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68 pages 2 hours read

Peter S. Beagle

The Last Unicorn

Fiction | Novel | YA | Published in 1968

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Literary Devices

The Hero’s Journey

The Hero’s Journey is a story structure in which a hero goes on a quest, makes allies, faces evil, and returns home. Many events in The Last Unicorn follow the structure of the Hero’s Journey, with the titular unicorn playing the role of the hero. The unicorn’s story begins when she overhears two hunters discussing the idea that she is the last unicorn on earth. This serves as a “call to adventure” that heroes experience before setting out on their journey. The unicorn grapples with the idea of leaving her forest to find her people, not entirely believing she is the last of her kind. This is the “refusal of the call” the hero experiences before deciding to adventure. Finally, she leaves her forest, “crossing the threshold” between her ordinary world and the road of adventure.

Along the way, the unicorn meets with mentors, such as the butterfly, who tells her about the Red Bull, and allies, such as Schmendrick and Molly Grue, who aid her in her quest. She eventually winds up in Haggard’s country, which represents the “innermost cave.” This is the setting where the final battle must take place. The unicorn faces a transformation where she becomes human and must overcome both physical and psychological challenges, such as facing the Red Bull and overcoming her mortal mentality. This battle with herself and with the Red Bull is the “supreme ordeal,” and afterwards the unicorn is left forever changed by her journey. She is the only unicorn that understands human emotions like regret. Finally, she faces “the road back” where she must decide if she is going to return to her forest. All these elements of The Last Unicorn remain true to the structure of the Hero’s Journey framework.

Sea Imagery

Throughout the novel, Peter S. Beagle uses sea imagery to describe the unicorn at different stages. This imagery foreshadows the location of the unicorns long before the story reveals where they are. In the first chapter, the unicorn is described as “no longer the careless color of sea foam, but rather the color of snow falling on a moonlit night. But her eyes were still clear and unwearied, and she still moved like a shadow on the sea” (1), and “the long horn above her eyes shone and shivered with its own seashell light” (2). This link between unicorns and the sea is added to with many descriptions of the unicorn. As the Red Bull chases the unicorn, he is said to be “driving her swiftly now, as the wind drives the thin, torn mist” (140)

Even when she becomes a human woman, the sea imagery continues to uphold her majesty. Lady Amalthea’s hair is “white as a waterfall” (141), and her eyes “were as dark as the deep sea; and illuminated, like the sea, by strange, glimmering creatures that never rise to the surface” (145). The description of the sea in Lady Amalthea’s eyes parallels the way the unicorns do not dare break the surface of the sea out of fear of the Red Bull. This helps to communicate the way the unicorn is trapped in Lady Amalthea the same way the unicorns are trapped in the water.

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