logo

58 pages 1 hour read

Michael Shaara

The Killer Angels

Fiction | Novel | Adult | Published in 1974

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Symbols & Motifs

Rain

Rain appears in the novel multiple times and plays both a negative and a positive role. Before and during the battle, some of the commanders anticipate it causing issues with their ability to move. Longstreet reflects on the fact that too much rain will make the roads harder for his division to travel on. Later, Lee makes the same observation, noting that “too much rain will muck up the roads” (75). Here, Shaara uses the same wording for both commanders, showing that both men are aware that rain could be detrimental to their plans. It also cements how similar Lee and Longstreet are and how much they think alike. On the Union side, Buford talks to Bill Gamble as they watch their men hold against Heth’s attack on the first day of the battle as they await Reynolds’s infantry. Gamble says, “Glad the rain is gone. Don’t want anything to slow up Reynolds” (86). T weather affects not just the movement of an army, as in the case of Lee and Longstreet, but the army’s ability to help and support itself.

Another potential problem is the rain’s effect on the soldiers’ weapons. Before Chamberlain reaches Gettysburg, his regiment is sitting in a field awaiting orders to move out. Chamberlain walks through the field, listening to and watching his men to get a feel for their attitude heading into battle. As he does so, one soldier says, “Colonel, it keeps raining, these damn Enfields gonna clog on us” (158). It’s raining steadily enough that the soldiers are concerned about how the moisture will affect their rifles. Rain impeding an army’s movement is inconvenient and dangerous, but rain preventing a rifle from firing is deadly.

Rain also plays a positive role in the novel. For example, the first day of the battle dawns with a “fine misty rain blowing cold and clean in soft mountain air” (64). The pleasant weather is ironic given that the deadliest battle in American history is soon to follow, but it gives both armies a break from the intense heat. At dawn on the final day of the battle, Longstreet is grateful for the rain, knowing that it will cool off the soldiers and help settle the dust stirred up by thousands of marching troops. He also knows that the rain will help conceal their movements. Later, knowing that his army has been defeated and must be withdrawn, Lee says to Longstreet, “We can withdraw under cover of the weather. If we can reach the river, there will be no more danger” (324). Rain is used as cover to help move an army, but it also provides a sense of safety and security after such a devastating loss. Finally, as Chamberlain sits looking over the battlefield, the storm that helps cover the Confederates’ retreat begins to pour down, cleansing the area that had so recently seen violent deaths for so many men. Shaara writes:

The sky opened along the ridge and the vast water thundered down, drowning the fires, flooding the red creeks, washing the rocks and the grass and the white bones of the dead, cleansing the earth and soaking it thick and rich with water and wet again with clear cold rainwater, driving the blood deep into the earth, to grow again with the roots toward Heaven (330).

This closing image of the novel shows the cleansing properties symbolized by the rain as it washes away death, giving space for new life.

Flags

Battle and unit flags were one of the most powerful symbols used during the Civil War and are found throughout the novel as well. One use of the flags is functional as they served as a visual means of communication on the battlefield when bugle calls and vocal commands became impossible to hear. Flags often show where a unit is positioned or approaching, providing information to the commanders in that army or in that of the enemy. For example, when Buford sees the flags of Gamble’s brigade the day before the battle begins, he knows he is facing a much bigger force than he anticipated. This allows him to prepare for a bigger fight knowing the size of the infantry approaching him based on the number of flags it carries. In another instance, a soldier from Illinois sees a flag approaching in the mist on the first day of the battle, alerting Buford’s pickets of the approaching force. Later that day, the narrator says that Lee sees Confederate “flags floating through white smoke, disembodied, like walking sticks” (101), helping him follow the movement of his army.

On Little Round Top, Chamberlain knows that a fellow commander is down because he sees his company’s battle flag fall, and on the final day of the battle, Chamberlain sees General Hancock walking the Union line in front of his corps’ flag. In the calm before the Confederates’ final attack at the end of the third day, Armistead sees his men lying in the tall grass to avoid the Union shells, yet he sees “here and there an officer standing, a color sergeant, the flags erect in the earth” (301). (This example also shows the role of the color bearers of each army. To be a color bearer was a great honor, yet it came with great responsibility and danger. Color bearers could not retreat—for fear that the regiment or unit would follow—and they were often targets of the enemy’s rifles.) Later, Armistead notices the array of battle flags as he watches the mile-long Confederate line approach for their last assault. He sees the men “advancing in superb order, line after line, a stunning sight, red battle flags, row on row” (310).

Another function of flags in the novel is as an expression of pride and honor. One instance occurs when Longstreet reflects on an experience he had with Pickett during the Mexican War. He says that he will “never forget the sight of Pickett with the flag going over the wall in the smoke and flame of Chapultepec” (51). When Reynolds arrives to support and relieve Buford on the first day at Gettysburg, they watch together as “the lovely flags” of the 1st Corps round a bend, a symbol of coming help and unity (88). As he is leading his regiment to Gettysburg, Chamberlain talks to Colonel Vincent, who shows him the new brigade flag. Chamberlain looks at it without a lot of interest because the flag doesn’t mean much yet. It had not seen battle or earned its power and symbolism. Finally, Longstreet observes a flag being used to cover the dead after his division’s assault on the Union flank.

The capturing of a battle flag was a disgrace to the defeated unit and a great moment of pride for the victors. The first of the Confederate flags begin to drop as Armistead makes his final push toward the Union center. He watches the “growing confusion, the flags dropping” and soon realizes that the assault has failed and that they cannot break the Union line (314). After the Confederates begin their retreat, Longstreet watches as his division “come[s] apart as they crossed the road and no order beyond that but black struggling clots and a few flags in the smoke, tilting like sails above a white sea, going down one by one” (317). This image of sinking flags symbolizes the Confederate defeat. Later, Longstreet sees an officer riding along the ridge where the Union line held against the Rebels, surrounded by flags and men. He then sees “a man raise a captured battle flag, blue flag of Virginia” (323). This final image illustrates the depth of meaning flags had both during the Civil War and in the novel. They symbolized pride, honor, and, sometimes, defeat.

Rebel Yell

The Rebel yell was a Confederate battle cry used to intimidate their enemy and encourage one another when charging in an attack. Although the yell helped to boost the morale of a Confederate unit, it was often terrifying to those on the other side. Buford describes the sound as “unbodied and terrible, inhuman” (84). Lee likewise describes it as the “inhuman screaming of the onrushing dead” (101). When Chamberlain is thick in the defense of Little Round Top, he is alerted to a new Rebel assault. He hears a “weird sound, a wail, a ghost, high and thin. For a vague second he thought it was the sound of a man in awful pain, many men. Then he knew: the Rebel yell. Here they come” (206). This terrifying sound of pain and horror did reflect a gruesome death, as many of the assaulting Rebels would die during the charge. So, while the yell reflects pride and morale, it is followed by violent death for many who produced it.

Angel Statue

One of the most powerful symbols of the novel appears only briefly but presents a haunting image to its readers. When Buford climbs to the top of Cemetery Hill before the battle begins, he rides along the stone wall of the cemetery as he thinks about why the Rebels entered Gettysburg only to abruptly turn around and leave. As he rides, he sees a white angel statue with uplifted arms and a sad face. Later, at the end of the first day of the battle, he returns to the cemetery but cannot find the angel statue. It has likely been destroyed in the battle and symbolizes the dangerous situation now facing the Union Army. More personally for Buford, it reflects the loss of Reynolds, one of the army’s most beloved commanders, who came to his aid when he needed it so desperately.

blurred text
blurred text
blurred text
blurred text