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44 pages 1 hour read

Vanessa Diffenbaugh

The Language of Flowers

Fiction | Novel | Adult | Published in 2011

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Character Analysis

Victoria Jones

Victoria Jones is The Language of Flowers’s first-person narrator and protagonist. She is described as having dark hair and bright blue eyes, and is slender—the result of food-centric abuse at the hands of foster parents and group homes. Victoria herself is “satisfied to see that I was neither attractive nor repulsive” (19). She is antisocial and distrusting, often becoming uncomfortable when people try to touch her. She does not know, nor has a desire to know, her biological parents. When Victoria becomes a mother, she feels sympathy for her parents, but turns to her foster mother Elizabeth for comfort.

Victoria’s preferred method of communication is the language of flowers, a secret form of messaging developed during the Victorian Era. Each flower is representative of a word or feeling, and different combinations can be used to send a private message. Elizabeth teaches Victoria this style of communication when she is 10 years old, but it is not until the latter encounters Grant in the flower market that anyone recognizes what she is saying. The language of flowers influences Victoria’s work as she integrates her knowledge into unique bouquets that take on a magical quality. She brings happiness, passion, and love to her customers’ lives, eventually constructing her own business out of flower messages. While her unique perspective isolated her as a child, it brings her independence as an adult.

Victoria’s growth begins when people take notice of her and attempt to communicate with her on her terms. In the past, she is accepted by Elizabeth, who teaches her a language that resonates with her. Elizabeth’s education, paired with her love for Victoria, allows the young girl to grow until her progress is halted by the former’s accidental rejection. In the present, Victoria only resumes her growth when Renata gives her the opportunity to explore being a florist. She also reestablishes a relationship with Grant when he responds to her flower messages at the market. This showcases Victoria’s desire for connection: She had been unable to achieve it through traditional means because of her long history of trauma and neglect.

When Victoria becomes a mother, she gains new perspective. Hazel’s birth contradicts many of the things that she believed about herself, including her inability to be a parent. She is nearly consumed by love and the need to nurture her child—until these emotions push her past the breaking point. Consumed by doubt, she delivers the baby to Grant, believing him to be a superior nurturer. It is only at the end of the novel, when Victoria’s new perspective leads her to reach out to Elizabeth, that she understands the importance of community and family. While both Victoria and Grant were unable to care for Hazel alone, with Elizabeth’s help and each other, they develop an unconventional family—with Victoria becoming the mother that she never had.

Elizabeth

Elizabeth is Victoria’s foster mother at her last placement. She is a wine grape farmer, a business that she inherited from her father, with dark eyes and skin tanned from working outside. Elizabeth carries childhood trauma of abuse from her mother, as well as trauma from her sister Catherine having an affair with her boyfriend. She confesses that she spent a long time focusing on work because it distracted her from her history of hurt. In this regard, she is like Victoria, as her unprocessed trauma impacts her ability to develop and maintain relationships. Elizabeth teaches Victoria the language of flowers, which she used to communicate with her sister at boarding school.

Elizabeth’s love for Victoria changes her and makes her desire a family again. She reaches out to her estranged sister Catherine, not realizing the extent to which the latter’s disease has taken over her life. This effort stems from her thinking Victoria needs more adults in her life to love her. Her efforts make Victoria feel isolated, causing a rift that compounds when Elizabeth’s obsession with her sister causes them to miss Victoria’s adoption hearing. Elizabeth’s need (and initial failure) to create a family for Victoria comes full circle at the end of the novel, when she welcomes the young woman back into her life. She reprises her role as guardian for Hazel, helping Victoria and Grant navigate parenthood.

Elizabeth only makes a brief appearance at the end of the novel, but it is evident from how she treats Hazel and an adult Victoria that she has changed because of their separation—letting Victoria move at her own pace with newfound patience.

Grant

Grant is Elizabeth’s nephew and Victoria’s lover. He is described as lean and muscular, with slightly wrinkled skin from years tending to a flower farm. He is olive-skinned and always in work clothes. He is quiet and thoughtful, sharing Victoria’s ravenous appetite. Grant learned the language of flowers from his own mother before her illness overtook her and communicates with Victoria through these secret messages to gain her trust. He and Victoria first bond over their differences in interpretations, and he inspires her to make her own dictionary.

Grant shows his love for Victoria through actions, first by encouraging her to make a dictionary, then by learning how to cook for her. He begins renovating his childhood home to make a place for them to live together, though Victoria does not learn this until she returns for Hazel. Grant’s development is largely hinged on Victoria’s presence, as she inspires him to make changes where he otherwise would have been content with his life. It is Victoria’s abandonment, paired with Hazel’s arrival, that leads him to reconcile with Elizabeth after years of estrangement. He and his aunt are given the opportunity to heal old wounds, laying the groundwork for the family that Victoria eventually joins. In this way, Grant both physically and symbolically provides her with a home.

Grant also has a history of abuse, fueled by his mother Catherine’s unspecified illness. According to Grant, Catherine struggles to remember things and even threatens to burn down Elizabeth’s farm. Because there were no other adults in his life, Grant was forced to take on a parenting role at an early age, taking care of himself, the farm, and his ailing mother. He notes that the final year of Catherine’s life was her best, as she was somewhat lucid and tried to be present for him. Although Grant was not physically abused to the extent that Elizabeth and Victoria were, the fraught emotional experiences of his past contribute to his difficulty rearing Hazel. He overcomes these challenges when he, Victoria, and Elizabeth work together to create a family.

Renata

Renata is the owner of Bloom and Victoria’s first employer. Renata is described as thin with short gray hair. She has a large family but is not interested in motherhood, focusing instead on her business. Prior to Victoria’s arrival, she is overworked and in need of help. Renata has a strained but loving relationship with her own mother, Mother Ruby, as the two do not understand each other. It is through Renata that Victoria reconnects with Grant, gets her own housing, and receives support when delivering her baby. By the end of the novel, she and Victoria enter a mutually beneficial business relationship in which Victoria directs clients to Bloom when she is unable to take them in exchange for Renata’s help raising her baby.

Renata helps restore Victoria’s faith in humanity by giving her an opportunity to prove herself and discover her talent in flower arranging. She becomes another person in Victoria’s life who loves and accepts her despite her past mistakes. Renata stands as proof of the importance of friendship, being the first adult to respect Victoria—becoming a central part of her community as she grows.

Hazel

Hazel is Victoria and Grant’s baby, though she goes unnamed for most of the novel. She has dark, ringleted hair and blue-gray eyes. Victoria marvels at the baby’s ability to do what is necessary to survive, as she immediately takes to latching and can communicate her distress when something is wrong. Hazel, like her parents, has a strong appetite that drives Victoria to desperation when she is caring for her alone. Though shy at first, Hazel quickly warms up to the people around her and clings to both Elizabeth and Victoria.

Hazel propels the novel by changing Victoria’s worldview and self-image. Through Hazel, Victoria realizes her capacity to be a part of a broader community and family. As a child, Hazel passes no judgements, accepting her mother exactly as she is—which is a stark contrast to Victoria’s self-image. Victoria takes Hazel to Grant because of her belief that she will “poison” her with her history of trauma. Victoria loves Hazel, but feels unable and unequipped to care for her due to her history of neglect. She makes the difficult decision to take Hazel to a place of security, perhaps mirroring the decision that her own mother made nearly two decades ago.

Hazel is named after a deciduous tree or large shrub that Grant says means reconciliation, claiming, “‘I thought, someday, she’d bring you back to me’” (291). She does this and more. She provides Victoria with the courage necessary to communicate with Elizabeth. Seeing Elizabeth and Hazel flourish leads Victoria back to Grant, the couple moving past their hurt to once again be together. Victoria herself reflects that, “I needed to accept Grant’s love, and Elizabeth’s, and earn the love of my daughter. I needed to never, under any circumstances, leave them again” (306). Hazel brings the four together and inspires Victoria to improve herself, living up to her name.

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