger against Jeremy melting away.

Interlude 9 Summary: “Storyteller’s Corner: Jeremy”

To know about how Jeremy survived the last 15 years, the storyteller suggests that the reader go to Chapter 17; otherwise, they will resume the current timeline in Chapter 18. Also, the reader would be right in thinking that Emilie suddenly vanishes at the end of the last chapter.

Chapter 9-Interlude 9 Analysis

If the last section brought three of the text’s four protagonists together, this section explores and develops the bond between them. It is increasingly clear that the novel is also the love story of Rafe and Jeremy, with the biggest obstacle in its course being Rafe’s incomplete sense of self and his lost memories, which reflect The Complexities of Memory and Forgetting. While Jeremy talks about his love and attraction for Rafe, Rafe still cannot frame their love in romantic terms. This is partly because of the memories that he has lost and partly because of Bill’s repressive parenting. Rafe thinks that Bill tore up his sketches only because Bill hated art, but Jeremy cryptically remarks that Bill also hated what Rafe drew, which was Jeremy. Rafe’s drawings made his love for Jeremy explicit, which Bill could not accept.

A key textual element that emerges in these chapters is that of art, music, and writing as a getaway from loss and difficulty. Rafe’s art is a prime example of this, as Rafe draws to create magic out of his tough circumstances. Even when his memories are locked up, they spill forth in his murals and sculptures, their lush depictions indicating the power of his art. Emilie finds solace in the music of Stevie Nicks, while Jeremy is an expert piano player. The novel contains many references to works of music, painting, and writing. Rafe is inspired by Franz Marc’s 1913 cubist painting The Foxes, while Skya loves portal fantasy books like the Chronicles of Narnia series and L. Frank Baum’s The Wonderful Wizard of Oz (1900).

As Emilie, Rafe, and Jeremy grow closer, the novel’s central subject of the power of love and found families becomes more fleshed out. Emilie and Jeremy’s proximity awakens the quiet Rafe, filling him with a sense of purpose. Not only is Emilie hopeful about finding her sister, but she also forges a familial bond with Jeremy and Rafe. Bobbi’s warm welcome of Rafe, Emilie, and Jeremy is another example of the power of love. Significantly, Bobbi does not stop Rafe from his quest, which shows the selfless nature of Bobbi’s love for him. It can be inferred that Bobbi’s permission—signifying her love—enables Rafe to get over his reservations about visiting Red Crow. He tells Jeremy and Emilie that he’ll go with them even though Bill has asked him not to: “I guess Dad will just have to get over it” (175).

In an interlude, the storyteller describes the three kinds of mothers found in traditional fairy tales. The description indicates how Shaffer reworks the conventions of a fairy tale. In fairy tales, the good mother is usually dead, but in The Lost Story, Bobbi is very much alive. While Bobbi is the good mother, she also functions as a fairy godmother since she gives the three protagonists of this section important gifts that will prove valuable: a new bow to Rafe, Bill’s knife to Emilie, and the Nokia phone to Jeremy. The real fairy godmother of the story is someone whose gift of magic changes the course of the narrative: Although the storyteller never says this explicitly, this is Mrs. Adler.

As Rafe, Jeremy, and Emilie close in on Red Crow, the narrator makes their fear and excitement palpable, introducing The Challenges of Self-Discovery as they embark on their quest. Each character seems to be experiencing emotions with a new vividness, which signifies that the forest—and inside it, Shanandoah—represents life and renewal. Shaffer uses vivid descriptions to make the world of Shanandoah come alive. From the onset, it is clear that the world has a joyous, childlike quality; the tree trunks are technicolor, and the land is rich in creatures like unicorns. These details are consistent with the world building in the novel since Shanandoah has been created from the imagination of a child: Skya, as Shannon, began writing the story of the land when she was in fifth grade.

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By Meg Shaffer