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45 pages 1 hour read

Mark Twain

The Innocents Abroad

Nonfiction | Book | Adult | Published in 1869

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Key Figures

Mark Twain

The narrator and main character of the book, Twain presents a complex and multifaceted persona. A blunt-speaking American from the West, he sees through pretense and fraud immediately. He is sometimes comically belligerent and irritable, sometimes times fun-loving and affable. He is a man with a keen sense of justice and strong democratic sympathies. In a few places, Twain shows a mischievous tendency that recalls Huck Finn (e.g., breaking into Athens at night and stealing grapes from a field). Despite his satirical irreverence, Twain also has a sentimental streak and a reverence for beauty. Twain’s juggling of these different sides of his persona creates the variety of tone in the book, from bitingly sardonic to lyrically poetic.

Twain implicitly identifies with Western (he uses the word “Christian”) culture with its distinctive ideals and standards of living, and he grows more critical of cultures the further removed they are from the Anglo-Saxon world. He is severely critical of Turkish society and mores, for example. However, Twain’s humane sympathy for life underlies even his harshest cultural criticisms. He laments the trampling of local religious sensibilities, mistreatment of animals, and the disrespect shown by an audience of opera fans toward an aging singer. He notes hypocrisy and double standards wherever he finds them, and he questions his own preconceptions.

Another endearing quality of Twain is his readiness to laugh at himself. A good example is his remark about the pre-travel screening test:

I did avoid a critical personal examination into my character by that bowelless committee, but I referred to all the people of high standing I could think of in the community who would be least likely to know anything about me (11). 

“The Oracle”

One of the few travelers whom the book names or discusses is a man the other passengers jokingly call “the Oracle.” He is a typical Twain character, reminiscent of the Dauphin in Huckleberry Finn. Twain describes him as an “innocent old ass” who “never uses a one-syllable word when he can think of a longer one” (45) but never knows the proper meaning of the word anyway. The Oracle enjoys delivering pretentious commentary on the places they are visiting, generally mixing his facts up and citing ancient authorities that don’t exist. We first meet him in Chapter 7 as he talks endlessly to Twain about the Pillars of Hercules off the coast of Gibraltar but calls them the “Pillows of Herkewls.” Later, in Chapter 32, the Oracle looks intently through a spyglass at Scylla and Charybdis (a site famous from Greek mythology) but thinks it is a quite different pair of cities from the Bible. Twain stresses that the Oracle is a lovable figure of fun and not an annoyance. 

“Ferguson”

The travelers audition two tour guides for Paris until finally settling on an urbane, elegantly dressed, and well-mannered man whose name turns out to be “A. Billfinger.” They consider this name unacceptable for a Parisian tour guide, and they try out various flowery French names before finally choosing “Ferguson” for simplicity’s sake.

“Ferguson” turns out to be something of a scoundrel. He gets himself invited to the Americans’ dinners and helps himself to a good portion of their food and wine. While driving them in a coach to various sites, he repeatedly derails the journey by stopping in silk shops to sell dress patterns; thus, he causes them to miss seeing the Louvre. Twain vows vengeance on all Parisian tour guides.

The travelers take to calling all their guides “Ferguson.” Later, a “Ferguson” (it’s not clear whether it’s the same one) leads the travelers through various sites in Italy, and they torment him with asking sarcastic questions. This guide ends up thinking the travelers are “lunatics.”

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