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51 pages 1 hour read

Jennifer L. Holm

The Lion of Mars

Fiction | Novel | Middle Grade | Published in 2021

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Literary Devices

Point of View: The Archetype of the Innocent

Bell’s earnest and naive point of view characterizes him as innocent, which serves several narrative purposes. The innocent point of view is a form of dramatic irony where the reader is aware of, or familiar with, elements that a character may find strange, new, or confusing. Bell, for example, is both a child and alien, which marks him as inexperienced and unfamiliar with commonplace concepts about life on Earth. Indeed, Bell’s worldview is initially limited to a small frame of reference: He has only known life in the settlement, has only ever met the 10 people he lives with, and is afraid of going against the rules. As for everything else, he has only heard stories or watched digi-reels.

The innocent point of view creates humor, such as when Bell is seemingly baffled by concepts like football: “Football was an Earth game where you threw around a ball and knocked into people. I didn’t really understand it” (4). Similarly, with the concept of grass, he says, “Meems said the only thing missing [on Mars] was grass. Phinneus explained it was a plant you grew and cut and then grew again and cut. It didn’t make much sense” (12).

Bell’s naivete furthers the plot. His curiosity drives him to seek out people from the other settlements and wonder at the possibilities that new friendships open. When he realizes that Sai’s buried resentment and grief are preventing him from cooperating with the other countries, Bell says:

Good memories were important. They kept us going. But the grown-ups had forgotten that. They couldn’t remember what life was like before everything went wrong. They needed someone to remind them. Someone like me (235).

This quote exemplifies the young boy’s innocent optimism, which ends up being what inspires the adults to mend their relationships. In short, the innocent point of view is used as comic relief and as a catalyst for narrative resolution.

Red Herrings

Throughout The Lion of Mars, several elements can be categorized as red herrings, or seemingly significant clues that later lead to completely different conclusions than the reader may first assume. This device subverts the reader’s expectation to create surprise or humor.

One example of this is the broken camera that Sai mentions in a communication to Earth command at the very beginning of the book. Since he suspects foul play and his message introduces the story, a reader may assume that the broken camera foreshadows a significant issue. The broken camera is then mentioned a few other times in the story, building suspense about the potential dangers awaiting Bell and his friends. However, it is finally revealed that the camera was only broken by accident when some of the French children drove into it with a rover. This retroactively frames the broken camera as an innocuous incident which only inspired fear because the characters were missing crucial information.

Red herrings tie into the motif of Prejudice. They lead the characters—and occasionally the reader—to make incorrect assumptions about key plot points.

Artifacts

The novel is interspersed with several types of artifacts, or items that are of interest culturally. These include: Sai’s secure communications with Earth Command (between chapters), the list of Settlement Rules (16), Sai’s Halloween Costume Award (117), Amélie’s Daily Baby comic (213), and Phinneus’s journal entries (224-27). Those documents are visually formatted to look realistic, which serves several narrative purposes.

Firstly, the documents create an illusion of verisimilitude that enhances the realism of the setting. Secondly, they add humor, like Amélie’s comic, by visually contrasting with the rest of the story. Thirdly, they add characterization by mimicking personal mementos. For example, Sai’s messages to Earth depict him as a rule-following leader, but his Halloween Costume award shows that he can also be more fun and relaxed.

Finally, Sai’s communications, which are inserted between chapters, offer his perspective on some of the main events of the story and occasionally introduce red herrings. They also reinforce The Dangers of Isolation, which Bell remarks on: “Command always responded the same way: we’ll send whatever you need on the next supply ship. At first, it struck me as a little cold, but then I realized it was all they could do” (148). Bell further states, “They were too far away to actually help. [...] The truth was that we were on our own” (148), illustrating how isolated they truly are in the American settlement.

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