28 pages • 56 minutes read
Charles PerraultA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The protagonist, Cinderilla, embodies purity, untouched by the wickedness and cruelty surrounding her. Perrault describes Cinderilla in contrast with the stepsisters to emphasize her lowly place within the household. She is forced to “[scour] the dishes, tables, &c, and [rub] Madam's chamber, and those of Misses, her daughters; she lay up in a sorry garret, upon a wretched straw-bed” (Paragraph 2). Despite the mistreatment she endures at the hands of her stepmother and stepsisters, Cinderilla remains untainted by their malice. Her steadfast kindness, patience, and selflessness starkly contrast with the envy and malice of her adversaries, further emphasizing her role as the archetypal maiden.
Cinderilla's innocence and purity further exemplifies her adherence to societal norms and expected submissive nature. Perrault presents her as a dutiful daughter, fulfilling her domestic responsibilities without complaint, “[bearing] all patiently, and [daring] not [to] tell her father” (Paragraph 3). Her obedience and unwavering commitment to her family duties embody the maiden archetype, modest and self-sacrificing.
Cinderilla's virtue and beauty are celebrated throughout the story. Perrault exemplifies her appearance and “handsomeness.” Perrault directly characterizes her as “a hundred times handsomer than her sisters” (Paragraph 3). This is repeatedly conveyed by other characters, particularly in the ballroom scene when the King describes her as “so beautiful and lovely a creature” (Paragraph 30).
Cinderilla moves from a position of oppression and mistreatment to one of empowerment and social ascendancy. Her purity and feminine qualities ultimately lead to her liberation and fulfillment of her desires.
The stepmother is depicted as the primary antagonist, orchestrating the mistreatment of Cinderilla. By relegating Cinderilla to servitude, the stepmother not only assumes the position of a villain but abdicates her responsibility as Cinderilla's guardian and protector, isolating Cinderilla from family and titles. Perrault presents the stepmother as a cunning and manipulative figure driven by self-interests. The stepmother's actions stem from her envy of Cinderilla and her inability to “bear the good qualities of this pretty girl; and the less, because they made her daughters appear the more odious” (Paragraph 2). She is determined to ensure that her daughters receive all the advantages and opportunities at the expense of Cinderilla's well-being. The stepmother's role is to emphasize the destructive nature of jealousy and the lengths to which some individuals will go to satisfy their desires.
The stepsisters are similarly driven by envy and portrayed as shallow and self-centered. Perrault stresses their lack of empathy and obsession with outward appearances. The stepsisters are depicted as vain and preoccupied with their physical beauty, often resorting to deceitful means to enhance their attractiveness through fashion and fasting. Their treatment of Cinderilla is marked by cruelty and ridicule as they seek to diminish her presence and assert their superiority. Perrault uses the stepsisters to emphasize the detrimental effects of superficiality and the emptiness of valuing external attributes above inner qualities.
The fairy godmother is a minor character, yet pivotal to the theme of Transformation. She is portrayed as a benevolent figure with supernatural abilities. Perrault presents her as a guardian and divine protector who watches over Cinderilla, recognizing her goodness and deserving nature. It is through the godmother that Cinderilla’s physical transformation is made possible. The fairy godmother's presence in the narrative represents the possibility of transcendence beyond the limitations of Cinderilla's everyday life.
Through her magical powers, the fairy godmother enables Cinderilla's metamorphosis and ultimately guides her toward a better future. She gifts Cinderilla with the opportunity to attend the royal ball, bestowing upon her a beautiful gown, glass slippers, attendants, and a carriage. This symbolizes the fairy godmother's ability to unlock Cinderilla's hidden potential and elevate her from a marginalized position to one of prominence and possibility.
The Prince, a minor and nameless character, is initially portrayed as the apex of European nobility, one who symbolizes the dream of the highest form of social ascendancy and that of mothers with unwed daughters in the kingdom. His invitation to the ball sets the story's conflict in motion: Cinderilla's (and the stepsisters') desire to attend his royal event and make a match.
Ultimately, the Prince's role is that of Cinderilla’s redemption and liberation. In his fervent search for her, he “proclaimed by sound of a trumpet, that he would marry her whose foot this slipper would just fit. They whom he employed began to try it on upon the Princesses, then the duchesses, and all the Court, but in vain” (Paragraph 45). The prince’s pursuit eventually allows Cinderilla to escape the confines of her oppressive circumstances and find her place in a world of privilege and power. Perrault showcases the prince in the same light as the French nobility, obsessed with appearance and excess. At the same time, he catalyzes Cinderilla's transformation, highlighting the transformative power of virtue and beauty and the ability to break free from societal constraints.
By Charles Perrault