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116 pages 3 hours read

Jennifer Lynn Barnes

The Inheritance Games

Fiction | Novel | YA | Published in 2020

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Chapters 31-40Chapter Summaries & Analyses

Chapter 31 Summary

Avery explores Hawthorne House, starting with the bowling alley. When she enters her initials AKG into the scoring system, a message flashes on the monitor: “WELCOME TO HAWTHORNE HOUSE, AVERY KYLIE GRAMBS!” (127). She wonders if Tobias programmed this before his death: “Was it you? I asked out loud, addressing the words to Tobias Hawthorne” (128). Avery then goes on to the mansion’s athletic complex, where she finds Jameson, drunk and shirtless, scaling a rock-climbing wall. Avery again notices the scar on his torso. She follows him up and slips, but he grabs her hand and saves her. Avery can no longer deny her attraction to Jameson as she watches him: “Jameson Winchester Hawthorne is a very bad idea […] Stop looking at him. Stop thinking about him. The next year is going to be complicated enough without… complications” (129). She then realizes she’s being watched: Grayson is in the room and he’s seen her checking out Jameson.

Chapter 32 Summary

Avery and Jameson resume their mission to find a book that doesn’t have a matching cover in the Hawthorne House libraries. They’re joined by Grayson, who reveals that his letter was identical to Jameson’s. While Jameson is convinced the letter is a clue, Grayson asserts it’s “an indication that [Tobias] wasn’t in his right mind” (133). Avery realizes that if Grayson gives his letter to Zara and Constantine, they might use it as proof that Tobias was insane when he drafted his will and argue that it should thus be voided.

Chapter 33 Summary

Avery, Jameson, and Grayson continue searching for the book without a matching cover. When Jameson is out of earshot, Grayson warns Avery to stay away from Jameson: “He’s a sensation seeker. Pain. Fear. Joy. It doesn’t matter […] He’s hurting, and he needs the rush of the game. He needs for this to mean something” (136). Before Avery can reply, Jameson interrupts them: He’s found what they’re looking for, a book that doesn’t match its cover. The title page reads Sail Away, but the book is The Tragical History of Doctor Faustus. Inside the book, Grayson, Avery, and Jameson find a small red square made of a plastic-like material, acetate. Grayson explains that it’s filter paper and can be used to reveal hidden messages. If you view red ink through the red square, you won’t be able to see it. But if there is another color of ink layered under the red ink, you’ll be able to see it through the red acetate. Avery then discovers some pages of the book have individual words written on them. Avery flips through the book and pieces the words together: Where. A. There is. A. There is. Way. (138). It’s a reference to another adage, “Where there’s a will, there’s a way.” She realizes that there must be another copy of Tobias’s will written in red ink.

Chapter 34 Summary

Avery asks Alisa about the will. Alisa confirms that there is a “red will” and that she will take Avery to view it. However, she insists that Avery first undergo a makeover from two professional stylists she has invited to Hawthorne House. While getting her makeover, Avery notices that Libby is intently checking her phone and realizes from the look on Libby’s face that Drake is texting her. She hopes that Libby isn’t texting him back. Avery complains to Xander about the makeover, noting that if she were a guy, her appearance wouldn’t matter so much. Xander replies: “And if I were white, people wouldn’t look at me like I’m half a Hawthorne” (143). The makeover session concludes when Zara comes by asking to talk to Avery.

Chapter 35 Summary

Zara talks to Avery about the Hawthorne Foundation, which gives away a hundred million dollars to various charities every year. Zara wants to retain her role running the foundation (for which she gets a salary). Avery agrees, provided that Zara includes Avery in foundation decisions going forward. Zara says she will teach Avery what she needs to know and tells her to come to the Foundation after school next Monday. The discussion concludes with Oren entering the room. He clearly doesn’t trust Zara to be alone with Avery. Avery’s lawyers have stopped Zara and Skye from coming after Avery legally, so Zara may now try other tricks.

Chapter 36 Summary

Alisa takes Avery to the law firm Ortega, McNamara, and Jones to see the Red Will. Tobias instructed the law firm to keep the will and to allow Avery or any of the grandsons to read it if they asked. Avery reads the will over using the red filter paper she, Jameson, and Grayson found in The Tragical History of Doctor Faustus. Only four words are hidden: Westbrook, Davenport, Winchester, and Blackwood. These are the middle names of the four grandsons. Avery texts Jameson the news.

Chapter 37 Summary

Back at Hawthorne House, Avery runs into Nash. He reveals that his letter from Tobias had the same message as Grayson’s and Jameson’s. Nash doesn’t seem interested in solving Tobias’s final puzzle. Nash also gives Avery more information about the weekly puzzle challenges the boys were set by their grandfather, something Jameson previously alluded to. He tells her, “Sometimes, at the beginning of the game, the old man would lay out a collection of objects. A fishing hook, a price tag, a glass ballerina, a knife […] And by the time the puzzle was solved, damned if we hadn’t used all four” (154). He then warns Avery: “You might think you’re playing the game, darlin’, but […] you’re not a player, kid. You’re the glass ballerina—or the knife” (154).

Chapter 38 Summary

Avery talks to Jameson about the Red Will. She asks whether the middle names could be their fathers’ surnames. Jameson seems doubtful and says they have to ask Skye why she chose those names. Jameson takes her through a secret passage to Skye’s wing of the house. As they walk, Avery reveals Nash’s theory that she is just one of the clues in Tobias’s puzzle. Jameson disagrees: “You are the puzzle, Mystery Girl” (158). When they get to Skye, they find her drinking champagne in a bubble bath. She agrees to answer their question about the boys’ middle names but only if she can talk to Avery alone.

Chapter 39 Summary

Once they’re alone, Skye demands Avery provide her with future financial support. She also asks Avery about her relationship with Jameson: “What are your intentions toward my son?” (161). She reveals that Jameson was Tobias’s favorite because Jameson is so much like Toby, the son that Tobias lost. Skye explains, “It wasn’t because my Jamie is brilliant or beautiful or charismatic. It was because Jameson Winchester Hawthorne is hungry. He’s looking for something. He’s been looking for it since the day he was born” (161). Skye tells Avery that she’s just another means for Jameson to lose himself and references Emily, saying that Emily served the same purpose. Finally, Skye gives Avery the information she wants: She reveals that the boys’ middle names were chosen by Tobias.

Chapter 40 Summary

Avery tells Jameson that his and his brothers’ middle names were chosen by Tobias. Jameson is stumped. He extends an invitation to Avery: “I’ll show you what I do when I’m working a puzzle and hit a wall” (164). He takes Avery to the Hawthorne House racetrack and shows her the expensive cars. He then takes her for a ride around the track.

Chapters 31-40 Analysis

The pivotal breakthrough in the inheritance games occurs in Chapters 31 to 40, when Avery learns that Tobias chose his grandsons’ middle names. As with every other clue thus far, however, solving the mystery of the Red Will doesn’t offer any definitive answers. If anything, it raises more questions. Namely, why did Tobias give his grandsons those middle names and what is their significance? In this respect, the narrative adopts the pattern of a traditional mystery: Every clue leads to a new clue, bringing the “detectives” of the story, Avery and Jameson, closer to a conclusion without providing a definitive answer.

Chapter 31 marks a shift in the treatment of Tobias’s character when Avery addresses the deceased man aloud, asking “Was it you?” when she realizes someone has programmed a welcome message for her into Hawthorne House’s bowling alley system (128). Avery has already “spoken” to Tobias in her head, but this is the first time she’s talked to him aloud. This change speaks to Tobias’s increasingly powerful presence. As the pieces of the puzzle are put into place, it becomes clearer that Tobias had been planning his family’s disinheritance and setting up this puzzle for years, even decades (for example, when he chose the boys’ middle names upon their births). The ability of the deceased man to manipulate and control the living characters in the book gives him a ghostly presence and adds a touch of horror to the narrative.

These chapters also continue to explore the romantic tension between Jameson and Avery. In the rock-climbing room, after Avery slips and Jameson catches her hand, she can no longer deny her attraction to him. However, she knows a romantic connection with him would be a bad idea and warns herself off it. When seeing Jameson shirtless, Avery again notes his scar—another mystery to be solved. The spark between Avery and Jameson is confirmed by the fact that other characters are now remarking on it, namely Grayson, Nash, and Skye. Since the book is told from Avery’s point of view, this external validation attests to the genuine connection forming between Jameson and Avery.

Avery’s makeover in Chapter 34 marks a moment of symbolic significance. Although she now looks the part, she remains “other” compared to the Hawthorne boys. Even as she becomes closer to them and delves more deeply into their world, her otherness is continually highlighted. Grayson telling Jameson “I was raised to play, same as you” underscores the idea that the boys were “raised to play” in life in a way that would guarantee winning (134). However, Avery was also “raised to play,” as her mother was constantly inventing games to mask how poor they were, like “The Flashlight Game” when the power got shut off (1). The boys were raised to play to win, and Avery was raised to play to survive. However, technically they all were raised to play, a unifying factor that puts Avery, with her smarts, on equal footing with the boys as they work to solve Tobias’s puzzle.

Avery’s exchange with Xander in Chapter 34 raises another type of “otherness” beyond rich/poor. The concept of “Otherness” or “The Other” refers to the way people classify, alienate, and disenfranchise others by constructing them as being different/other. Xander, who identifies himself as a “multiracial James Dean” (25), comments that if he were white, people wouldn’t see him as “half a Hawthorne” (143). Avery then realizes that Xander, because of his race, is also “other” even though he’s a Hawthorne: “It was ridiculous of me to think that Xander didn’t know what it was like to be judged, or to have to play life by different rules” (143).

While Jameson recognized Avery’s abilities early on, when she solved the key puzzle, the other Hawthorne boys don’t share his view that she’s “special.” Nash makes this painfully clear when he uses a metaphor to compare her to one of the objects that their grandfather would provide as a clue for their weekly riddle session: “You might think you’re playing the game, darlin’ […] You’re not a player, kid. You’re the glass ballerina—or the knife” (154). Although the warning may be well-intentioned, telling Avery she isn’t a “player” severely undermines her significance in the book’s narrative.

The allusion to the Christopher Marlowe play The Tragical History of Doctor Faustus fits the book’s sinister tone as the mystery deepens and new threats arise around Avery. The play tells the story of Doctor Faustus, who makes a deal with Lucifer (the devil): He will have 24 years of life on earth with the ability to do magic, but at the end of this 24-year period, he must give his body and soul over to Lucifer. The play concludes with Faustus being dragged off stage to hell.

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