64 pages • 2 hours read
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Omri says he does not want Patrick to use his cupboard to make another tiny person. He believes that it is somehow wrong and that something bad will happen. Patrick says, “I’ve got to—!” (76) and reaches for the pile of toys, but Omri grabs him. They tussle, and the fire spit gets squished under Omri’s shoe. Angry, Little Bear calls Omri a “stupid boy.” Omri apologizes, but the chief grabs the ax and starts swinging at Omri’s leg. Omri evades Little Bear, who begins hacking away at a chair leg. Omri threatens to put Little Bear back in the cupboard; Little Bear drops the ax and turns away from them.
Omri promises to bring back something delicious. He goes downstairs and gets a spoonful of stew before realizing he left Patrick alone with his cupboard. He rushes upstairs, stew flying off the spoon, and finds his friend unlocking the cupboard door. Inside is a live cowboy and his horse; Patrick grabs them and they tumble about on his hand in a panic. The cowboy calms the horse and looks around until he sees the boys’ faces looming above him. He points his pistol at Patrick and fires, and a tiny bullet strikes the boy’s cheek. The boy howls, lets go of the tiny figures, and grabs his cheek. Omri catches cowboy and horse, sets them down carefully on his bed, and assures them he won’t hurt them.
Omri turns to Patrick and says, “Serves you right, I warned you” (81). As he studies the teeny bullet that’s caught like a stinger on Patrick’s face, Omri manages to pinch it and pop it out. They turn and see the cowboy leading his horse across the bed quilt. Omri wants to put them back in the cupboard, but Patrick insists that they are his, adding that Omri would not want him to put the Indian in the cupboard.
Omri remembers Little Bear and finds him painting beautiful images of animals on the handmade tepee. Omri brings him a toy mug of stew, which the Iroquois eats enthusiastically. Little Bear announces that, as chief, he needs a wife. He is troubled that Omri has no wife of his own, but Omri reminds him that he is just a boy. Still, he agrees to visit the store for a woman Indian figurine.
Patrick wants to have the cowboy and Indian fight, but Omri calls him an idiot: “[O]ne of them’s sure to kill the other!” (84) Just then, they hear approaching steps and hide their miniature people. Omri’s mother pokes her head in and says Patrick’s mom wants him home for dinner, and Omri’s dinner awaits downstairs.
Patrick grabs the cowboy and horse and shoves them into his pocket. Omri protests that Patrick should treat them carefully. Patrick wants to take them home and show them to his brother; Omri says that will ruin everything, and Patrick relents. Carefully this time, he pulls cowboy and horse from his pocket and gently hands them to Omri, telling him to take care of them. He insists, though, that Omri not put them in the cupboard but bring them to school, or he will reveal their secret.
Omri puts the cowboy and horse into a clothing crate and gives them bits of food, plus fabric scraps for bedding. The cowboy deliberately ignores him, but when Omri gives him water in a toy bottle, he angrily tosses it out, saying if he cannot hold his liquor like the other cowboys, at least he should do better than giants and blue deserts for hallucinations. He sits down and sobs.
Omri leaves him alone and visits Little Bear, who has finished the paintings and prepares for bed. Omri gives him bits of rodent feed for his horse, then makes the mistake of asking if there’s anything the chief needs. Little Bear wants fire, a tomahawk, and fish to hunt. Using the remains of the firelighter and sticks from the trash bin Omri a tiny blaze a few inches from the tepee. Little Bear enjoys the fire. Omri asks if he will do a dance; the Iroquois says there’s no reason. Omri suggests, “Maybe if I got you a wife—” (89), and Little Bear promises to dance if the boy can find him a bride.
Omri’s mom comes in and kisses him goodnight. He’s dozing when the horses whinny loudly. They’ve smelled each other. Omri realizes they can’t reach each other, and he falls asleep.
A shot awakens him. The cowboy and horse have escaped through a knot pushed out of the wooden crate. A tiny arrow strikes the crate. The cowboy and Indian are firing at each other. Little Bear is the better fighter and is about to kill the cowboy when Omri intervenes, picking up the Iroquoian. The boy explains that the cowboy is Patrick’s project and will leave soon for school.
Little Bear wants to go there, too. He looks down at the cowboy, a redhead, and says his scalp will look good on Little Bear’s belt. Omri says no. The Iroquoian offers to do a dance if he can kill the cowboy; Omri counters that, if Little Bear does that, he won’t get a wife. Little Bear puts away his knife. He says Omri should bring him to school and then to the “plasstick” store, where he can select a wife. Omri says ok.
Omri finds the cowboy on the floor and gives him back his hat, which an arrow shot off of his head. The cowboy thanks him and then laughs about thanking what he thinks is a drunken hallucination. His name is Boone, but his friends call him “Boohoo” because he is soft-hearted and tears come to him easily.
Omri asks what he would like for breakfast; Boone says nothing much—just steak, eggs, beans, coffee.
Omri sneaks downstairs and tries to cook an egg and beans; it comes out partly cold and partly burnt. He brings the skillet upstairs, convinces both tiny men, despite their protests, to eat together, then places them and a spoonful of food on the seed tray, where they eye each other tensely. He gives them bits of bread as spoons. Little Bear digs in, but Boone protests about eating with the “Injun.” Omri says if he doesn’t, Little Bear will learn Boone’s nickname. Boone eats but complains that there is no coffee.
After breakfast, both men stand, taunt each other, and prepare to fight. Omri reminds Little Bear of his promise, but things edge toward conflict. Boone insists that, since his gun is empty, Little Bear drop his knife and fight bare-handed. The Iroquoian does so, and they engage in a no-holds-barred fight with punches, kicks, throws, and dirt to the face. Omri suddenly pins them both, declares the fight a draw, and tells them to get cleaned up for school.
Beginning with Chapter 8, Patrick’s creation of a horse and cowboy and his cavalier treatment of the two tiny men puts the little men’s lives at risk. Omri must adapt quickly to the new demands.
Hanging in the air over the plot is the child’s game of Cowboys and Indians. Plastic toys cannot be hurt, but Omri watches battles between living versions of those toys and realizes that the stakes of a real battle are serious.
The boy manages to quiet the two combatants, but Little Bear is accustomed to warfare, and he shares the love of risk known universally by great warriors from ancient times to modern commando platoons. After the battle with Boone, Little Bear says, “Like danger! Here too quiet. No hunting, him only enemy” (94). This will make Omri’s life even more difficult.
Little Bear speaks in a lingo common to “Indians” in Western films, but major Indigenous American language groups number in the dozens, and it is unlikely that all, if any, such peoples would adopt the same peculiar idioms when speaking English as a second language. Modern critics thus have challenged the standard “movie Indian” speech as demeaning. For simplicity, though, the author adopts the movie jargon: It is well known to children in the author’s homeland, Great Britain, as well as in the US and other English-speaking nations. It was also less likely to be challenged by observers in the 1980s than in the 21st century.
The author makes clear that Little Bear is much more than a toy-store Indian. He is a match for anyone in intelligence, courage, and dignity. Though pulled from his own time into a vastly different culture, he manages to navigate its dangers, learn quickly from his mistakes, and innovate solutions to the problems of living in a giant’s room. The reader gets the sense that it would be an honor to know Little Bear.
In some ways, Boone gets introduced as a cliché cowboy who talks just like an “Injun-hating” cowpuncher from the movies. Again, this simple literary device quickly identifies Boone to children; it also introduces the cowboy’s unthinking bias against Little Bear. Boone also does not like to bathe, while Little Bear keeps himself clean. In these respects, the cowboy loses in the comparison. It is an early example of the book’s main lesson: that people—no matter their culture, appearance, or even their size—always deserve respect.
Pressed by the demands of friendship and fearful that Patrick will make good on his threat to reveal all if Omri doesn’t do as he demands, Omri agrees to bring Little Bear and Boone to school. This also fulfills Little Bear’s need to get out of Omri’s bedroom and see the world. All these clashing desires will explode in the final chapters.